Books

Hardcover, 76 pages, 12 x 8.75 inches.

One of two new children's books from Everything Everywhere All at Once director Daniel Kwan, I'll Get to the Bottom of This! tells the story of a rhyming dog detective who sets out to discover who's to blame for a multi-car pileup that has drivers trapped in a tunnel.

Illustrated by Sean Lewis, this story of overcoming differences to find a common solution gets the Daniel Kwan treatment: the detective takes his line of questioning so far that he enters a suspect’s body to question her organs, her brain, and her electrons, before being spat out into the universe in order to question the origin of cosmic energy itself.

With a fun and lively rhyming story, and illustrations chock full of Easter eggs, kids and parents alike will love reading I'll Get to the Bottom of This! aloud and exploring its immersive world.

Softcover, 140 pages, 10.1 x 7.2 inches.

Girls living in a decadent, yet beautiful world.... In the past few years, reoenl has been creating illustrations of characters with various worldviews and backgrounds and has been releasing them through social media and doujinshi (self-published fan magazines). The story "hyka," which was serialized on PIE International's official website, has become a universe that contains all of reoenl's creations. This book is made up of two parts: a booklet summarizing his unique worldview centered on "hyka", and a booklet summarizing various commercial works. It is a must-have complete art collection for fans who want to immerse themselves in the unique and all-consuming world that reoenl creates.

Softcover, 168 pages, 9.5 x 6.5 inches.

Recently, dark, disturbing, aggressive, and distorted worldviews that are opposed to bright, cheerful, healthy, and refreshing outlooks are becoming increasingly popular among a wide variety of content creators.
This book is a collection of more than 130 illustrations with newly drawn artworks by 19 artists depicting attractive bad boys who are all the more irresistible for their provocative, belligerent, defiant, melancholy, perverse, and dark characteristics and worldview.

Softcover, 172 pages, 10.1 x 7.2 inches.

This is the first commercial art book featuring works by sakiyama, a popular illustrator with more than 110,000 followers on Twitter. Ruins, smirking wicked-faced young men, mysterious loners, a riot of wildly scattered flowers and more make up the dark and poisonous worldview that sakiyama is known for, but one that is also wryly humorous. sakiyama’s animated music video production for “Kansaete Kuyashiiwa (so frustrated with my instincts),” a song by ZUTOMAYO, rocketed the artist’s illustrations to international fame. sakiyama is also active across youth culture scenes, especially animated music video production and apparel collaborations.
This book contains over 170 pages of original illustrations, including newly drawn artworks, cartoons, and music video illustrations along with rakugaki sketches posted on Twitter, making this the definitive collection of an illustrator who is at the cutting edge of modern trends.

Softcover, 168 pages, 7.5 x 8.7 inches.

Nanaco Yashiro’s illustrations feature various motifs such as a woman in a feathered robe from Japanese mythology, a large tiger reminiscent of Arabia, a man in a spacesuit, and concept art for an imaginary movie about heaven and hell that the illustrator created herself and are each drawn sometimes in delicately refined watercolor brushwork and at other times in bold strokes with acrylic gouache. While the themes and motifs may vary, all of them depict Nanaco Yashiro’s signature style which is sure to continue fascinating her audience forever. This book contains nearly 120 carefully selected illustrations, including many that have been newly drawn for this book, which are grouped in different themes, such as plants, animals, beautiful women, and fairytales, allowing readers to enjoy the lovely and mysterious world of Yashiro’s works. This book will not only appeal to Nanaco Yashiro's current fans but will also captivate those who are new to her beautiful, delicate, and colorful illustrations.

Hardcover, 104 pages, Measures 9.5 x 11 inches.

Focusing on one of Murakami’s largest and most important works, In the Land of the Dead, Stepping on the Tail of a Rainbow (2014), this book offers a lavish introduction to the work of one of Japan’s greatest artists. This publication provides a broad overview of Murakami's practice and features 12 works from The Broad's substantial collection of Murakami’s work, including his early sculpture DOB in the Strange Forest (Blue DOB) (1999), Flower Matango (b) (2001–6) and such notable later paintings and drawings as Hustle'n'Punch by Kaikai And Kiki (2009), Of Chinese Lions, Peonies, Skulls, and Fountains (2011) and Tan Tan Bo a.k.a. Gerotan: Scorched by the Blaze in the Purgatory of Knowledge (2018).

Softcover, 368 pages, 5.31 x 8 inches.

