The Missing Picture special screening at Art Theatre Long Beach

Cambodia finally has its first entry into the Academy Awards and the movie is now showing at the Art Theatre in Long Beach. In The Missing Picture, director Rithy Panh combines hand-carved figures with archival photos and footage to retell his experiences surviving the Khmer Rouge. The artful and affecting documentary is packed with style, intelligence, and heart, and there really is no other movie like it.

At a special screening on Saturday, March 1 at 3:00 p.m., the director will be on hand to introduce the movie and take part in a panel that also features producer Catherine Dussart, French narrator Randal Douc, and composer Marc Marder. Adding extra perspective are Chhom Nimol from Dengue Fever, Prach Ly from the Cambodia Town Film Festival, Anderson Le from the Hawaii International Film Festival, and yours truly. Moderating will be my friend Julia Huang from interTrend.

Check out the trailer, below, and get tickets at It’s the same price as a regular show even though you also get the panel discussion, a dance performance, and a reception with food and drink… Or reach out to me directly and I’ll see what I can do for you.

More press, in case you aren’t sold yet. Hope to see you there!

“Startlingly, Panh tells his story through a mixture of Khmer Rouge propaganda newsreels and little clay figurines. It was perhaps the only way of managing the devastating memories.” – The Guardian

“Panh’s remarkable new documentary works as a survivor’s testament, a film about memory and loss–and as a self-reflexive essay asking how atrocities should be depicted on screen.” – The Independent

The Missing Picture is personal and unexpected, a documentary that mixes media in an unusual way to very potent effect.” – The Los Angeles Times

“The film, which won the top prize in the Un Certain Regard section at last year’s Cannes Film Festival, uses miniature clay figures and archival newsreels to recount Mr. Panh’s childhood memories—the missing pictures of the title.” – The Wall Street Journal