Giant Robot Store and GR2 News

New music. Not from publicists (although I appreciate their good looks) but friends! Mario, Fredo, and Adam are not only rad drummers but the raddest dudes. And my new pals in BC/BC are the best, too. But I actually bought all of the official releases because music is worth paying for–especially from homies. Rocket From The Crypt – Hits 6 x 7″ While not as coveted as the “He’s a Chef” split-single with Wayne Coyne and Biz Markie, these one-sided city-specific 7″ singles are quite rad for any RFTC fan. And while the series of covers originally sold at European tourstops is called Hits, the songs aren’t exactly household names–except for maybe Venom’s “In League with Satan.” Somehow, RFTC’s version channels both a conga line and “Sympathy for the Devil”! Gerry Rafferty’s “Baker Street” is probably the most-played song of the originals, although I know it better from the episode of The Simpsons where Lisa meets Bleeding Gums. Rocket’s version is unironic, epically long, and especially cool. The Buzzcocks are probably my favorite band to get the treatment, but “Love Is Lies” is not a single going steady but a cut from Love Bites. The way it starts off mellow and become epic reminds me of a Tom Jones or Neil Diamond anthem. Wow. The San Diego band’s take on Red Lorry Yellow Lorry’s “Spinning Round” nicely contrasts a dark, plucky goth bassline with its trademark heavy horns sound. Covering the Boomtown Rats’ “My Blues Away” is definitely more interesting than taking on that other band from Dublin. More garage rockin’, for sure. Out of all of the bands from London, Status Quo is similarly bold choice but the take on “Shy Fly” cements the band’s links to the tradition of pub rock. The Casbah counts as a pub, right? Buy your set of singles from the merch table like I did at The Echoplex (pictured above) and help fill the Swami van’s tank on the road! [Swami Records] Bongoloidz – S/T CD Although Fredo Ortiz is best known for his percussion work for the Beastie Boys, his Kickstarter-funded solo project starts off more like Fluf or late Jawbreaker than the Atwater-based (at the time) rappers. Songs like “Subtle Breeze” and “Sompniphobia” are guitar-powered cruisers straight out of the early ’90s and totally rule, but other songs show other facets of the multi-instrumentalist’s abilities, sounds, and tastes. “Japon” has an electro groove complete with processed vocals, “Sk8 Dance” has a cool dark wave feel, and “Facky Freak” has a cumbia vibe (my favorite live song). There’s even some Taiko action! If it sounds like the songs are all over the place, that’s because they are. Yet they all sound great together because Fredo is no dabbler: The multitude of styles comes straight from Fredo’s huge heart and talented fingertips. Very cool cover art by Mackie Osborne, too. [El Bomber Records] California – Live Recordings Recently, I received a mysterious package of live recordings (not demos) of a new band featuring...
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I’d forgotten what a great venue The Whisky is. Big stage but small room with decent sound and a balcony means that pretty much every spot is good. So it’s cool the once proud venue (I saw the Ramones, Sonic Youth, Descendents, Scratch Acid, SNFU, Guns ‘n’ Roses, and so many other awesome shows there in the ’80s and ’90s, but before that the likes of The Doors, Love, and Jimi Hendrix would play there) is booking some of its most loved bands to celebrate its 50th anniversary. With a storied headliner like X on the marquee, I don’t know why anyone would feel the need to hire tatted up go-go dancers to entertain us, though.

First up was The Crowd. Who knew that one of the earliest and best HB punk bands was opening? I had no idea but as soon as they started off their set with “Living in Madrid” (off the essential Beach Blvd. compilation) it all came back. Geography and perhaps a last-second booking meant the five-piece was cut to four but the band had no problems going for the gusto. Great set, and yes they played “Modern Machine.”

X is one of my favorite bands, and I’ve seen them a lot since their New World Tour stop at Magic Mountain. Over the last few years, I’ve seen them more than ever and it seems like they keep getting darker, from the extra combative vocals to the dueling axes. I was trying to figure out if Exene was struggling since she was nursing a plastic cup for the first few songs and rested on the stairs during the drum solo of “Hungry Wolf,” but she powered through the set as otherworldly and awesomely as always. John Doe did most of the rocking and the talking, saying that if it were a few years ago the band would invite everyone over for a house party. Later on, Exene said that she thinks of Johnny Rivers, and not X, when she thinks of the Whisky. (Of course, Billy Zoom just smiled.) Cool to have people talking about excellent shows at the Whisky (and playing them) instead of lame pay-to-play shows, and I hope it stays that way after the 50th anniversary run is over.

