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Yes, it’s awesome to throw DIY benefit shows to raise money for music education my daughter’s elementary school and great to help the community where my grandparents and in-laws have hung out. But on a purely selfish level, it gives me an excuse to work with some of my favorite bands and people. So while I have Mike Magrann committed to playing our February 9 show at Human Resources, I figured I’d ask him the latest about Channel 3. They were OG punks on Posh Boy records, they were on not one but two Rodney on the ROQ compilations, and now they are playing Save Music in Chinatown. Rad! CH3 seems to be playing more than ever. How did this run of shows begin? As we grow more, ahem, mature it is a lot tougher to get us four guys together for a weekend jaunt or two-week tour but we do okay. And it seems that playing out a lot breeds more gigs, ya know? If we can make a point to hit certain cities or go to Europe each summer, then we can count on the shows being a little better next time through. A few more familiar faces and–most importantly–we know the good places to eat! You’ve been touring with friends, playing festivals, and getting your portrait done by the dude who draws Allroy and Milo. Why are you playing our rinky dink benefit? Ha! It’s all due to the persistent nagging of one Martin Wong! But it’s actually an honor to be able to put your music to a good use, and music education is something near and dear to our hearts. Kimm and I, who are famously friends since second grade, always shared a love of music growing up and we actually learned to play guitars together at an after-school program in seventh grade. Besides, it’s always nice to play at venues out of the norm.  I mean, we’ve played enough 1 a.m. sets at mildewy dive bars to last a lifetime. Let us do a matinee with cookies and coffee once in a while, for God’s sake! Did your band play much in Chinatown back in the day? Got any stories? We played at Wong’s Chinatown venue once but it was well after its prime. But we did play a lot at Esther’s Santa Monica venue, where she would always chase us out of the kitchen for making out with girls and trying to steal beer! Our first-ever gig after making the Posh Boy EP was across town at the Brave Dog on 1st Street… Whenever I Google Channel 3 or look up the hashtag on Instagram, I always see Thai TV starlets. Do you know anything about that scene? I know, right? All I know is we get an awful lot of posts on our Facebook page in Lanna and Lao script! I don’t know what the hell they’re saying but a fan’s a fan, even if they do think they’re logging onto their fave soap opera page! Looking back, pre-Interweb, it was a pretty bad idea naming the band CH3. You Google...
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I’d forgotten what a great venue The Whisky is. Big stage but small room with decent sound and a balcony means that pretty much every spot is good. So it’s cool the once proud venue (I saw the Ramones, Sonic Youth, Descendents, Scratch Acid, SNFU, Guns ‘n’ Roses, and so many other awesome shows there in the ’80s and ’90s, but before that the likes of The Doors, Love, and Jimi Hendrix would play there) is booking some of its most loved bands to celebrate its 50th anniversary. With a storied headliner like X on the marquee, I don’t know why anyone would feel the need to hire tatted up go-go dancers to entertain us, though.

First up was The Crowd. Who knew that one of the earliest and best HB punk bands was opening? I had no idea but as soon as they started off their set with “Living in Madrid” (off the essential Beach Blvd. compilation) it all came back. Geography and perhaps a last-second booking meant the five-piece was cut to four but the band had no problems going for the gusto. Great set, and yes they played “Modern Machine.”

X is one of my favorite bands, and I’ve seen them a lot since their New World Tour stop at Magic Mountain. Over the last few years, I’ve seen them more than ever and it seems like they keep getting darker, from the extra combative vocals to the dueling axes. I was trying to figure out if Exene was struggling since she was nursing a plastic cup for the first few songs and rested on the stairs during the drum solo of “Hungry Wolf,” but she powered through the set as otherworldly and awesomely as always. John Doe did most of the rocking and the talking, saying that if it were a few years ago the band would invite everyone over for a house party. Later on, Exene said that she thinks of Johnny Rivers, and not X, when she thinks of the Whisky. (Of course, Billy Zoom just smiled.) Cool to have people talking about excellent shows at the Whisky (and playing them) instead of lame pay-to-play shows, and I hope it stays that way after the 50th anniversary run is over.

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I’d forgotten what a great venue The Whisky is. Big stage but small room with decent sound and a balcony means that pretty much every spot is good. So it’s cool the once proud venue (I saw the Ramones, Sonic Youth, Descendents, Scratch Acid, SNFU, Guns ‘n’ Roses, and so many other awesome shows there in the ’80s and ’90s, but before that the likes of The Doors, Love, and Jimi Hendrix would play there) is booking some of its most loved bands to celebrate its 50th anniversary. With a storied headliner like X on the marquee, I don’t know why anyone would feel the need to hire tatted up go-go dancers to entertain us, though.

First up was The Crowd. Who knew that one of the earliest and best HB punk bands was opening? I had no idea but as soon as they started off their set with “Living in Madrid” (off the essential Beach Blvd. compilation) it all came back. Geography and perhaps a last-second booking meant the five-piece was cut to four but the band had no problems going for the gusto. Great set, and yes they played “Modern Machine.”