In this literary tour de force, Karl Taro Greenfield, acclaimed journalist and author of China Syndrome, tells the story of his life growing up with his brother, chronicling the hopes, dreams, and realities of life with an autistic sibling.

Karl Taro Greenfeld knew from an early age that his little brother, Noah, was not like other children. He was unable to communicate verbally or tie his shoes, and despite his angelic demeanor was prone to violent outbursts. No doctor, social worker, or specialist could pinpoint what was wrong with Noah beyond a general diagnosis: autism. The boys' parents dedicated their lives to caring for their younger son—a challenging, often painful experience that their father detailed in a bestselling trilogy of books.

Boy Alone is Karl Taro Greenfeld's unforgettable memoir of growing up in Noah's shadow, revealing the complex mix of rage, confusion, and love that defined the author's childhood—a beautiful, haunting, and wholly original exploration of what it means to be a family, a brother, a person.

Softcover, 300 pages, 8.2 x 5.1 inches.

From the author:

"One afternoon, I was watching an interview with the Danish film director, Lars von Trier. He mentioned an anecdote about how he had once hidden under a table in order to avoid meeting David Lynch. Because it had English subtitles, I took screenshots and sent them to my partner, thinking she would enjoy it. When I flipped through the images, I recognized that the scene converted into stills made the story funnier. Not only that, because of the captions, I could literally see sound. For most people, that means nothing, but for a photographer, that was a revelation.

“'Self-Portrait' is a collection of stories, asking how much our past mistakes define who we are, especially in the eyes of others. Once opened, the book becomes a video that must be consumed outside of its normal context. However, what look like screenshots are actually photographs taken on-site with a still camera; and the anecdotes presented are not remotely related to what was being said at the time of documentation. The multiple contradictions, layered upon one another, escalate the drama and comedy with the turning of each page."

 Edition of 500. 

Hardcover, 288 pages, 5.75 x 8.5 inches.

Jing-nan, owner of a popular night market food stall, is framed for a string of high-profile murders—why does it seem like he's always the one left holding the skewer? The fourth entry to Ed Lin's Taipei mystery series is as hilarious and poignant as ever.

Taipei is rocked by the back-to-back murders of a petty criminal and a police captain just as the city is preparing to host the big Austronesian Cultural Festival. The celebration is set to bring in indigenous performers from all around the Pacific Rim to the island nation of Taiwan.

Jing-nan, the proprietor of Unknown Pleasures, a popular food stand at Taipei's largest night market, is thrown into the intrigue. Is he being set up to take the rap, or will he be the next victim? The fallout could jeopardize Jing-nan's relationship with Nancy, his grad-school girlfriend. Nancy herself has to come to terms with reconciling with her estranged mother, who was living with the murdered criminal, and had an adversarial relationship with the dead cop.

Jing-nan also has to be careful not to alienate his trusty workers Dwayne and Frankie the Cat, who are facing their own personal trials. Dwayne, who is of aboriginal descent, tries to navigate a productive path while respecting his heritage. Septuagenarian Frankie helps a fellow veteran in a contemporary world that seems to have forgotten them.

Jing-nan, meanwhile, is facing his biggest personal and professional challenges yet, and everything is on the line. Worst of all, he could lose followers on social media.

Softcover, 144 pages, 4.3 x 6.3 inches.

This zine by Barry McGee gathers a number of his own photographs, collages, and drawings to create a unique visual language composed of geometrical patterns and recurring symbols. It was published on the occasion of his exhibition towards the end of 2021 at the Perrotin Gallery in Paris. Born and educated in San Francisco, McGee produces works that are candid and insightful observations of modern society, but always with an emphasis on contributing to marginalised communities. He is associated with the Mission School, which emerged in the early 1990s and is primarily influenced by urban realism, graffiti, and American folk art, with a focus on social activism.

56 pages, measures 5.5 x 8.5 inches. Landscape format. Perfect Bind

This modest and beautifully executed booklet is an affectionate glimpse into the people, places and pets that surround the daily life of Giant Robot's own Eric Nakamura. From the inside page:

This is a collection of photos shot in early 2018-2019.

20 pages, measures 5.5 x 8.5 inches.

This modest and beautifully executed booklet is an affectionate glimpse into the people, places and pets that surround the daily life of Giant Robot's own Eric Nakamura. 

From the inside page:

This is a collection of photos shot in early 2018-2019

-Eric Nakamura, 2022

21 pages, measures 5.5 x 8.5 inches.

