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Has Mario Rubalcaba ever been in a less-than-killer band? John Reis? Ian Svenonious? James Canty? No way, not even sub-par despite surveying a variety of collaborators, genres, and styles. Add to the list of rad musicians in a ton of impeachable bands Sandra Vu. I dug Midnight Movies, love Dum Dum Girls, and am a massive supporter of her psychedelic goth solo gig, SISU. I’m dying to hear her new material live and extra stoked that she and her crew are touring with Alex Hungtai a.k.a. Mr. Dirty Beaches. Dude. That is a rad lineup and I hope this brief Q&A inspires some of you to check it out. MW: I still haven’t heard the new Blood Tears LP! How does it compare to the Light Eyes EP in terms of recording or even just the sound in general? SV: We need to get you the LP! We had no budget for the EP, so the main technical difference is that Lars Stalfors didn’t mix it and Ryan Wood wasn’t as involved in making it. He was just too busy so I pretty much made it on my own. There are also no live drums on the EP, which was a limitation of not having enough to make it sound good enough. The EP is just about as lo-fi as I’m willing to go. Other than these technical things, the songs themselves are relatable but different. Blood Tears is more immediate to me, the songs on the whole are tend to be structurally more simple. I worked on the bass guitar more on the EP, and two of the main songs “Light Eyes” and “Two Thousand Hands” are meatier–longer, denser. The songs on both LP and EP were written in the same time period, but the EP was completed after. It came about in the long waiting period of trying to plan the LP release. MW: During the Dum Dums’ downtime, SISU plays a lot! How has the band been evolving? SV: We play any opportunity we get! I’m really proud of how the band has evolved. SISU is essentially a studio project, but it’s been really fun to take it further in the live show. Since I switched from playing bass to guitar live, it’s opened up a whole new world. Playing bass for me is more rigid, you’ve got to play it 100 percent correct and on, or else the bottom will drop out. On guitar, I get to wiggle around a little more which is really fun. I add parts that aren’t on the recordings; sometimes I wing it a little. On the other hand, it’s a pretty challenging job for my bandmates, who have been thankfully open to adapting to so many different configurations. We can play shows as a 2-, 3-, 4-, or 5-piece band, with different members on both coasts. It’s insane! Tito can now switch between stand-up drums, second guitar, and bass guitar. We had Jules pick up the guitar when we do...
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How rad is it to have a friend who started her own shoe company? How rad is it that she would release a kick-ass Dinosaur Jr. shoe that comes with a 7″ picture disc of J Mascis covering Mazzy Star’s “Fade Into You”? Hot damn! I had to ask Una Kim for more details about this shoe and how it came to be.

MW: I have no doubt people are going to listen to the record, which is a real dream. Do you expect to see guys out in the streets wearing the shoes or are they more like collectibles?
UK: I hope so, though purple is a bold color. I appreciate collectors–some of my closest friends are mega collectors–but I’ve always liked seeing Keeps on the streets. To each his or her own. I know I will wear mine. I hope collectors will buy one to wear and one to save, like they’d do with magazines or records. Keep one sealed! Since all net proceeds benefit the humanitarian work of Amma, J’s guru, it all goes to a good cause.

MW: How did you approach J about the project? Did he require much convincing?
UK: My awesome friend Tiffany Anders connected me with J. She brought him over to a BBQ at my house and it all went pretty easily from there. I am really grateful to Tiffany because this project, in particular, has a lot of meaning for me. Getting the chance to collaborate with Dinosaur Jr. is a like a dream come true, and when I listened to the test pressing of the 7″ I almost cried. These kinds of projects really make me feel stoked and appreciative.

MW: What was the collaborative process like? Did you run options by him? Did he throw ideas your way?
UK: J knew exactly what he wanted. His favorite color is purple so that was pretty clear from the start. And he liked this Guitar Strap Ramos that we had made in a previous season, so he got ideas from that design which ended up as an embroidery along the back of the shoe that was inspired by his own guitar strap. The shoe is very, very much a reflection of J.

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How rad is it to have a friend who started her own shoe company? How rad is it that she would release a kick-ass Dinosaur Jr. shoe that comes with a 7″ picture disc of J Mascis covering Mazzy Star’s “Fade Into You”? Hot damn! I had to ask Una Kim for more details about this shoe and how it came to be.

MW: I have no doubt people are going to listen to the record, which is a real dream. Do you expect to see guys out in the streets wearing the shoes or are they more like collectibles?
UK: I hope so, though purple is a bold color. I appreciate collectors–some of my closest friends are mega collectors–but I’ve always liked seeing Keeps on the streets. To each his or her own. I know I will wear mine. I hope collectors will buy one to wear and one to save, like they’d do with magazines or records. Keep one sealed! Since all net proceeds benefit the humanitarian work of Amma, J’s guru, it all goes to a good cause.

