Giant Robot Store and GR2 News

If you missed my Animal Style/Son of Animal Style program of indie skate shorts by friends in Chicago or Honolulu, you have one more chance. It’s showing as part of the San Diego Asian Film Festival on Saturday, November 3 at 1:00. From noir to pop, documentary to music, skateboarding to comedy, it’s pretty rad. And the skaters? The Working Man Tad Suzuki, SGV’s John Lee, Jesse Neuhaus, Stevie Dread, Eric Murphy, Ray Barbee, Mario Rubalcaba, Willy Santos, and Honolulu’s own APB crew are there, in order. Don’t blink or you might miss cameos by Salman Agah and Jef Hartsel, as well. Check out the program, buy tickets at the festival webpage, and see you there. Pass this on to friends in S.D., too!
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The best thing about editing Giant Robot magazine was being able to share the rad things that friends do. And make new friends that do rad things. That’s how I feel about my first sizable “solo” project, assembling (and sometimes even participating in) excellent shorts that friends have created and then complementing them with works by new friends. So while the Animal Style (Chicago) and Son of Animal Style (Honolulu, San Diego) skate video programs have given my crew an outlet for their hard work, they have provided me with fodder to keep engaged, keep pushing culture.

And is there a better place to do it than the Hawaii International Film Festival? No other fest balances East and West, high and low, or big budget and indie like HIFF. And while it makes sense for the latest iteration of the Animal Style program to show alongside the long-awaited Bones Brigade: An Autobiography, it’s even cooler that it is on the same roster as Cloud Atlas, Tai Chi 0, and The King of Pigs. It puts skateboard movies in the same conversation as “real” cinema. And with guys like Spike Jonze, Mike Mills, Jason Lee, and even Sam Lee coming from the world of skateboarding, why not?

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Some of you might recall that I assembled a program of skateboard videos that played in Chicago back in April. Named Animal Style after the famous Search for Animal Chin, it was a way for me to put the spotlight on some rad Asian and independent filmmakers who just happened to be my friends. Well, now there are two more chances to catch it, as remixed lineups have been announced in Honolulu and San Diego. The core of  arthouse-meets-funhouse pairing of The Working Man and Perfect Timing and Windy City documentary with 20 years of footage The Brotherhood: Chicago has been kept intact, now bolstered by a double-header of skate rock (Traveling Sounds with Ray Barbee and Wide Angle Sounds: Mario Rubalcaba), a skating vs. comedy throwdown in Willy Santos vs. Jo Koy, and a Sampler by Honolulu’s Treevisions crew. The Honolulu screening will also include a bonus feature on local skater/musician Anton Glamb’s First Day of Summer. I’m super excited to not only give my talented friends run for their great work once more, but also to hit the road with many of them. The dates are as follows: October 19, 2012 – Hawaii International Film Festival November 3, 2012 – San Diego Asian American Film Festival Who knows if I’ll ever be invited to do anything like this again, so I hope you click on the links, plan to attend, and get inspired to skate, make movies, or just say hi.
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Norin Radd at Comic-Con 2011

Yesterday I attended San Diego’s annual nerd mecca as as a regular guest–and not a vendor–for the first time since 1995. In many ways, it wasn’t as cool. Namely, I was forced to struggle with the famously difficult online sales just like everyone else. In fact, passes sold out after my 90-minute long wait despite entering [return] the moment they went on sale. I was lucky that another friend did get through that morning, and placed orders for my brother and me so that we wouldn’t miss our first Comic-Con since 1987 and second since 1979. (Thanks, Brian!) Greg and I gladly stood in line for 90 minutes to pick up extremely coveted one-day badges and proceeded to enjoy.

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