Giant Robot Store and GR2 News

The best thing about editing Giant Robot magazine was being able to share the rad things that friends do. And make new friends that do rad things. That’s how I feel about my first sizable “solo” project, assembling (and sometimes even participating in) excellent shorts that friends have created and then complementing them with works by new friends. So while the Animal Style (Chicago) and Son of Animal Style (Honolulu, San Diego) skate video programs have given my crew an outlet for their hard work, they have provided me with fodder to keep engaged, keep pushing culture.

And is there a better place to do it than the Hawaii International Film Festival? No other fest balances East and West, high and low, or big budget and indie like HIFF. And while it makes sense for the latest iteration of the Animal Style program to show alongside the long-awaited Bones Brigade: An Autobiography, it’s even cooler that it is on the same roster as Cloud Atlas, Tai Chi 0, and The King of Pigs. It puts skateboard movies in the same conversation as “real” cinema. And with guys like Spike Jonze, Mike Mills, Jason Lee, and even Sam Lee coming from the world of skateboarding, why not?

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The Los Angeles Asian Pacific Film Festival just ended and now I’m wondering what to do. Sounds like a good time to share some pictures. Of course, my focus was on my pals from The Working Man enjoying a moment in the spotlight.

I spotted my good friends Tadashi Suzuki (the star) and Wing Ko (co-director) before the shorts program began, and had a good time hanging out with them, saying hi to friends, and looking forward to their artful skate video’s hometown premiere.

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This isn’t a Top Ten list like “Best Concert, Best Movie, or Best Toy”. It’s a list that’s as important and there are highlights in them all, but by no means is it a Top Ten of anything. They’re just important as everything else – family, friends, and so on. Maybe I’ll try and turn out a list that’s more like that…

 

 We painted the mural on the wall. That alone was an 11 hour project. 

 

Zen Garage – The year started off great with the Zen Garage art opening just a few days before the new year. Yet, the actual New Year’s Day kicked off with the Oshogatsu program at JANM. It was motor vehicles including the Giant Robot Scion Car I designed but also custom motorcycles and the now vintage David Choe Scion. Thanks to Len Higa and Shinya Kimura for jumping on board. The year began with a GR show in a museum – it’s a great start with you get to do a project with friends, new friends, and a place like JANM. Collaboration can be more fun than doing something alone.

 

 It’s great when artists install their own work. 

 

James Jean Art Show – Aside from it being one of the greater or even greatest art shows of the year, it also indelibly marked the night that the earthquake struck Japan. I recall, it was at the after party, the twitter messages were beginning. An 8.9 quake? The thought of a giant quake was one thing, yes there would be lives lost and yes a lot of damage, but less than an hour later, the Tsunami hit the shores and that’s when the things got real, it became internet news for days straight.

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