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Having just posted interviews with singer/guitarist Blake Schwarzenbach and drummer Adam Pfahler about Blackball Records‘ 20th anniversary reissues of Jawbreaker’s Bivouac and Chesterfield King, you probably could have guessed that bass player Chris Bauermeister would be next. Read on, and then order the thick, pristine vinyl or beautifully remastered CD for your listening pleasure. They come out TODAY, so you can pick them up at your favorite local record shop as well. I love all of Jawbreaker’s albums, but these two releases are my favorites. The guys were playing out of their minds, mixing post punk craft, literary but raw lyrics, and noisy-but-beautiful sadness at its roughest. Here’s what Chris has to say about them…

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"This is circa 1991 at our Sycamore Street apartment. Note Zen Arcade and old-school tape recorder for sampling off TV." - Adam Pfahler

The 20th anniversary reissues of Jawbreaker’s Bivouac LP and Chesterfield King EP come out tomorrow. On the heels of our previous dialogue about the remastered vinyl, Jawbreaker’s drummer and Blackball Records honcho Adam Pfahler set me up with singer/guitarist Blake Schwarzenbach, who was kind enough to discuss the albums, revisit the time period, and hash over old cover songs. And once again, Adam provided vintage Polaroids.

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Outside of San Diego, is there a better place to see Hot Snakes (above) and Night Marchers (below) than Alex’s Bar in Long Beach? Two world-class rippers in one world-class dive bar. We arrived at the unusual, awesome, and sold-out matinee on Sunday just in time to see Night Marchers (1/2 or 3/4 of Hot Snakes, depending on who’s drumming for the latter) finish setting up their gear and start their set at the ungodly hour of 4:37. Lots of simmering new stuff from the upcoming album and some fave older roots-garage rockers (“I wanna deadbeat you!“). Everyone’s obsessing over the RFTC reunion happening around Easter, but don’t sleep on the January release featuring the hard-rocking pipes of Swami John Reis.

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His financial rewards for Gangnam style is broken down. It’s not bad for a guy who most of the world didn’t previously know. The money is heavily from commercials and less by his music sales. “PSY and his camp will rake in at least $7.9 million this year, according to an analysis by The Associated Press of publicly available information and industry estimates” (AP – Gangnam)
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Old friends, new bands! I closed out Thanksgiving weekend by seeing Mayuko and Tsuzumi Okai from The Binges in their new group (above) but first things first. I finally got around to catching Dum Dum Girls drummer Sandy in the outfit that she fronts, SISU, on Friday at The Satellite. Along with fellow Dum Dum Jules and friends Ryan, Nathanael, and Chris, Sandy’s “other” band is psychedelic, dark, and gorgeous. It’s way heavier than DDG and also more Goth and complex with its swirling textures and sounds. There are five people in the band for a reason, and the heavy instrumentation supports the ethereal vocals of Sandy insanely well. I bought a hand-stenciled and spray-painted EP to go with my splattered 7″ single and can’t wait to give it a spin. Check ‘em out at the Casbah tonight or Constellation Room tomorrow night if you can. The headliner was Colleen Green, who was practically the opposite of SISU with her ultra stripped-down sound of natural vocals, raw bass, and drum machine. Combine the sincerity of Beat Happening with the lo-fi experimental sound of Blackbird (post Rank & File, Dils) and put sunglasses on it, and you’re getting close to Colleen’s sound. She showed a great sense of humor about her icy cool demeanor by closing her set with a Corey Hart cover. The Okai sisters’ previous band, The Binges, recalled the rock ‘n’ roll spirit of the Cathouse scene of the ’80s. Their newer group, Boost is as ripping as ever but heavier and more influenced by ’70s hessian grooves like Sabbath or Deep Purple. All new songs and all new riffs but there’s still nothing like seeing Mayuko and Tsuzumi dueling on their axes. I don’t know anything about the new singer or drummer (yet) but the band rules and you gotta check them out when you can. More details to come in this blog, for sure. Sunday night’s show at King King was part of the New Years World Rock Festival, which is being shot in five countries and will be shown in Japan. The headlining band showcased finger-tapping bass master Billy Sheehan (Mr. Big, UFO, MSG, David Lee Roth, Steve Vai) in a jam band with Mayuko, Eric Dover (Jellyfish, Slash’s Snakepit), and Ray Luzier (9.0, David Lee Roth, Korn). They played masterful, ripping covers from Led Zep to Deep Purple, with Tsuzumi jumping in for the final song. This top-shelf rock ‘n’ roll was intended to help tsunami victims in Japan but felt pretty excellent for us in the crowd, too.
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