Giant Robot Store and GR2 News

1muffs2Last week, I went to see an in-store/record-release show by The Muffs at Amoeba. They played most of the great new LP and were as aweseome as ever–combining ultra-catchy girl group melodies with no-holds-barred punk rock attitude and out-of-this-world musicianship. So it was an honor to see one of my pictures printed full-bleed on the insert. Kim and Ronnie had asked me for the file but I wasn’t sure how it would be used or if it wound up on the cutting-room floor. My photography is far from great but the photo looks pretty damn good printed 12″ by 12″ and there is some poetry in the situation.

You might recall that Giant Robot mag was spawned in the era of punk rock zines. Before starting it, Eric Nakamura and I had both contributed to publications like Fear of Grown-Ups, Flipside, and Fiz, and he actually has had photos printed on Muffs 7″ singles. (So did early GR contributor Vicki Berndt.) The print version of GR has run its course but I still go to shows and take and share photos, so it’s very cool that one of them would be used by one of my favorite bands and I would join the esteemed ranks of Eric and Vicki. Thanks, Muffs!

2muffs1I went to some other shows, too… I think it was Pabst that sponsored a night of heavy music at The Echoplex. Deep Six band To The Point opened, featuring members of Fetus Eaters and Spazz. I only caught a few songs but their powerful brand of hardcore was straight-up, filler-free, and a perfect way to fire up the evening.

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Next up was one of my favorite bands and the new-school kings of skate rock, The Shrine. Does anyone rip harder or have more fun onstage than the trio from Venice? And are there nicer dudes anywhere? So what could be better than having the homies practically in my backyard at a six-dollar show. No, they didn’t play “Symptom of the Universe” (Sabbath, of course). Yes, they sang, “The Duke” (by friend and supporter Chuck Dukowski). Friends on the East Coast and in Japan, don’t miss them when they head your way.

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Photo: Ben Clark

I would have written about Sunday’s Save Music in Chinatown matinee at Human Resources earlier but I’ve been busy writing thank-you letters to friends, helpers, and supporters. The first DIY benefit gig that my wife and I organized to raise funds to pay for music education at our daughter’s school, Castelar Elementary, was awesome and Bob Forrest was a perfect start.

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Photo: Ben Clark

I would have written about Sunday’s Save Music in Chinatown matinee at Human Resources earlier but I’ve been busy writing thank-you letters to friends, helpers, and supporters. The first DIY benefit gig that my wife and I organized to raise funds to pay for music education at our daughter’s school, Castelar Elementary, was awesome and Bob Forrest was a perfect start.

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T.S.O.L. singer Jack Grisham just released a new collection of short stories, Untamed. To celebrate, he had a book signing/punk rock matinee at The Observatory in Santa Ana. For the price of the book you got a free show! I got there just in time to introduce Jack to Eloise, have my copy signed, and catch the end of the afternoon’s final opener. The Detours are a first-wave Orange County punk band, circa 1977. And in addition to decades of shredding to dip into, they can throw in a ripping version of “No Way” (doesn’t hurt that various members have played in The Adolescents, D.I., Christian Death, Social Distortion…). Awesome. Four o’clock headliners T.S.O.L. gleefully served up all the old hits like maniacs, from anarchist rippers like “Abolish Government/Silent Majority” to proto-death rock classics like “Sounds of Laughter.” The pit was raging for a Sunday afternoon, and I was stoked that my five-year-old daughter lasted more than halfway through the set. I was also shocked to find out that the band played a second show that night at an American Legion Hall in Baldwin Park. Damn! Jack says the band is embarking on a South American tour this week, but there’s another chance to get your book signed at Beyond Baroque on June 23. Go! Jack isn’t as scary as you think. PUBLICATION REVIEWS Untamed, Jack Grisham Jack Grisham’s literary work is joyfully twisted, right in step with the T.S.O.L. singer’s musical output (dark, violent) and legend (troublemaker, ass-kicker). And like his memoir, An American Demon, the brand-new collection of 10 short stories by T.S.O.L.’s singer is loosely based or at least inspired by his own life experiences. What’s real and what’s made up provide a ton of subtext for literary punks but fallen angels, torture, murder, and sex with stuffed animals make it a real page turner for anyone. Accompanied by R. Crumb-esque illustrations by Scott Aicher. [Punk Hostage Press] Hard Art, Lucian Perkins This collection of images by Pulitzer Prize-winning photojournalist Lucian Perkins draws not from his stints in Afghanistan, Kosovo, or the Persian Gulf War but the Washington DC punk scene of 1979. The unpublished black-and-white photography captures key gigs in the embryonic punk scene that included Bad Brains (before they left for New York) and Teen Idles (featuring pre-Minor Threat Ian Mackaye and Jeff Nelson). The live shots are stunning but the photos of the audience are just as important–reflecting a real sense of community and not just a star factory. Insightful narrative is provided by none other than participants and musicians Alec Mackaye and Henry Rollins. [Akashic Books] Perpetually Twelve 10 The balance has shifted from words to art in the latest issue of McHank’s zine out of San Diego. Among other pieces, I really dig the hot-rod inspired brushs of Mr. Sleeep and bold inks of Frenemy. McHanks’ fan art is awesome, too. I call it that not disparagingly but because he lovingly depicts Kermit the Frog and Teenage Mutant Ninja Turtles with the...
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The first of three videos based on last month’s Long Beach: Work in Progress conference that I helped assemble has recently been uploaded. Longtime Giant Robot mag readers will be familiar with many faces that are included: Joe Escalante from The Vandals, Chhom Nimol and Zac Holtzman from Dengue Fever, pro skater Chad Tim Tim, W+K’s John Jay, Staple Design’s jeffstaple. I hope you also know Jack Grisham from T.S.O.L., Pulitzer Prize winning food writer Jonathan Gold… Hardcore GR fans will also be familiar with the work of videographer, Ben Clark, my good friend and go-to photographer who shot portraits for many of my key articles: Stephen Chow, Richard Mulder, Boris, P.K. 14. I was really stoked that he got the gig and think his video captures the spirit of the event as well as the vibe of Long Beach. Check out the link on Imprint’s Vimeo page. If you dig it, please share and come back for more on the next couple of Tuesdays. Clockwise from top left: Ben Clark and me, Joe Escalante (The Vandals) and Jack Grisham (T.S.O.L.), Chhom Nimol and Zac Holtzman (Dengue Fever), Jonathan Gold (The Los Angeles Times).
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