Polonia and Asobi Seksu

My hiatus on blogging has been very long this time, sidetracked as it were by what was supposed to be a quick trip to Poland. And then I helped Dan-ah make her first music video for one of our favorite bands Asobi Seksu.
Asobi Seksu - Me & Mary from Aaron Stewart-Ahn on Vimeo.
My last video got nominated for an award at a film festival devoted to cinematography, Camerimage. Which I would also say is one of the greatest film festivals on the planet for several reasons...
There is no promotion or sales or marketing or hype, it's a celebration to the art of cinematography, which is never lauded enough. So it is people who gather specifically because they are passionate about this singular artform. And these wonderful people who have devoted their lives to the discipline get to be celebrated, and so true legends gather once a year in this small town of Lodz. Nearly every great living cinematographer was there. These are people who you wouldn't know by name but if I tell you that here is the guy who defined the photography of Amelie and this is the man who photographed No Country for Old Men and this was the DP for Terence Malick on this film and this here is the person who worked with Godard and Melville and Chris Marker... I will write more on it later as it was one of the best weeks of my filmmaking life.
While I was there i decided to make a film in Polish in Warsaw with the help of a cinematographer I met there named Anka Malatynska. So off we went, and made a film.
And then I got back, and went right into helping Dan-ah Kim make her first music video for the lovely and amazing Asobi Seksu.
Way back when I started making videos I sent emails to managers of bands I loved and none wrote back. Until four years later, Asobi Seksu got in touch. I came up with an idea and it didn't fly. Dan-ah came up with an idea of how to merge illustration and the band's performance, everyone fell in love with it, so I was like "okay, you're a director now".

We had a ridiculously small budget and a deadline that I honestly did not think we were going to make. We abandoned many ideas and ambitions due to practicality, that most heinous enemy of the imagination while filmmaking. But we did manage to hand animate in camera 3397 individual frames in three days, eschewing any computer compositing.
And I must say that I've become embittered a little making videos but working with James and Yuki was awesome. They even came out to Dan-ah's opening, which was especially sweet and gracious.
For Dan-ah I couldn't be prouder. I think it's a really incredible first video, especially when I look back at my own or think of others. And I got to see a look in her eyes when we finished at 5am that I know I've carried before. Given we started working on this the day after she opened her show at Giant Robot... And the day after we finished a twenty hour day she flew to Sundance to be with the crew she worked on the movie Cold Souls with.
And she puts up with me...
And Dan-ah wonders why she's a little tired these days? Again, I am very proud and want to know what she is eating.









