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GR: More recently you've done work with Thurston Moore and Yo La Tengo. What interested you in the rock side of experimental music? Do you plan to do more collaborating outside of the jazz and experimental worlds? SI: It was a pleasure to work with these musicians. They are very unique and have developed their own personal concepts. I always enjoy trying new things. |
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GR: Who do you think is making interesting music these days? Who do you listen to and think, "Wow, that's something else"? SI: I was just talking about something similar to your question. The twentieth century has been so groundbreaking in many ways. Just looking at the arts, it has been revolutionary. I ask the question, "Where has this left us today in the twenty-first century? Where are we taking this culturally and artistically, and what is the intent and ideas behind it?" I have many questions. I enjoy ancient, traditional music and formed genres and styles, as well as experimental and totally new music. I think Duke Ellington summed it up, stating, "There are two kinds of music: good music and bad music." I think this is true. GR: In the underground rock scene, there have been huge changes in the past few years as far as attitudes towards women and Asians as participants and as audience. Do you feel like there have been many changes in your music scene? Do you feel like you are still part of an uphill struggle? SI: I think for an artist, regardless of what minority, it is always an uphill struggle. It is very difficult to be an artist in this society. As for gender in music, I think that today's generation has gotten slowly, progressively better. I do think that and I am optimistic, but it takes effort and time. I think we all play a role in society even if we don't think we do. Our actions, intentions, reactions, and energy, I believe, project into society at large. We can put positive energy out there. I believe in the individual, and that each one makes a difference. |