Giant Robot Store and GR2 News

Grand Central Station, one of the busiest terminals in the world, is locked and completely empty. Sandy hammered New York City Monday night. Midtown Manhattan was spared of the worst. We don’t have flooding like other parts of the city, but 39th Street has emerged as the dividing line of the have and have-nots. Of electricity that is. I’m straddling both worlds because while I don’t have power at home, I do at work! Here are some pics from my morning commute. A loss of power doesn’t stop the Korean greengrocer from staying open while nearly all chain groceries and drug stores are closed.   One of my favorite burger joints remains closed, but they prepared as most other businesses did by boarding up the doors and laying down plastic to prevent flooding into the below-the-street storage.   As a former Cub Scout, I know that in the case of rain (or record hurricanes), the flag should be taken down and stored inside. C’mon, closed post-office people!   This Sanitation Dept. big gun is probably headed to the Lower East Side, parts of which are under a few feet of water. Wonder what kind of shape the old GRNY space is in!   Not only are our bus lines down, but so are some of the bus signs! Even though the MTA has suspended trains and buses, cars are still assiduously avoiding the bus lanes even though I doubt they’d be fined at this point.   No days off for Asians! Most countries have closed their consulates for the day — not the Philippines! The guy’s stepped out for a moment, though.
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Years ago, Mondo Kim’s was the premier alternative video store. New, old, rare, and even zines (they carried Giant Robot for years), they were the epicenter of NYC and possibly the entire nation. They were one of the best. They have since closed down like many video stores and their collection is now sort of a mystery. Giant Robot NY was just around the corner and up a couple of blocks. In the Village Voice, is an awesome and long article about Mondo Kim’s video collection. Imagine Yongman Kim’s 55,000 piece of video in all form that needed to find a home. In 2009, the NY Times reported that the collection was going to Italy. The collection is now shrouded in mystery. It’s important, yet also either not utilized much or just non-existant. Why is it there where there seems to be no audience? This article sort of chronicles the collection in it’s present form in true crime style. (Villagevoice – Mondo Kim’s) Thanks to DDK for the link.
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