It’s the Year of the Horse which officially takes place January 30th, but on saturday, Feb 1st, 2014, Giant Robot will celebrate Year of the Horse with a group exhibition featuring 50+ artists. Horses are a constant great subject in art, and this will be an interesting and fun exhibition.
Featuring: Andrice Arp, Bubi Au Yeung, Rob Bellm, Elliot Brown, Aaron Brown, Stasia Burrington, Ako Castuera, Christopher Chan, Kris Chau, Shawn Cheng, Luke Chueh, Leah Chun, Theo Ellsworth, Cam Floyd, Kio Griffith, David Horvath, Martin Hsu, Mari Inukai, Levon Jihanian, Andrea Kang, Jeremiah Ketner, Jon Lau, Gosha Lev, Tiffany Liu, Jerome Lu, David Mack, Jim Mahfood, Jeff McMillan, Kwanchai Moriya, Masato Nakada, Shihori Nakayama, Shiho Nakaza, Tru Nguyen, Yejin Oh, Mu Pan, Sidney Pink, Sara Saedi, Yumi Sakugawa, Ken Taya, Daria Tessler, Jesse Tise, Jen Tong, Edwin Ushiro, Patricia Wakida, Christine Wu, Yoskay Yamamoto, Kohei Yamashita, Jeni Yang, APAK, Omocat, Miso, PCP, Feric, Little Friends of Printmaking and more.
New Exhibition Coincides With 20th Anniversary of Giant Robot Magazine Celebrating Asian American Pop Culture and Beyond
(Oakland, CA)—This spring, the Oakland Museum of California (OMCA) presents the major exhibition SuperAwesome: Art and Giant Robot. On view in OMCA’s Great Hall from April 19 to July 27, 2014, the exhibition features 15 contemporary artists that have been inspired by the artistic sensibility of Giant Robot throughout its 20-year evolution.
Co-curated by Giant Robot visionary Eric Nakamura and OMCA’s Associate Curator of Art & Material Culture Carin Adams, SuperAwesome presents new or recent works by California and international-based artists affiliated with the culture and aesthetic of the popular magazine that brought Asian, trans-Pacific popular culture to mainstream audiences in the United States. Artists featured in the exhibition include: Ako Castuera, Sean Chao, David Choe, Luke Chueh, Hamburger Eyes, Andrew Hem, James Jean, Kozyndan, Masakatsu Sashie, Shizu Saldamando, Rob Sato, Amy Sol, Deth P Sun, and Adrian Tomine. Art works in the exhibition represent a range of mediums, including mural art, sculpture, illustration, portraiture, large-scale installations, graphic novels, photography, and more.
In addition, the exhibition features Giant Robot magazines and ephemera, vinyl toys, custom vending machines, and the original Giant Robot Scion XB. Designed by Eric Nakamura, inspired by Nintendo’s Famicom gaming console, and fabricated by Len Higa, the car-turned-interactive gaming station boasts built-in sound and projectors. Visitors will be able use the car to play the original game Return of the Quack by Chevy Ray Johnston with graphics by Matt Furie.
“SuperAwesome: Art and Giant Robot will emphasize the larger pop cultural context that informed so much of the early days of Giant Robot.” says Carin Adams, OMCA’s Associate Curator of Art & Material Culture. “In addition to recent work, OMCA is excited to present new installations such as a custom mural by David Choe—who painted a mural on the Facebook campus, as well as a large scale outdoor mural in our Oak Street Plaza by Andrew Hem.”
Over the past 20 years, the Giant Robot brand has expanded to include retail stores and galleries in San Francisco, Los Angeles, and New York, a restaurant, museum and gallery exhibitions, and a popular website. It has also become an important outlet for a generation of emerging artists, several of whom have achieved mainstream success—such as Adrian Tomine, whose work has graced many New Yorker covers, and James Jean, whose is best known for his work for Prada, ESPN, and Atlantic Records.
“In SuperAwesome: Art and Giant Robot museum-goers will see that a certain artistic sensibility has remained intact throughout Giant Robot’s evolution,” says guest curator and Giant Robot co-founder Eric Nakamura. “The art is accessible because it has an illustrative aspect. People without art backgrounds can understand it.”
SuperAwesome: Art and Giant Robot will be on view at the Oakland Museum of California April 19 through July 27, 2014. The exhibition connects to OMCA’s other spring exhibition Vinyl: The Sound and Culture of Records through programs and in-gallery experiences celebrating how a range of communities comes together to create shared popular culture.