Softcover, 300 pages, 8.2 x 5.1 inches.
From the author:
"One afternoon, I was watching an interview with the Danish film director, Lars von Trier. He mentioned an anecdote about how he had once hidden under a table in order to avoid meeting David Lynch. Because it had English subtitles, I took screenshots and sent them to my partner, thinking she would enjoy it. When I flipped through the images, I recognized that the scene converted into stills made the story funnier. Not only that, because of the captions, I could literally see sound. For most people, that means nothing, but for a photographer, that was a revelation.
“'Self-Portrait' is a collection of stories, asking how much our past mistakes define who we are, especially in the eyes of others. Once opened, the book becomes a video that must be consumed outside of its normal context. However, what look like screenshots are actually photographs taken on-site with a still camera; and the anecdotes presented are not remotely related to what was being said at the time of documentation. The multiple contradictions, layered upon one another, escalate the drama and comedy with the turning of each page."
Edition of 500.
Full Tilt - 24 Drawings by Wren McDonald
Softcover risograph printed zine, 22 pages. Measures 5 x 3.25 inches.
Printed with Olive, Fluorescent Orange, & Black.
Risograph zine collecting a series of motorcycle drawings by artist Wren McDonald.
Strand Type Zine - A Death Stranding Fanzine
Softcover risograph printed zine, 32 pages. Measures 8 x 10 inches.
Printed with Federal Blue, Fluorescent Orange, & Sunflower.
A loving tribute to Hideo Kojima’s Death Stranding.
Featuring work by Alexis Ziritt, Anabel Colazo, Atelier Sentô, Dodleyz, Jake Terrell, Jan Buragay, Jane Mai, Jeong Jongheon, Kelly K, Luis Yang, Marko K. Gavez, Michael Furler, Mogumu, Mushbuh, Naleb X Quentin Dufour, Pa Luis, Pat Crotty, Richie Pope, Morgan Nix X Ryan Plaisance, Tom Hunter, Wren McDonald
Cover by Mel Tow
Kitchen Table Magazine - Number 7: The Future Issue
Softcover, 120 full-color pages, measures 7.5 x 9.5 inches.
THE FUTURE IS COMING! From the wreckage of late-stage capitalism, Kitchen Table Magazine reimagines Food and the Future. We talk with a Who’s Who of bakers and beekeepers and farmers and chefs in a sprawling survey about our collective journey into the great unknown, and what and how we might be eating in the future.
Things are so weird out there, we can’t accurately predict next week, let alone ten or twenty years down the road. And yet, here at Kitchen Table, we believe in a brighter future and see the potential for resistance and change that exists within ourselves and our communities. So in this world where the future is so uncertain, The Future Issue serves up a feast of ideas, stories, and art to help us imagine what’s next. Join us in shaping the future—one page, one meal, and one conversation at a time.
Kitchen Table Magazine - Number 6: The Pizza Issue
Softcover, 120 full-color pages, measures 7.5 x 9.5 inches.
OOEY-GOOEY, BREADY, SAUCY, CRISPY, CHEESY, CHEWY. Whether you stay pure and only worship the Virgin Margherita or whether you’re an adrenaline junkie who will enthusiastically order a take-and-bake white sauce pie topped with clams, you want—nay, you need—to chow down on Kitchen Table Magazine # 6: The Pizza Issue.
One of the most lovable forms of food, pizza is the staple of late-night work and kid-friendly sports practice celebrations, fuel for drunken nights and stoned days, a salve for hungover mornings, a bribe for the friends who helped you move. It’s convenience food after a long day, or a divine meal worthy of many pilgrimages; a blank canvas for cultural masterpieces.
Whether it’s a recipe passed down through the generations or one created yesterday and served with love to a chosen family, food draws upon our roots and allows us to honor and learn from the past to savor the present and grow in the future.
Pencil Magazine Issue 2
Softcover, 152 pages, measures 6 x 9 inches.
The magazine is 6" x 9" and features 152 (!) pages of original artwork and writing.
The Issue Two cover art is by Monica Larson.
The contributors are: Kristin Albrecht, Diana Baltag, Philip Brou, Joey Bruce, Raffaele Capasso, John Caserta, Saranya Chandrasekaran, Yu-Ching Chiu, Ariel Courage, Bogna Czurczak, Putri Early, Edoardo De Falchi, Wendy Drexler, Grace Dvorak, Charlotte Fleming, Nabiha Ghani, Din ne di, Alison Griffin, Ron Hotz, Nouran Husain, Rebecca Jansson, Herin Kim, Joanne Lam, Monica Larson, Arel Lisette, Brian Lutz, Olivia Mae, Fiona McCrae, Rick Moody, Mallory Murphy, Melissa Meyer, Neil Neill, Viktoriia Pek, Pat Peralta, Amy Jean Porter, Maia Pujara, Jabeen Qadri, Connie Saems, Sarah Shaw, Amanda Stern, Stephanie Tartick, Tyti, Sarah Thigpen, Weef, Ro Williams, Amelia Wiygul
Excerpt from Pencil Magazine: Here at Pencil Magazine, we focus on all the kinds of marks that can be made in graphite. But atop many pencils sits another essential technology — the eraser. If pencils represent the infinite possibilities of creation, then erasers represent the option to change course. Revisions are as much a part of the *work* of art as mark-making. In this issue, 46 (!) artists and writers from around the globe tackle erasers/erasing/erasure in drawings, essays, comics, and other text-image experiments.