MW: How did you approach J about the project? Did he require much convincing?
UK: My awesome friend Tiffany Anders connected me with J. She brought him over to a BBQ at my house and it all went pretty easily from there. I am really grateful to Tiffany because this project, in particular, has a lot of meaning for me. Getting the chance to collaborate with Dinosaur Jr. is a like a dream come true, and when I listened to the test pressing of the 7″ I almost cried. These kinds of projects really make me feel stoked and appreciative.

MW: What was the collaborative process like? Did you run options by him? Did he throw ideas your way?
UK: J knew exactly what he wanted. His favorite color is purple so that was pretty clear from the start. And he liked this Guitar Strap Ramos that we had made in a previous season, so he got ideas from that design which ended up as an embroidery along the back of the shoe that was inspired by his own guitar strap. The shoe is very, very much a reflection of J.

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These days, going to four shows in seven days is a pretty rare and awesome treat for me. Even more amazingly, I took my five year-old daughter to three of them (not Channel Three at Alex’s Bar, above).

The Three O’Clock played their final reunion show at Fingerprints Music in Long Beach last Monday. I missed their shows at Coachella, The Glass House, and The Troubadour, and was stoked that they played a couple of in-stores to celebrate the release of their essential new CD which compiles demos, alternate mixes, and favorites. At Fingerprints the Paisley Underground standouts played the entire Baroque Hoedown EP, including their signature cover of The Easybeats’ “Sorry,” and three songs off of Sixteen Tambourines LP with “On My Own” and The Bee-Gee’s “In My Own Time.” Wow.

I recall my twin brother and I were promoted from junior high, our parents bought us $40 worth of records. Our first batch included The Clash’s London Calling, David Bowie’s Let’s Dance, and Baroque Hoedown. One of our first concerts was seeing them play at Magic Mountan on the very stage featured in KISS Meets The Phantom of The Park. Who would have thought that I’d be taking my daughter to heard that record performed in its entirety and meet the band? Yes, they were very cool…

On Friday afternoon, I took Eloise to see SISU celebrate the release of their great new EP at Origami Vinyl. It was incredibly hot and humid that afternoon and the acoustics are tough playing in the loft-like space, and maybe that’s why the band showed a really raw, almost dubby side that I never noticed before. The new songs sounded amazing. Too bad Eloise passed out as I carried her. Gotta arrange a lunch with my daughter, Sandy and Jules to make up for her missing the end of their set… She was bummed when she woke up at home because she loves them in SISU as well as Dum Dum Girls.

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Old friends, new bands! I closed out Thanksgiving weekend by seeing Mayuko and Tsuzumi Okai from The Binges in their new group (above) but first things first. I finally got around to catching Dum Dum Girls drummer Sandy in the outfit that she fronts, SISU, on Friday at The Satellite. Along with fellow Dum Dum Jules and friends Ryan, Nathanael, and Chris, Sandy’s “other” band is psychedelic, dark, and gorgeous. It’s way heavier than DDG and also more Goth and complex with its swirling textures and sounds. There are five people in the band for a reason, and the heavy instrumentation supports the ethereal vocals of Sandy insanely well. I bought a hand-stenciled and spray-painted EP to go with my splattered 7″ single and can’t wait to give it a spin. Check ‘em out at the Casbah tonight or Constellation Room tomorrow night if you can. The headliner was Colleen Green, who was practically the opposite of SISU with her ultra stripped-down sound of natural vocals, raw bass, and drum machine. Combine the sincerity of Beat Happening with the lo-fi experimental sound of Blackbird (post Rank & File, Dils) and put sunglasses on it, and you’re getting close to Colleen’s sound. She showed a great sense of humor about her icy cool demeanor by closing her set with a Corey Hart cover. The Okai sisters’ previous band, The Binges, recalled the rock ‘n’ roll spirit of the Cathouse scene of the ’80s. Their newer group, Boost is as ripping as ever but heavier and more influenced by ’70s hessian grooves like Sabbath or Deep Purple. All new songs and all new riffs but there’s still nothing like seeing Mayuko and Tsuzumi dueling on their axes. I don’t know anything about the new singer or drummer (yet) but the band rules and you gotta check them out when you can. More details to come in this blog, for sure. Sunday night’s show at King King was part of the New Years World Rock Festival, which is being shot in five countries and will be shown in Japan. The headlining band showcased finger-tapping bass master Billy Sheehan (Mr. Big, UFO, MSG, David Lee Roth, Steve Vai) in a jam band with Mayuko, Eric Dover (Jellyfish, Slash’s Snakepit), and Ray Luzier (9.0, David Lee Roth, Korn). They played masterful, ripping covers from Led Zep to Deep Purple, with Tsuzumi jumping in for the final song. This top-shelf rock ‘n’ roll was intended to help tsunami victims in Japan but felt pretty excellent for us in the crowd, too.
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