Giant Robot Store and GR2 News
While many of this year’s Comic-Con attendees geeked out on The Walking Dead, Dr. Who, and superhero movie panels, I was foaming at the mouth over Drawn & Quarterly‘s advance release of the Reggie 12 anthology. Each time an issue of Giant Robot was about to hit the presses, I’d get in touch with Brian Ralph to ask him about the back-page strip and he’d always respond that it would be ready soon. I’m pretty sure that he’d start cranking on it right after getting off the phone or closing his email browser.
It was a real honor to have Reggie 12 in Giant Robot. It was also a perfect fit, as well, with Brian’s punk rock background (Fort Thunder), indie publishing past (Highwater Books), and use of vintage manga and robot toy themes (from Mighty Atom to UFO Dai Apolon). Talk about a love connection.
Seeing the strips blown up from magazine size and stock to news digest dimensions with eye-popping two-color is a real treat and, even better, Brian will be hitting the road to promote the book. To help promote both, I hit up my friend (and Professor of Sequential Art at the Savannah College of Art and Design) with some questions. He not only provided informative, funny answers but has given a never-before-seen peek into the conceptual sketches. Hot damn!
While many of this year’s Comic-Con attendees geeked out on The Walking Dead, Dr. Who, and superhero movie panels, I was foaming at the mouth over Drawn & Quarterly‘s advance release of the Reggie 12 anthology. Each time an issue of Giant Robot was about to hit the presses, I’d get in touch with Brian Ralph to ask him about the back-page strip and he’d always respond that it would be ready soon. I’m pretty sure that he’d start cranking on it right after getting off the phone or closing his email browser.
It was a real honor to have Reggie 12 in Giant Robot. It was also a perfect fit, as well, with Brian’s punk rock background (Fort Thunder), indie publishing past (Highwater Books), and use of vintage manga and robot toy themes (from Mighty Atom to UFO Dai Apolon). Talk about a love connection.
Seeing the strips blown up from magazine size and stock to news digest dimensions with eye-popping two-color is a real treat and, even better, Brian will be hitting the road to promote the book. To help promote both, I hit up my friend (and Professor of Sequential Art at the Savannah College of Art and Design) with some questions. He not only provided informative, funny answers but has given a never-before-seen peek into the conceptual sketches. Hot damn!
One of the raddest things about FYF is that the fest doesn’t just give up-and-coming or outsider bands a chance to rip it up in front of huge, curious crowds. They also promote indie and DIY culture in general, with the presence of craft tables and zine and mixtape contests. I think the fact that they give a photo pass to someone like me is part of that. There I was in the photo pit with my little GX1 and pancake lens, surrounded by professional shooters with thousands of dollars worth of bazooka-like gear… Somehow, I got some pretty good shots that I didn’t use in the FYF recap blogs (parts 1 and 2) but still want to share–like the one of No Age, above. The L.A. duo is known for weirdo ripping, but I was going to cry during “I Won’t Be Your Generator” because it sounded so gorgeous when given the fuzzed-out Replacements’ “Answering Machine” treatment. You can tell this outtake was from early in the set because drummer Dean Spunt is still wearing a hat.
I was grateful for the three songs that we were allowed to stand in front and take photos during. But, especially with a band like METZ, I knew certain musicians were just getting warmed up and that the real rocking out would happen toward the end of the set. In the outtake above, the Sub Pop rockers aren’t even covered in sweat yet. I considered setting up shop in the front row for certain bands’ entire sets but never followed through for hygiene reasons.
Since I’m not one of those guys with a hefty lens trying to get a close-up of the singer’s face, I like to stay on the side where it’s uncrowded and try to get the entire band in the frame. Actually, Charles Bradley was on the fest’s biggest stage so I didn’t get the drummer for this particular shot, but I like how you can see the remaining members admiring the former James Brown impersonator’s dance move.
One of the raddest things about FYF is that the fest doesn’t just give up-and-coming or outsider bands a chance to rip it up in front of huge, curious crowds. They also promote indie and DIY culture in general, with the presence of craft tables and zine and mixtape contests. I think the fact that they give a photo pass to someone like me is part of that. There I was in the photo pit with my little GX1 and pancake lens, surrounded by professional shooters with thousands of dollars worth of bazooka-like gear… Somehow, I got some pretty good shots that I didn’t use in the FYF recap blogs (parts 1 and 2) but still want to share–like the one of No Age, above. The L.A. duo is known for weirdo ripping, but I was going to cry during “I Won’t Be Your Generator” because it sounded so gorgeous when given the fuzzed-out Replacements’ “Answering Machine” treatment. You can tell this outtake was from early in the set because drummer Dean Spunt is still wearing a hat.
I was grateful for the three songs that we were allowed to stand in front and take photos during. But, especially with a band like METZ, I knew certain musicians were just getting warmed up and that the real rocking out would happen toward the end of the set. In the outtake above, the Sub Pop rockers aren’t even covered in sweat yet. I considered setting up shop in the front row for certain bands’ entire sets but never followed through for hygiene reasons.
Since I’m not one of those guys with a hefty lens trying to get a close-up of the singer’s face, I like to stay on the side where it’s uncrowded and try to get the entire band in the frame. Actually, Charles Bradley was on the fest’s biggest stage so I didn’t get the drummer for this particular shot, but I like how you can see the remaining members admiring the former James Brown impersonator’s dance move.