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Tempt1 or Tony used to work out of an office near GR years ago. While I can’t say I knew him in any kind of personal capacity except seeing him around and interviewing him one time, he’s now the subject of a documentary. It’s not exactly a happy tale since he’s now fighting ALS and can only move his eyes. The Eyewriter invention (something that was developed with Kickstarter funds) has changed his living quality. He can now draw and such with the movement of his eyes.

He once published a graf mag and I do recall him telling me how he chose to always look where no one else was looking in finding content. Of course, I do want to see this film and I hope it leads to more great things for him.

Takashi Miyakawa is a furniture designer and according to his attorney, the illuminated bags he was putting up was for NY’s Design Week. He put them on lamp posts around town. He was caught by police and was arrested and now getting a month long mental evaluation which means he must have said something odd. (Daily mail UK – Takashi Miyakawa)

Dorky and fun, the Chen Guangcheng look is now viral. There’s plenty of funny version of Chen quick viral images including Shawshank and the Colonel Sanders look. It’s not that exciting, but it’s odd that a man from obscurity just a month ago is now a sensation. (VOA  - Chen Guangchen)

FOR IMMEDIATE RELEASE – Art Exhibition at GR2

Game Over

Video Game Culture Art Exhibition

June 2 -  June 27, 2012
Opening reception Saturday June 2th 2012, 6:30-10pm

GR2 – 2062 Sawtelle Blvd LA, CA 90025 www.gr2.net 310 445 9276

Giant Robot 2 (GR2) presents: Game Over

Video Game Culture Art Exhibition

Artists include:

Aaron Brown, Albert Reyes, Alex Chiu, Ana Serrano, Andrice Arp, Aska Iida, Bradford Lynn, Brian Luong, Bryan Wong, Bubi Au Yeung, Cam Floyd, Carlos Donjuan, Christopher Chan, Cory Schmitz, David Horvath, Devin McGrath, Elizabeth Ito, Elliot Brown, Eric Broers, Erin Althea, Gabe Gonzales, Gary Musgrave, Grant Reynolds, Heidi Woan, James Chong, James Kochalka, Jarrett Quon, Jay Horinouchi, Jeni Yang, Jeremiah La Torre, Jeremy Tinder, Jeremyville, Jeromy Velasco, Jesse Balmer, Jesse Fillingham, Jesse LeDoux, Jesse Moynihan, Jesse Reklaw, Jesse Tise, Jiyoung Moon, John Lau, Kerry Horvath, Kevin Luong, Kio Griffith, Kwanchai Moriya, Lawrence Yang, Linda Kim, Louise Chen, Luke Chueh, Luke Rook, Maiko Kanno, Mare Odomo, Mari Inukai, Mark Ingram, Martin Hsu, Matt Furie, Meatbun, Miso, Nick Arciaga, Patrick Kyle, Peter Kato, Philip Koscak, Renee French, Sana Park, Sara Saedi, Sarah Lee, Sean Chao, Shawn Cheng, Shiho Nakaza, Shihori Nakayama, Sidney Pink, Silvio Porretta, Stasia Burrington, Stephanie Kubo, Theo Ellsworth, Tru Nguyen, Yejin Oh, Yoskay Yamamoto, Yumi Sakugawa and more.

Also there will be playable indie games including the works of programmers Beau Blythe and Shelby Cinca who are creating a game with Sean Chao and Jeni Yang. It’ll be a welcome back to ArtxGames series.

Giant Robot was born as a Los Angeles-based magazine about Asian, Asian-American, and new hybrid culture in 1994, but has evolved into a full-service pop culture provider with shops and galleries in Los Angeles as well as an online equivalent.

Eric Nakamura
Giant Robot Owner/Publisher
eric@giantrobot.com
(310) 479-7311

Otomo Katsuhiro‘s movie, Akira, was my gateway to anime as a teen. Due to this, I was giddier than a kid on a sugar rush when the day came to visit his latest exhibition at the 3331 Chiyoda Arts gallery in Akihabara. Most of the tickets were already sold out because it was the beginning of Golden Week when I attempted purchase passes from the nearest kiosk at Lawson’s. Fortunately, I managed to buy tickets during the latest time slot before the museum closed. The date was set.

My friend and I arrived at the gallery an hour before our time slot. A small park was neighbored its entrance and Chiyoda Arts was apparently a Junior High School before it was renovated into what you see now. We lined up and entered the gallery shortly after our appointed time slot ticked into place.

The exhibit itself was a brightly lit chamber painted with white with music from composer Haishima Kuniaki‘s album, Καρδια, playing eerily in the background. Unfortunately, no photographs were allowed so we couldn’t take any pictures until the “Motorcycle Display.” A few foreign visitors stood out amidst the crowd who undoubtedly were introduced to the medium through Otomo’s work like myself. Sketches and paintings from Otomo-san’s art book, Kaba and Kaba2, were on display and unlike his films, a majority of the pieces featured from Kaba and Kaba2 were lightheartedly strange and semi-cutesey depictions of animals. Others were of sketches from mangas penned by him that I haven’t even heard of up until today. It was different from the Otomo-san that I knew.

Of course, drawing, sketches, and paintings from his landmark films: Memories, Steamboy, Akira, and many others. I can’t say for certain because fine arts (as a profession) isn’t my forte, but on closer inspection, a good deal of them appeared to use water color as a medium. It was impressive to see how much detail that he invested into the pieces crafted by his own hands. Print media barely did the originals any justice.

Next was the exhibit room with the original panels for the Akira manga in all their totality. Yup. Every panel from all 6 volumes was on display in their unvarnished splendor. The number of pages for each book was so immense that they had to stack them row upon row on “shelf wires” suspended through the display case for visitors to see.

