Giant Robot Store and GR2 News

Perhaps you were driving around the warehouses of Downtown L.A. or even Pasadena last November and thought you glimpsed Ultraman coming to the rescue of a motorist. You weren’t crazy and it actually happened! Next week, humankind’s champion from Nebula 78 is returning to the American airwaves (and the Internet) to promote State Farm’s services to the Chinese market. The Tsuburaya team flew from Japan to Southern California with their suits and expertise to shoot the campaign and I was there.

At the catering table, I chatted with a Tsuburaya business rep and trainer about what’s happening with the Ultraman franchise these days, as well as what it was like to wear the suit back in the day. Of course, I also snagged time for some pictures with the commercial’s star, Ultraman Neos, a close relative to the costumed hero of my youth and pop culture’s missing link between Superman and Godzilla!

TAKAMISA KITAZAWA (Tsuburaya Sales)

What do you do at Tsuburaya?
I’m a Tokyo-based sales guy who brings Ultraman to other countries.

Did you grow up as an Ultraman fan?
No, because Ultrman didn’t have a TV series from 1980 to 1996. I watched Kamen Rider and Power Rangers, instead.

But there were still stickers, puzzles, and toys. Ultraman is all over Asia! Can you talk about Ultraman’s popularity among Asians?
He is very popular because Asia doesn’t have its own hero and we’ve been showing since the seventies. So people in their thirties, forties, and fifties are familiar with the character. I think that’s why Ultraman is still popular today in all age groups.

What sorts of licensing are you doing in Asia right now?
Right now we’re doing a Happy Meal campaign with McDonald’s. We don’t do alcohol, medicine, drugs, or adult products.

How often is new Ultraman material produced?
We do not produce a TV series every year but try to make a movie or series every other year so people don’t forget about us.

Is it important to keep the costumes, puppetry, and miniature sets that Ultraman is known for instead of using cg for special effects?
Good question. The older generation wants to see the original style but the kids prefer computer graphics because the models don’t look real to them. Two years ago, we used both and there were pros and cons.

You don’t want to mess with a legend, but you need to please the kids.
It’s a challenge to decide to use both or one or the other. It’s very controversial.

Continue reading

Perhaps you were driving around the warehouses of Downtown L.A. or even Pasadena last November and thought you glimpsed Ultraman coming to the rescue of a motorist. You weren’t crazy and it actually happened! Next week, humankind’s champion from Nebula 78 is returning to the American airwaves (and the Internet) to promote State Farm’s services to the Chinese market. The Tsuburaya team flew from Japan to Southern California with their suits and expertise to shoot the campaign and I was there.

At the catering table, I chatted with a Tsuburaya business rep and trainer about what’s happening with the Ultraman franchise these days, as well as what it was like to wear the suit back in the day. Of course, I also snagged time for some pictures with the commercial’s star, Ultraman Neos, a close relative to the costumed hero of my youth and pop culture’s missing link between Superman and Godzilla!

TAKAMISA KITAZAWA (Tsuburaya Sales)

What do you do at Tsuburaya?
I’m a Tokyo-based sales guy who brings Ultraman to other countries.

Did you grow up as an Ultraman fan?
No, because Ultrman didn’t have a TV series from 1980 to 1996. I watched Kamen Rider and Power Rangers, instead.

But there were still stickers, puzzles, and toys. Ultraman is all over Asia! Can you talk about Ultraman’s popularity among Asians?
He is very popular because Asia doesn’t have its own hero and we’ve been showing since the seventies. So people in their thirties, forties, and fifties are familiar with the character. I think that’s why Ultraman is still popular today in all age groups.

What sorts of licensing are you doing in Asia right now?
Right now we’re doing a Happy Meal campaign with McDonald’s. We don’t do alcohol, medicine, drugs, or adult products.

How often is new Ultraman material produced?
We do not produce a TV series every year but try to make a movie or series every other year so people don’t forget about us.

Is it important to keep the costumes, puppetry, and miniature sets that Ultraman is known for instead of using cg for special effects?
Good question. The older generation wants to see the original style but the kids prefer computer graphics because the models don’t look real to them. Two years ago, we used both and there were pros and cons.

You don’t want to mess with a legend, but you need to please the kids.
It’s a challenge to decide to use both or one or the other. It’s very controversial.

