Giant Robot Store and GR2 News

I went to Comic-Con and actually came back with comic books. Go figure! Above, Congressman John Lewis with his graphic novel debut. Below, some reviews.

Brian Ralph, Reggie-12
Giant Robot readers who lovingly recall the two-color strip that owned the back page for years should be stoked about this. I know I am. With jumbo proportions and a very cool spot-UV job on the cover that has to be seen to be believed, this deluxe collection makes the strips look better than they ever did in the magazine. Bigger, bolder, and run side-by-side, the craftsmanship and storytelling are revealed to be every bit as masterful as the strips that inspired them–Felix, Atom, Nancy. Essential not only for fans of vintage manga but classic comic strips in general. [Drawn and Quarterly]

John Stanley, Nancy
I was already familiar with (and smitten by) Ernie Bushmiller’s strips via the Kitchen Sink reprints, and these stories from the Dell comic books are similarly essential. The four-color reprint gloriously captures the Little Lulu writer’s take on Nancy from 1957 through 1958, and is loaded with surrealism, class consciousness, and classic storytelling. Can be read by children and dissected by art majors with equal enjoyment and gusto. [Drawn and Quarterly]

Shigeru Mizuki, Kitaro
For EC Comics freaks and Takashi Miike junkies alike, this is the holy grail of Japanese horror comics and it is finally being made available to the mass market. Somewhere between The Addams Family and The Twilight Zone in character and tone, the classic manga series which began running in 1959 follows a one-eyed monster boy and his equally whimsical and monstrous yokai friends. Too creepy, fun, and culturally pervasive for words. Just go get it already. [Drawn and Quarterly]

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After attending for 24 years I still love Comic-Con. Crowds and corporations can’t ruin the annual gathering that is Halloween, Christmas, and the first day of summer for me. The costumes, goods, and energy are unbeatable–not to mention hanging out with my twin brother, friends from elementary school, and other people that matter from all over the place. Best Comic-Con ever? It this year felt like that–or at least a return to focusing on comic books for me.

DAY 1

After picking up our badges in perhaps the easiest line ever (one of the things Comic-Con gets right), my brother Greg and I made our annual donations at the Robert A. Heinlein Blood Drive.

Then we went straight to Hall H to catch the panel for Europa Report. I don’t often buy into the lines and hype of the Con’s biggest hall, but couldn’t miss the scoop on the indie sci-fi flick featuring my longtime friend, Hong Kong movie star, and Giant Robot contributor Daniel Wu. Shockingly, the line was reasonable and we were rewarded with an awesome trailer as well as some killer footage accompanied by earth-shaking audio. The panel, which featured director Sebastián Cordero, composer Bear McCreary, actress Karolina Wydra, and two consultants from JPL, focused mostly on how the movie is scientifically sound. Karolina told some pretty funny stories about wearing the scientifically correct spacesuits. The movie looks amazing and intense, and I wish the panel also mentioned the flick’s more kick-ass elements. Too bad there was no time for a Q&A session because I wanted to bring up Dan’s role in it. Go see the film, and get more info here!

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After attending for 24 years I still love Comic-Con. Crowds and corporations can’t ruin the annual gathering that is Halloween, Christmas, and the first day of summer for me. The costumes, goods, and energy are unbeatable–not to mention hanging out with my twin brother, friends from elementary school, and other people that matter from all over the place. Best Comic-Con ever? It this year felt like that–or at least a return to focusing on comic books for me.

DAY 1

After picking up our badges in perhaps the easiest line ever (one of the things Comic-Con gets right), my brother Greg and I made our annual donations at the Robert A. Heinlein Blood Drive.

Then we went straight to Hall H to catch the panel for Europa Report. I don’t often buy into the lines and hype of the Con’s biggest hall, but couldn’t miss the scoop on the indie sci-fi flick featuring my longtime friend, Hong Kong movie star, and Giant Robot contributor Daniel Wu. Shockingly, the line was reasonable and we were rewarded with an awesome trailer as well as some killer footage accompanied by earth-shaking audio. The panel, which featured director Sebastián Cordero, composer Bear McCreary, actress Karolina Wydra, and two consultants from JPL, focused mostly on how the movie is scientifically sound. Karolina told some pretty funny stories about wearing the scientifically correct spacesuits. The movie looks amazing and intense, and I wish the panel also mentioned the flick’s more kick-ass elements. Too bad there was no time for a Q&A session because I wanted to bring up Dan’s role in it. Go see the film, and get more info here!

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A swimmingly excellent novel. I’m Not Saying, I’m Just Saying is a new novel in flash fiction by Matthew Salesses. In 115 chapters, all shorter than a page and some as short as five lines of text, Salesses details a man’s life that is simultaneously falling apart and coming together. A boy who is apparently his moves in with him after the mother passes away. Yet the man continues to juggle two affairs on the side while maintaining a passable relationship with “the wifely woman.” Meanwhile, his career advances, with no discernible effort on his part. Possibly medicated (prescribed and otherwise) into ambivalence, the narrator puts in appearances where and when necessary most of the time, trying to stave off the genuine pain that comes from true engagement. And yet, by taking his poison a thimbleful at a time, the bite eventually seeps in and both the narrator and the reader come to an understanding about his place in the world. Salesses is a husband and a father. His writing has been published widely. Recently, he took the time to share some thoughts about I’m Not Saying, I’m Just Saying with GR.   1) Is it harder or easier to write against type? I can tell you’re a nice guy and a good dad, so what is it like to write about a man who is ambivalent about relationships and fatherhood? I’m not sure whether it’s harder or easier, in general. It’s harder for me to make up someone than to use myself as a character. One thing I like about nonfiction is that I don’t have to worry about how to create fully rounded characters; I only have to worry about how to represent people/myself as fully rounded. The reason to choose fiction over nonfiction is to get at a truth that can’t be gotten at, or can’t be presented, as convincingly in an essay. Which means that in fiction I’m often writing against type, because I want to tell a story, and I don’t generally make a lot of interesting things happen in real life. In this book, that choice meant using the voice of someone more directly conflicted than I am. I could have written nonfiction about my own fear of commitment, but it wouldn’t have been as interesting or convincing (coming from a married man with a daughter) as the story of this narrator, who is deeply afraid and makes choices out of that fear. I guess to answer the question, it would have been harder to write this particular story if the narrator was nicer and a better dad. I’ve never actually seen an Easy-Bake Oven, but I love the myth of it. 2) Flash fiction. Here to stay as a viable format, or something that, in the future, will date all work to 201X? Here since at least Kafka, or maybe oral myths, and here to stay. Also, I remember teachers telling me in undergrad to write fiction that is timeless and would last...
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I love seeing bands start from scratch, evolve, and get over. But it ain’t so bad to catch them when they’re ripe and ready for world domination, either. Such was the case at the Troubadour on Monday night when METZ and White Lung took the stage, coming all the way from the Great White North.

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