The room after that was arguably the main event. For a donation of 500 yen, visitors had an opportunity to don a replica of Kaneda’s jacket from the manga and sit inside a reconstruction of his motorcycle with pages of the manga garnishing its display. A crater rendering a scene from one of his mangas adorned the back of the room. In addition to that, graffiti drawing from visitors plastered a section of the wall in tribute to the event. It was the only part of the exhibit where visitors were allowed to take photos.

At the end of the exhibit, visitors were allowed to slip their ticket stubs into a slot to determine where proceeds from their purchase went towards the Tohoku recovery. A small gift shop for the exhibit stood near the exit where you could buy posters, postcards, the soundtrack for the exhibit, an art catalogue for the exhibit, and other Otomo related paraphernalia. All in all, it was a delightful experience and briefly brought the child in me back to life. If you’re living in Tokyo this is a must see and would be crime against pop culture for any fan to miss.

Paul Kitagaki Jr, photographer unearthed some Dorothea Lange photos from the Internment experience and coupled them with some more recent photos and stories that are now hanging at the San Bruno Bart station which is where Tanforan Race Track, an assembly center for Japanese American was located and 70 years ago. A great concept, history, and the station will probably get more visitors than a gallery show. Take a look at the photos and read the stories. They never get old. SF Gate.

What’s a gallery supposed to do when an artist can’t make it? We’ve had that issue in the past but this time, we did something creative with it. Eishi Takaoka isn’t the most talkative but across the world at his house in Kagoshima, Japan, he joined his solo effort at Giant Robot 2 – I Am Fine. He spoke to visitors as if he was there using Skype video with HD cams. He answered questions with some translation help from Google Translator, our friends Kio and Shihori. (The art is available here.)

Eishi Takaoka provided us with some photos of his pieces right from his work space.

Eishi Takaoka won’t make it to LA for his solo exhibition, but we set up a station towards the back where you can talk to Eishi. We tested it today. He’ll be live starting at around 6pm PST. It’s a wonderful exhibition of intricately carved wood works.

Keith Haring would be 54 today, friday.

Say what you need to, but the show is exciting and fun. Perhaps it does take the DJ event and a crowd. How does it fare with no one in the galleries? Regardless it’s supposed to be 17 days of DJing and it’ll bring out a crowd. The best thing? It’s Ben Jones. The video above. It was a fun transformation of a space. Some of the “artist” might not really make sense, but that’s how it goes. This is a new formation of what a museum can be…

(more…)

Ako Castuera’s THEY ARE US exhibition continues. There’s plenty of great works still available. All the unsolds are sorted in this link. Since there’s so many pieces and it’s hard to tell, we sorted them for you. Search term: Ako Unsold

New jewelry and scarf. Available to OVM.

FOR IMMEDIATE RELEASE – Art Exhibition at GR2

I Am Fine – Eishi Takaoka

May 5 – May 30, 2012
Opening reception Saturday May 5th 2012, 6:30-10pm

GR2 – 2062 Sawtelle Blvd LA, CA 90025 www.gr2.net 310 445 9276

Giant Robot 2 (GR2) presents: I Am Fine

Solo exhibition by Eishi Takaoka

Eishi Takaoka’s work is coming back. Although the sculptures of Eishi Takaoka all portray the same serene expression, their outwardly calm façade belies a world of bottled-up emotions. With nowhere to go, these intense feelings manifest themselves in outlandish formations that sprout out of the top of each figure’s head. The uniquely sculpted heads of Takaoka are rooted in a personal fantasy world that is fueled by the emotional ups and downs of daily life in lower-middle class Japan. He instills his frustration with life in Kagoshima and feelings of isolation into each of the pieces, which are comprised of carved wood painted with raw mineral pigments placed atop empty glass medicine bottles. Takaoka’s pieces have been seen in group shows in Tokyo and New York, one-person exhibitions at Giant Robot New York and GR2 in Los Angeles, and on the cover of novelist Haruki Murakami’s Kafka on the Shore.

For this exhibition, Takaoka will create 34 sculptures at Giant Robot 2 in Los Angeles. He is currently attending school in his hometown of Kagoshima, Japan and will not be in Los Angeles for the opening.

Giant Robot was born as a Los Angeles-based magazine about Asian, Asian-American, and new hybrid culture in 1994, but has evolved into a full-service pop culture provider with shops and galleries in Los Angeles as well as an online equivalent.

Eric Nakamura
Giant Robot Owner/Publisher
eric@giantrobot.com
(310) 479-7311

Available here

Ako Castuera Art Preview Images

FOR IMMEDIATE RELEASE – Art Exhibition at GR2

They Are Us – New Work by Ako Castuera

April 7 – May 2, 2012
Opening reception Saturday April 7th 2012, 6:30-10pm

GR2 – 2062 Sawtelle Blvd LA, CA 90025 www.gr2.net 310 445 9276

Giant Robot 2 (GR2) presents: They Are Us

Solo exhibition by Ako Castuera

Ako Castuera often shows at Giant Robot in group exhibitions. This will be her first solo effort at Giant Robot. Castuera’s work involves a look into the past which has brought us into the present. Along with her sweeping watercolor hills and valleys are dinosaurs and prehistoric animals. Castuera relays their significance as a dreaming point as well as their contribution in our ecosystem. Also in this exhibition will be sculptural work also depicting prehistoric animals captured in a modernistic style. Castuera’s work is colorful, dreamy and captures a concept that explains who we are and where we came from.

Giant Robot was born as a Los Angeles-based magazine about Asian, Asian-American, and new hybrid culture in 1994, but has evolved into a full-service pop culture provider with shops and galleries in Los Angeles as well as an online equivalent.

Eric Nakamura
Giant Robot Owner/Publisher
eric@giantrobot.com
(310) 479-7311