X is one of my favorite bands, and I’ve seen them a lot since their New World Tour stop at Magic Mountain. Over the last few years, I’ve seen them more than ever and it seems like they keep getting darker, from the extra combative vocals to the dueling axes. I was trying to figure out if Exene was struggling since she was nursing a plastic cup for the first few songs and rested on the stairs during the drum solo of “Hungry Wolf,” but she powered through the set as otherworldly and awesomely as always. John Doe did most of the rocking and the talking, saying that if it were a few years ago the band would invite everyone over for a house party. Later on, Exene said that she thinks of Johnny Rivers, and not X, when she thinks of the Whisky. (Of course, Billy Zoom just smiled.) Cool to have people talking about excellent shows at the Whisky (and playing them) instead of lame pay-to-play shows, and I hope it stays that way after the 50th anniversary run is over.

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Congratulations to my friend Eddie Solis on his 100th episode of Los Angeles Nista. I was already a big fan of his heavy-as-hell skate rock band, It’s Casual, when he started the Internet radio show, Los Angeles Nista, in November 2012. Of course, the program is all about his hometown–the neighborhoods, the subcultures, the public transportation of L.A. I was honored to be an early guest, on the heels of local heavyweights such as Keith Morris, Chuck Dukowski, and Ed Colver. A couple of weeks ago I was on the show once more, with the mic still warm from Tony Alva and Lee Ving. How did I crack a rotation like that, anyway? It’s a big deal that Eddie broadcast his 100th episode last week, with topics that include food, history, art, and tourism as well as punk rock and skateboarding. And on top of that, It’s Casual is headlining a free show at the Troubadour on Monday, January 6. Sounds like a good time to catch up with the man. (Photos courtesy of Adam Murray.) MW: You recently passed your 100th episode. Did you treat the milestone as something special or is just another show? ES: I treated it as a milestone. I had to hit it out of the park. My in-studio guest was Hunter Burgan (bass player of AFI) and Ryan Seaman (drummer of Falling in Reverse and I Am Ghost). The co-host is Efrem Schulz (Death by Stereo). MW: What are some things that you’ve learned or ways that you’ve grown as a host since the first episode? ES: Don’t be so rigid. Be  intuitive. As Bruce Lee says, be like water. And research, share, and find commonalities that connect people. MW: Now that you have this sizable body of work, do you recognize any categories or trends? 
 ES: Good question. Yes, the categories of los Angeles nista are geography, destination and a curriculum on how to be car-free in Los Angeles, California. The trend being everything is connected. MW: What’s your secret to cranking out this many episodes this quickly, without burning out or running out of ideas? ES: This is my secret: I come from the world of skateboarding. It’s not a team sport. You draw inspiration from within. You get up every morning, create a vision, and then take the necessary steps to make that vision a living, breathing reality. You create your world. I apply these ideals to everything in life. A past in-studio guest, Salman Agah, professional skateboarder and owner of Pizzanista! and calls it the “skater’s advantage.” You don’t rely on others to motivate you. Everything you do is out of a passion and love for it. You cannot do things with such conviction, confidence, and authority unless you love it. The passion and love lead to endless motivation. The motivation leads to a full tank of gas. That’s how I keep it fresh and full of ideas! MW: The topic of Los Angeles can go on and on....
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Congratulations to my friend Eddie Solis on his 100th episode of Los Angeles Nista. I was already a big fan of his heavy-as-hell skate rock band, It’s Casual, when he started the Internet radio show, Los Angeles Nista, in November 2012. Of course, the program is all about his hometown–the neighborhoods, the subcultures, the public transportation of L.A. I was honored to be an early guest, on the heels of local heavyweights such as Keith Morris, Chuck Dukowski, and Ed Colver. A couple of weeks ago I was on the show once more, with the mic still warm from Tony Alva and Lee Ving. How did I crack a rotation like that, anyway? It’s a big deal that Eddie broadcast his 100th episode last week, with topics that include food, history, art, and tourism as well as punk rock and skateboarding. And on top of that, It’s Casual is headlining a free show at the Troubadour on Monday, January 6. Sounds like a good time to catch up with the man. (Photos courtesy of Adam Murray.) MW: You recently passed your 100th episode. Did you treat the milestone as something special or is just another show? ES: I treated it as a milestone. I had to hit it out of the park. My in-studio guest was Hunter Burgan (bass player of AFI) and Ryan Seaman (drummer of Falling in Reverse and I Am Ghost). The co-host is Efrem Schulz (Death by Stereo). MW: What are some things that you’ve learned or ways that you’ve grown as a host since the first episode? ES: Don’t be so rigid. Be  intuitive. As Bruce Lee says, be like water. And research, share, and find commonalities that connect people. MW: Now that you have this sizable body of work, do you recognize any categories or trends? 
 ES: Good question. Yes, the categories of los Angeles nista are geography, destination and a curriculum on how to be car-free in Los Angeles, California. The trend being everything is connected. MW: What’s your secret to cranking out this many episodes this quickly, without burning out or running out of ideas? ES: This is my secret: I come from the world of skateboarding. It’s not a team sport. You draw inspiration from within. You get up every morning, create a vision, and then take the necessary steps to make that vision a living, breathing reality. You create your world. I apply these ideals to everything in life. A past in-studio guest, Salman Agah, professional skateboarder and owner of Pizzanista! and calls it the “skater’s advantage.” You don’t rely on others to motivate you. Everything you do is out of a passion and love for it. You cannot do things with such conviction, confidence, and authority unless you love it. The passion and love lead to endless motivation. The motivation leads to a full tank of gas. That’s how I keep it fresh and full of ideas! MW: The topic of Los Angeles can go on and on....
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