Continue reading
King Buzzo played his first ever acoustic set at the Satellite last night and it was amazing. I really didn’t know what to expect when Scion announced the free show. Would it be Melvins Lite light? Were marshmallows going to be provided for “Kumbaya” moments? No way. It was heavy as shit, with Buzzo singing as if he heard the bone-crushing music of the Melvins in his fuzzy head while trying to break his acoustic axe’s unorthodox-tuned strings with every stroke. The badass set started with a super dark Alice Cooper cover and ended with my favorite Japanese psychedelic doom metal band’s namesake song, “Boris.” Somewhere in the middle of the show he previewed a cut off his upcoming album and surveyed a bunch of Melvins tunes. It was great. You had to be there–or not. There was a ton of SLR-wielding dudes filming the event so you should be able to check it out on the Scion AV site one of these days… Props to Tweak Bird for playing a far-out opening set. I arrived half-way through and was stuck in the back of the room, too far to take photos, but they ripped. BONUS REVIEWS You might have noticed that the GR site went down a week or so ago. Here are some friends’ shows that were casualties but need to be on this blog… Dum Dum Girls record release show at The Echo on January 28. I like the new LP but the new songs sound even better with the proper band propelled by my pal Sandy Vu’s killer chops and beats. Killer set of psychedelic pop goth with an extra dude added for bonus texture. I expect this lineup to be out of their collective minds by the time they hit Coachella. A Minor Forest at The Satellite on February 8. Back in the day, drummer Andee Conners stayed at my house with J Church, P.E.E., and this band, A Minor Forest, which just got back together for some reunion shows. They were tighter, heavier, and more mathy than ever. Perhaps more fun, too. So great to seeing him and the dudes in action and hanging out on the sidewalk, as well as opener Rob Crow. Kevin Seconds at Amoeba Hollywood on February 13. Okay, I don’t personally know the singer from 7 Seconds but Eloise is now part of the youth crew after attending the in-store commemorating his great new solo album. Accompanied by his wife Allyson and Kepi Ghoulie, the new songs aren’t meandering singer-songwriter stuff but brief, earnest bursts of energy that rip. Sound familiar? Save Music in Chinatown 2 on February 9 at Human Resources. Our fundraising has now reached about $7,500 to put toward music education at Castelar Education in Chinatown. The lineup of our second benefit matinee was a dream for me: DJ Adam Bomb from KXLU’s Bomb Shelter played first-generation L.A. punk and hardcore (Weirdos, Circle Jerks, X, Dils, Adolescents…) complemented by vintage 7″ singles from my friends from...
Continue reading
King Buzzo played his first ever acoustic set at the Satellite last night and it was amazing. I really didn’t know what to expect when Scion announced the free show. Would it be Melvins Lite light? Were marshmallows going to be provided for “Kumbaya” moments? No way. It was heavy as shit, with Buzzo singing as if he heard the bone-crushing music of the Melvins in his fuzzy head while trying to break his acoustic axe’s unorthodox-tuned strings with every stroke. The badass set started with a super dark Alice Cooper cover and ended with my favorite Japanese psychedelic doom metal band’s namesake song, “Boris.” Somewhere in the middle of the show he previewed a cut off his upcoming album and surveyed a bunch of Melvins tunes. It was great. You had to be there–or not. There was a ton of SLR-wielding dudes filming the event so you should be able to check it out on the Scion AV site one of these days… Props to Tweak Bird for playing a far-out opening set. I arrived half-way through and was stuck in the back of the room, too far to take photos, but they ripped. BONUS REVIEWS You might have noticed that the GR site went down a week or so ago. Here are some friends’ shows that were casualties but need to be on this blog… Dum Dum Girls record release show at The Echo on January 28. I like the new LP but the new songs sound even better with the proper band propelled by my pal Sandy Vu’s killer chops and beats. Killer set of psychedelic pop goth with an extra dude added for bonus texture. I expect this lineup to be out of their collective minds by the time they hit Coachella. A Minor Forest at The Satellite on February 8. Back in the day, drummer Andee Conners stayed at my house with J Church, P.E.E., and this band, A Minor Forest, which just got back together for some reunion shows. They were tighter, heavier, and more mathy than ever. Perhaps more fun, too. So great to seeing him and the dudes in action and hanging out on the sidewalk, as well as opener Rob Crow. Kevin Seconds at Amoeba Hollywood on February 13. Okay, I don’t personally know the singer from 7 Seconds but Eloise is now part of the youth crew after attending the in-store commemorating his great new solo album. Accompanied by his wife Allyson and Kepi Ghoulie, the new songs aren’t meandering singer-songwriter stuff but brief, earnest bursts of energy that rip. Sound familiar? Save Music in Chinatown 2 on February 9 at Human Resources. Our fundraising has now reached about $7,500 to put toward music education at Castelar Education in Chinatown. The lineup of our second benefit matinee was a dream for me: DJ Adam Bomb from KXLU’s Bomb Shelter played first-generation L.A. punk and hardcore (Weirdos, Circle Jerks, X, Dils, Adolescents…) complemented by vintage 7″ singles from my friends from...
Continue reading
Cambodia finally has its first entry into the Academy Awards and the movie is now showing at the Art Theatre in Long Beach. In The Missing Picture, director Rithy Panh combines hand-carved figures with archival photos and footage to retell his experiences surviving the Khmer Rouge. The artful and affecting documentary is packed with style, intelligence, and heart, and there really is no other movie like it. At a special screening on Saturday, March 1 at 3:00 p.m., the director will be on hand to introduce the movie and take part in a panel that also features producer Catherine Dussart, French narrator Randal Douc, and composer Marc Marder. Adding extra perspective are Chhom Nimol from Dengue Fever, Prach Ly from the Cambodia Town Film Festival, Anderson Le from the Hawaii International Film Festival, and yours truly. Moderating will be my friend Julia Huang from interTrend. Check out the trailer, below, and get tickets at arttheatrelongbeach.com. It’s the same price as a regular show even though you also get the panel discussion, a dance performance, and a reception with food and drink… Or reach out to me directly and I’ll see what I can do for you. More press, in case you aren’t sold yet. Hope to see you there! “Startlingly, Panh tells his story through a mixture of Khmer Rouge propaganda newsreels and little clay figurines. It was perhaps the only way of managing the devastating memories.” – The Guardian “Panh’s remarkable new documentary works as a survivor’s testament, a film about memory and loss–and as a self-reflexive essay asking how atrocities should be depicted on screen.” – The Independent “The Missing Picture is personal and unexpected, a documentary that mixes media in an unusual way to very potent effect.” – The Los Angeles Times “The film, which won the top prize in the Un Certain Regard section at last year’s Cannes Film Festival, uses miniature clay figures and archival newsreels to recount Mr. Panh’s childhood memories—the missing pictures of the title.” – The Wall Street Journal
Continue reading