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I’d forgotten what a great venue The Whisky is. Big stage but small room with decent sound and a balcony means that pretty much every spot is good. So it’s cool the once proud venue (I saw the Ramones, Sonic Youth, Descendents, Scratch Acid, SNFU, Guns ‘n’ Roses, and so many other awesome shows there in the ’80s and ’90s, but before that the likes of The Doors, Love, and Jimi Hendrix would play there) is booking some of its most loved bands to celebrate its 50th anniversary. With a storied headliner like X on the marquee, I don’t know why anyone would feel the need to hire tatted up go-go dancers to entertain us, though.

First up was The Crowd. Who knew that one of the earliest and best HB punk bands was opening? I had no idea but as soon as they started off their set with “Living in Madrid” (off the essential Beach Blvd. compilation) it all came back. Geography and perhaps a last-second booking meant the five-piece was cut to four but the band had no problems going for the gusto. Great set, and yes they played “Modern Machine.”

X is one of my favorite bands, and I’ve seen them a lot since their New World Tour stop at Magic Mountain. Over the last few years, I’ve seen them more than ever and it seems like they keep getting darker, from the extra combative vocals to the dueling axes. I was trying to figure out if Exene was struggling since she was nursing a plastic cup for the first few songs and rested on the stairs during the drum solo of “Hungry Wolf,” but she powered through the set as otherworldly and awesomely as always. John Doe did most of the rocking and the talking, saying that if it were a few years ago the band would invite everyone over for a house party. Later on, Exene said that she thinks of Johnny Rivers, and not X, when she thinks of the Whisky. (Of course, Billy Zoom just smiled.) Cool to have people talking about excellent shows at the Whisky (and playing them) instead of lame pay-to-play shows, and I hope it stays that way after the 50th anniversary run is over.

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The only other time I put together a show was a San Diego Comic-Con party with Flattbush, Upsilon Acrux, and The Binges with DJ sets by Free The Robots way back in 2009. Looking back, that was a pretty rad lineup! So it makes sense that Bradley from Flattbush would facilitate my second-ever gig. He serves drunks at Alex’s Bar but also books shows now and then. This one came together at the last minute and I am very grateful to my friends who put themselves out there during the deadest part of the holidays to take part.

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I’ve had a chance to do some pretty rad things in 2012. In addition to getting to share awesome stuff that my friends do via this Giant Robot blog, I was able to have my filmmaker friends show their skate shorts in Chicago, Honolulu, and Hawaii. That was really cool. Now my friend Brad (from Flattbush) has asked me to  help to put together a show at Alex’s Bar. And why not get some of my friends’ awesome bands to play one of my favorite venues? It’s coming together at the last minute but it’s also a very cool lineup, and I hope that a lot you will make it. Here’s what the lineup looks like: IT’S CASUAL – The SST-informed metal duo has been on a huge roll in 2012, first releasing the ripping  split 7″ with Early Man and then a bitchin’ new LP, The New Los Angeles II. They recently packed The Troubadour, so I am really honored that Eddie would take his ear-crushing act back to the dive bar where I first saw him opening for Negative Approach. You’ve seen Rick Kosick’s amazing video for “The Red Line,” right? BONGOLOIDZ – I’ve seen Fredo Ortiz play in a variety of combos with the likes of Money Mark, Tommy Guerrero, and Ray Barbee at places likethe HUF warehouse and the Giant Robot Biennale 3. I’ve also seen him at the Beastie Boys, Los Lobos, and The Bronx shows, and he’s probably played in a bunch of other bands that you love. I’m stoked to hear him play his own songs, perhaps giving a preview of the album successfully funded by a recent Kickstarter campaign that I backed. SANDY YANG – Hardcore Giant Robot readers will know that Sandy Yang and I  go way back, and that she has actually appeared in the pages of Giant Robot magazine 10 and 12. But she has also contributed to a number of arty and noisy groups, the biggest being The Red Krayola. Although she has written solo material all along, she has just begun to start playing it out and getting a recording together. Her show at The Smell was great, and I’m stoked that the guys in HowardAmb will be backing her up once more. See you in front!
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