This modest and beautifully executed booklet is an affectionate glimpse into the people, places and pets that surround the daily life of Giant Robot's own Eric Nakamura. See such familiar faces such as Hellen Jo, Barry McGee, Mike Choi bound in alongside more intimate scenes of family life.

From the inside page:

"This is a collection of photos shot in early 2017. I re-started photography to capture my parents and it has since spread into things related to Giant Robot and beyond. My photos are often personal, yet with the context I've added, I hope they resonate."

-Eric Nakamura, 2019

24 pages, measures 5.5 x 8.5 inches.

This modest and beautifully executed booklet is an affectionate glimpse into the people, places and pets that surround the daily life of Giant Robot's own Eric Nakamura. See such familiar faces such as James Jean, Katsuya Terada, David Choe bound in alongside more intimate scenes of family life.

From the inside page:

"This is a collection of photos shot at the end of 2016 and early 2017. I have the need to say that it was shot on 35mm Tri-X film, and it is also a restart of my film photography work which began in 1986 until around 1996 when my entirety of camera gear was burglarized. Of course I used film for the earlier days of Giant Robot, but those were quick jobs and often not memorable. With digital photography and cellphones being so easy to use, I never thought I'd go back to film. My favorite subjects are starting to become evident, and there are days when I shoot a lot and then there are weeks in between touching the camera. I'll admit I've witnessed plenty of moments pass by and that's how it goes."

-Eric Nakamura, 2019

Softcover, 192 pages, 10.16 x 9.76 inches.

This book is a large-format anthology that introduces 32 contemporary artists and their works depicting near-future and imaginary worlds with a variety of illustration styles and outstanding techniques.

Inside you will find a devastated apocalyptic world, a society with advanced science, humans and cities that are a fusion of machines and advanced technology, characters traveling through an infinite universe, novel gadgets with huge potential, and the future that we may have dreamt of during childhood. Enjoy these highlights from the world of science fiction illustration printed in full color and with a beautiful binding. Also, at the end of the book, there is a feature on the method of Atsuya Uki, a visual artist and illustrator who creates unique worlds with his vivid colors and bold compositions.

Soft cover, 512 pages. 

A GIANT 512-page collection of Katsuya Terada’s RAKUGAKI sketches and illustrations.

The one and only legendary illustrator Katsuya Terada, a.k.a. RAKUGAKING (The Sketch King), well known as a pioneer who is always seeking new ideas and motifs for his drawings, has finally revealed his RAKUGAKI sketches and illustrations, long kept only in his sketch book.

Although most illustrations in this collection have appeared in Terada’s previous international exhibitions (e.g., Giant Robot in Los Angeles), never before has any book collected so many of his RAKUGAKI. This is the best and most comprehensive collection of Katsuya Terada’s pencil sketches, making it a must-have book for both his hardcore fans and also to illustrators in general.

Softcover, 192 pages, 10 x 7.2 inches.

UKUMO uiti (pronounced Wukumo Wu Ichi), is well known in the Japanese illustration community. Daydream brings together selected illustrations from the artist’s 3 Doujinshi collections, “Dreaming Girls”, “The Summer Gate,” and “CEH[A/W],” which sold out immediately. Featuring an additional 20 new and original illustrations, this book showcases about 170 illustrations in total. UKUMO creates background illustrations, fantasy art, and illustrations of girls, and has beeen featured in PIE International’s Background Illustration series.

Fans of Senbon Umimshima, Yogisya, and nekosuke will surely fall in love with UKUMO’s illustrations. The book is divided into themed chapters according to the four seasons and events in each one (e.g. New Year’s Day, Valentine’s Day). Readers can travel through UKUMO’s dreamy world while enjoying Japan’s four seasons at the same time.

Softcover, 128 pages, 9 x 11 inches.

Directed by the remarkable Akira Kurosawa (1910–1998), ‘Rashomon’ was the first Japanese film to receive significant international attention. It was released in 1950 and won several awards, including the Golden Lion at the Venice Film Festival in 1951, while its visionary artistic ambitions became a symbol of Japan’s post-war reconstruction. Now, on the occasion of its 70th anniversary, this volume presents an in-depth look at what the film’s notable production staff accomplished. Filled with original storyboards, screenwriting fragments, production photographs, scripts, posters, and other ephemera, it is a fascinating tribute to one of the greatest, most impactful films ever made.

This book is printed in Japanese.