Giant Robot Store and GR2 News

She is quietly judging your diet as you consume a double cheeseburger and slurp a hopscotch concrete. This giant Asian head will leave Madison Square Park (probably best known as the location of the original Shake Shack) after August 14. The artist is Jaume Plensa of Barcelona and this nontalking head is known as Echo. From a distance, it looks as if the face (so life-like, it seems ready to open its eyes and speak) is projected onto a blank wall, but as one approaches, the marks of a sculpture become more clear. Even though the installation was just for a little while, it’s nice to know that Asians can still get a head in the city.
Continue reading
  In this article, graphics legend Tadanori Yokoo does talk about his switch to art. It’s amazing however that despite is long career and influence in culture, that’s he’s not more widely regarded outside of Japan. Most of his well known pieces are his graphics works, which span decades. He’s done albums, movie posters and also fine art. He’s been doing fine art since 1981, and has a following for his works there too. Although the article is also featuring his current works, it still leans towards the posters and graphics which he is still most known. It’s great to see a person switch from being at a peak in a career to something that can be looked at so critically. (Japan Times – Tadanori Yokoo)
Continue reading
  Jonathan Gold, friend of Giant Robot and writer for the LA Weekly, talks about shark finning, enjoying it, but understanding what’s going on with extinction. It’s an op/ed for the LA Times. “But Chinese culinary culture has proved resilient over the centuries, as able to absorb such foreign ingredients as chiles and squashes as it has been to withstand the absence of sea turtle skirt and bear paw, whose preparation obsessed the earliest Chinese gourmets.” (LA Times – J Gold)
Continue reading

 

During daylight hours, a look up in the sky might yield nothing but blue, the white of the clouds, and the brightness of the sun. Mixed in, yet invisible to our eyes is the original light show – the Perseids. Our worlds pass each other once a year during the summer, and on a clear night that’s away from available light and away from the moon, streaks of wonder fly by night.

It all began on a whim, the idea of photographing at night, the stars, and flashes of burning out comet debris sounded like a perfect combination. Under a canopy of stars looking down, our lenses point upwards trying to catch the contrast of Earth’s nature – trees and mountains, and the cosmos. Just one year ago during the first trip up the 5 freeway equipped with an iPhone for directions, we pulled over on the side of the highway at an elevation of around 3000 feet and began shooting aimlessly. The stars were huge and plentiful, and craning our necks and freezing at the same time, we were dwarfed.

The “astronography” gives us something to do. Some might think it’s like seeing ping ponging of light, but it’s much slower. Undoubtedly there are hundreds happening at once, but visible to us might be a one a minute. They cluster and at times it’s three, and then it’s silence. Another one or two, then more silence. It becomes a marathon of gazing and waiting for the powerful streak that lights up the sky. At times, there’s a color to them. It’s not just white. Sometimes, they’re bluish or more yellow. It happens once or twice a night and concludes in a split second and imprints a vapor trail in our minds. A camera capturing it makes it all better, especially for the “working man,” who can’t fathom the 40 degree cold and almost overnight hours.

(the top photo is a portion of the Milky Way Galaxy)

Continue reading