Comics

Paperback, 228 pages, Measures 6" x 8.5"

Paperback, 8.25" x 6", 272pp, Black & White

Weekly Time magazine sets up a series of culinary battles between the Tozai News's "Ultimate Menu," represented by Yamaoka, and the Teito Times's "Supreme Menu," represented by Kaibara Y zan, Yamaoka's father and nemesis. The ingredient this time is vegetables, specifically cabbages and turnips. Who will win the Vegetable Showdown? Later, Yamaoka and Kurita help Tomii's son get over his hatred of eggplant and patch a rift between lovers using the power of asparagus.

Hardcover, 7.75" x 10.25", 208pp, Full Color

All and Sundry: Uncollected Work 2004-2009 collects Paul Hornschemeier's work from the last five years. These works span mostly periodicals to European museums, including: drawings and comics created for an exhibit in Paris; an award-winning cover exhibited in London; the seventeen-part serialized tale "Huge Suit Visits the People" created for the celebrated German newspaper Frankurter allgemeine Zeitung:; and a few US comic strips for The Wall Street Journal and CNN. The collection concludes with extensive selections from sketches and sketchbooks, demonstrating the variety and depth of the artist's interests and pursuits. All and Sundry invites an examination of the entirety of Hornschemeier's process, from first fevered scrawl to final, pristine brush line.

Softcover, 228 pages, black and white. Measures 6.1 x 8.4 inches.

In the end, we’re all the same…we just want to be smothered like babies against another human’s beating heart

Through a cracked door, heartsick Emi hears a playful growl. Cautiously, she lets her lover in—a wolf of a man wielding a bouquet of roses. His shoulders must have been four inches wider than mine. As I stood behind him, I fantasized about the broadness of his chest and the thickness of his neck…and about becoming his mistress once again.

And so their story goes. For a young woman interested in love without the hassle of a traditional relationship, an affair with someone else’s spoiled husband is just what she ordered—until it’s time to move on.

Then there’s Yuko: with even less time for married men’s shenanigans, she turns her attention to her aging father and the guilt of adultery that has gnawed at his heart for years. Her mother is long dead, yet her memory is enshrined for eternity in their—both father’s and daughter’s—mirrored indiscretions.

Drawn soon after the critically-acclaimed Talk to My Back, the two stories in Second Hand Love mark the triumphant return of Yamada Murasaki, one of literary manga’s most respected feminist voices. Translated by noted historian Ryan Holmberg, this edition includes an interview with the artist from the height of her career in 1985, where her wit and wisdom are on shimmering display.

400 pages, 8.25 x 5.75 inches. Hardcover Graphic Novel Collection.

A must have for horror lovers and manga fans, this collection of 9 chilling, nightmare-inducing tales by Junji Ito will entice any reader.

Paperback, 7.5" x 7.5", 120pp, Full Color

Hilarious, disgusting, mysterious, and cuter than a puppy playing with a kitten, Chocolate Cheeks is the next great "Yikes" book from Steven Weissman. The Pullapart Boy (a 21st Century Frankenstein's monster for kids), his social circle having dwindled down to his stupid brother (Dead Boy), their dead dog (Elzie Crisler), and a fat kid that nobody likes ("Chubby" Cheeks), attempts to make some new friends. Meanwhile, across town, the Little Tin-Stars (Cow-Boy and Cow-Girl) are in a desperate fight against the forces of nature, hostile natives, a river monster, their own horse and a man called Chocolate Cheeks. Juxtaposing gag-driven, newspaper-fashioned strips (employed to great effect in 2006's Chewing Gum In Church) with the sprawling, Western comic approach of his legendary "Look Out For Big Della" (from 2002's White Flower Day), Chocolate Cheeks is Weissman at his best: stunning, memorable, poignant, hilarious, and just gross enough to delight the children.