Giant Robot Store and GR2 News
Greetings from Chicago
Tim Hugh, one man bandleader of the Chicago Asian American Film Festival
This is Tim Hugh and his dog Helga in his kitchen in Chicago. Tim has run the only Asian American Indie Film Fest (i.e. no “imports”) for 12 of the 17 years that it’s been in existence. In this picture, he’s a one man bandleader- running it solo, something I can relate to as a solo musician. I’m in town to promote my film “Daylight Savings” which premiered at SXSW this year, and will be the opening night film this year. Joining me at the screening will be Michael Aki who plays my cousin in the film. I met Mike at this very festival in 2010 when he was showing his films Sunsets that he directed with Eric Nakamura, and his Film Noir tribute “Strangers”
I asked Tim a bunch of questions:
Goh: Why is this festival important?
Tim: It’s one of the only festivals that shows only Asian American films; produced, directed and/or about the Asian American experience. In the midwest more so than the coastal states, you’re constantly asked that stupid question “Where are you from?”… so it’s important to help define what being Asian and American is.
I’m a fourth generation Chinese American. In the midwest, it’s usually under the assumption that you’re just “Asian”… and not “Asian American.” When I see Causasian people I don’t ask them “are you from Poland? are you European?” I just see them for who they are, not what they look like.
Goh: How did you get involved in the festival?
Tim: I was just a fan of the band Seam, and Sooyoung Park, Ben Kim and Billy Shin started the festival in 1995 after they released the Ear of the Dragon CD, which was the first Asian American Rock Compliation. I’d always go and watch everything I could. I’d never seen films like this before; Asian American characters that spoke like me; the actors weren’t forced to speak with a bad accent. I could relate to these images and characters that I was seeing at this festival.
I became obsessed and would watch everything I could, whether it be a feature, documentary, or shorts program. I just wanted to see as much as I could, because I knew I’d never get a chance to see these movies again. Plus, being able to meet the directors and hear them speak about their films was one of the coolest things for me. I remember hanging out with Justin Lin, back when he was just a shorts director.
They noticed me being there year after year, and began to recognize me. Eventually, they would ask me to do little things like hand out program booklets, take tickets, watch the table, and take pictures during the Q&A’s. Basically, I became a volunteer. I remember standing there back in the day giving out Giant Robot magazines!
This isn’t a Top Ten list like “Best Concert, Best Movie, or Best Toy”. It’s a list that’s as important and there are highlights in them all, but by no means is it a Top Ten of anything. They’re just important as everything else – family, friends, and so on. Maybe I’ll try and turn out a list that’s more like that…
We painted the mural on the wall. That alone was an 11 hour project.
Zen Garage – The year started off great with the Zen Garage art opening just a few days before the new year. Yet, the actual New Year’s Day kicked off with the Oshogatsu program at JANM. It was motor vehicles including the Giant Robot Scion Car I designed but also custom motorcycles and the now vintage David Choe Scion. Thanks to Len Higa and Shinya Kimura for jumping on board. The year began with a GR show in a museum – it’s a great start with you get to do a project with friends, new friends, and a place like JANM. Collaboration can be more fun than doing something alone.
It’s great when artists install their own work.
James Jean Art Show – Aside from it being one of the greater or even greatest art shows of the year, it also indelibly marked the night that the earthquake struck Japan. I recall, it was at the after party, the twitter messages were beginning. An 8.9 quake? The thought of a giant quake was one thing, yes there would be lives lost and yes a lot of damage, but less than an hour later, the Tsunami hit the shores and that’s when the things got real, it became internet news for days straight.
In 1986, a wire thin Ralph Macchio was cast again as karate champ “Danny” in Karate Kid 2. This time, he leaves the San Fernando Valley and travels to Japan with his Karate sensei, “Miyagi” played by Pat Morita. Miyagi needs to visit his dying father. Meanwhile there’s drama between he and his old rival friend, but stealing scenes is Danny’s hot female love interest, Kumiko portrayed by Tamlyn Tomita in her acting debut.
At the time, young Asian American female leads were scarce and Tamlyn Tomita became the woman by which many Asian American females were gauged. She was the crush of kids everywhere and 25 years later is quietly celebrating her debuts 25th anniversary. Only the Hawaii International Film Festival screened Karate Kid 2 and invited Tomita to the islands, and that’s where I caught up with her. In her Halekulani hotel suite, I got to sit down with Tomita to ask her every question I had boiling for the last two and half decades.
There’s a joke in my family that when Tamlyn Tomita’s name ever gets brought up, I’m quickly hovering the conversation. Crushes can run for decades.
Here’s a few memorable quotes:
On Karate Kid 2, “Changed by Freakin Life.”
“25 years ago I was known as the Karate Kid Girl, and now I’m known as the Glee mom. If you want any more evidence that 25 years have passed, there you go.”
“I look at a person, ok this one probably in his 40s I’ll refer to Karate Kid, if it’s a woman 25-40 I’ll say Joy Luck Club. If it’s a young teenager, it’s Glee.”