Giant Robot Store and GR2 News

Aaron and Ayumi are an artist duo known as APAK who hail from of the outskirts of Portland, Oregon. Their art is whimsical and natural that reminds us of a Hayao Miyazaki movie. They created a world from their artwork and it’s ever expanding along their theme. Both real and friendly, the couple have shown their work nearly everywhere.

 

 

Their piece for Robots is stunning and it’s called Diamond Vehicle. It’s below! Take a look at the specs at the Giant Robot site.

 

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Mari Inukai is a friend to Giant Robot much like many other artists. Her work is often depicting her daughter Sena, but not always. Inukai explores popular culture with her own range of characters, which manifested into her own character figure series, Sekaiseifukudan as seen at Giant Robot Store. They’re not toys, but more in line as an artist work. The video below was taken at Comic-Con when Inukai signed figures and charmed new and old fans. [youtube]8b3vpLoUkB0[/youtube]   Her next exhibition, In the Wake of Dreams is below and begins tomorrow. It’s a four person show and should promise beautiful art works. Inukai’s daughter, Sena is pictured below, second from the left.
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NY Times writes about West Coast coffee style. The pour over. It’s been here and yes it’s about Hario brand glassware that makes your morning coffee that much better. Thinking about that espresso machine, grinder, and all that gear? Forget it. Just keep it simple. If you’re going to drink it every day, you might as well make it right. You can go all manual for about $100. It’s too bad they mention Williams Sonoma as the place to get everything. Perhaps they’re a big advertiser in the NY Times, but there are plenty of places to order it online. Just do a search and you’ll probably find a better rate. If not get it locally. Support the shop that carries it. (NY Times – Hario)
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On a visit to Japan nearly two decades ago, I learned that the folks I met were interested in Americans – not Asian or Japanese Americans, but actually it was in their perception of Americans, the “white” ones. My younger cousins who were in the single digit age, expected their American relative to look like Zach from Saved by the Bell. I witnessed them say that I was supposed to have blond hair and blue eyes. Then my friends in Tokyo introduced me to their friends who commented, “he’s just like us”. I thought, ‘cool, but who else could I or should I be?’

In the earlier 90s, after their economic bubble burst, Japan still had Levi’s fever. The US was exoticized and still rare. “Yankee”, an Americanized style party girl was supposed to be “cool”. Shops with American names popped up. As an Asian American in Japan, I was treated as lesser than a Japanese person. I looked the looked, but couldn’t speak the language. If I were white, I’d get a pass into the forefront, but instead, I was a like a mute dog.

My friend Shinya once told me, “maybe Giant Robot will help change how Japanese people see Asian Americans.” He said this in 1996 and I remember that statement to this day. (I can now argue if things have changed or not with or without Giant Robot’s help.)

 

 

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  In this article, graphics legend Tadanori Yokoo does talk about his switch to art. It’s amazing however that despite is long career and influence in culture, that’s he’s not more widely regarded outside of Japan. Most of his well known pieces are his graphics works, which span decades. He’s done albums, movie posters and also fine art. He’s been doing fine art since 1981, and has a following for his works there too. Although the article is also featuring his current works, it still leans towards the posters and graphics which he is still most known. It’s great to see a person switch from being at a peak in a career to something that can be looked at so critically. (Japan Times – Tadanori Yokoo)
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