Giant Robot Store and GR2 News

My buddy and fifth-grade teacher invited me to a mural painting at his school in Paramount, CA, last weekend and it was rad. Visiting artists for this second annual outing included Dustin Klein and Rich Jacobs from Oakland, Tim Kerr from Austin, and Koji and Kota Toyoda, Yosuke Hanai, and Hi Dutch from Japan. What a killer collection of artists and how cool did the completed mural look. The school faculty and parent volunteers that I met on Sunday were thrilled. On Monday, it was the kids’ turn to be blown away. Building up to the weekend, 130 or so fifth graders were invited to submit art inspired by the visiting artists as well as Shepard Fairy, Albert Reyes, Mel Kadel, Keji Ito, and Thomas Campbell. The pieces were displayed in the cafeteria, and on Monday there was not only a viewing but an old-time music concert by Tim Kerr with his pal David Bragger followed by video presentations from the artists. In each clip, the artists applauded the students’ creativity, shared some favorite pieces, and then gave away artwork as motivation for the lucky ones to develop their art. Of course, Erik is very happy with the sense of community, campus beautification, and excitement among students that his brainchild has spawned. But even better, he says that the students who are put in the spotlight aren’t always the most academically or socially successful kids. Being recognized for their unique thinking and creativity gives them a reason to be interested in school–and stoked on life in general. Unhappy with the defunding of the arts in his classroom, Erik started the program about five years ago by asking some of his favorite artists to participate. To see it grow, inspire kids, and create a partnership with other teachers, the principal, local businesses, and the PTA is as inspiring as it is cool. I love that my generation of peers who grew up on punk rock, skateboarding, outsider art, and other DIY ways of thinking are changing the world like Erik is. Congrats to Erik, the artists, and the sponsors, and bravo to the supporters in the PTA, faculty, and district. Can’t wait to see next year’s event as well as the ripples of awesomeness to come.
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My buddy and fifth-grade teacher invited me to a mural painting at his school in Paramount, CA, last weekend and it was rad. Visiting artists for this second annual outing included Dustin Klein and Rich Jacobs from Oakland, Tim Kerr from Austin, and Koji and Kota Toyoda, Yosuke Hanai, and Hi Dutch from Japan. What a killer collection of artists and how cool did the completed mural look. The school faculty and parent volunteers that I met on Sunday were thrilled. On Monday, it was the kids’ turn to be blown away. Building up to the weekend, 130 or so fifth graders were invited to submit art inspired by the visiting artists as well as Shepard Fairy, Albert Reyes, Mel Kadel, Keji Ito, and Thomas Campbell. The pieces were displayed in the cafeteria, and on Monday there was not only a viewing but an old-time music concert by Tim Kerr with his pal David Bragger followed by video presentations from the artists. In each clip, the artists applauded the students’ creativity, shared some favorite pieces, and then gave away artwork as motivation for the lucky ones to develop their art. Of course, Erik is very happy with the sense of community, campus beautification, and excitement among students that his brainchild has spawned. But even better, he says that the students who are put in the spotlight aren’t always the most academically or socially successful kids. Being recognized for their unique thinking and creativity gives them a reason to be interested in school–and stoked on life in general. Unhappy with the defunding of the arts in his classroom, Erik started the program about five years ago by asking some of his favorite artists to participate. To see it grow, inspire kids, and create a partnership with other teachers, the principal, local businesses, and the PTA is as inspiring as it is cool. I love that my generation of peers who grew up on punk rock, skateboarding, outsider art, and other DIY ways of thinking are changing the world like Erik is. Congrats to Erik, the artists, and the sponsors, and bravo to the supporters in the PTA, faculty, and district. Can’t wait to see next year’s event as well as the ripples of awesomeness to come.
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I would go to this anyway. Daedulus seems to perform more often in Europe and Asia than in his hometown of L.A. (DJ sets or otherwise) and Starry Kitchen’s tofu balls are always welcome in my mouth (usually on Friday afternoons in banh mi form). But even better, Monday night’s event at The Well (which also features contributions from Doseone, Daniel Rehn, The Future Crew…) is a fundraiser with proceeds going toward LA Game Space, our city’s very own experimental, open source, and very cool epicenter of video games supporting innovation, education, and exhibitions. Sounds rad, right? On top of that, Devolver Digital will have four playable games projected as well as on HDTVs.  Attract Mode co-founder/LA Game Space director Adam Robezzoli carved out a little time to answer some of my questions about this excellent event, which was planned in conjunction with Unwinnable. This will be a super fun evening on its own, but can you talk about its purpose and why you’re doing it on Monday? People from all over the world are in town for E3, so it’s a great opportunity to come together as a community and help raise funds for LA Game Space. Why it will be awesome? The music! We have a ton of great musicians performing and DJing including Daedelus, Doseone, Chrome Canyon, Grimecraft, and Arcane Kids. Daedelus and Doseone actually composed two of the best soundtracks to two of the best games released in the last year (Nidhogg and Samurai Gunn). Add to that live video synthesis from Sam Newell and Evan Shamoon with more videos by Johnny Woods and Daniel Rehn. Plus, there will be official screenings of demoscene productions by The Future Crew between sets. And everyone’s favorite underground restaurant gone legit, Starry Kitchen, will be slinging tofu balls and more house specialties all night. What’s one aspect of the event that you are particularly excited about? Many people at the event will be experiencing the demos by The Future Crew for the first time. These 10-minute A/V experiments were made in the computer underground of the early 1990s and still look incredible, which is even more amazing when you realize they are only the size of an iPhone photo! More info at Future Crew E3! Edition’s Facebook event page or go straight to ticketing at Eventbrite. Seeya at The Well on Monday night! Support indie video gaming!
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I would go to this anyway. Daedulus seems to perform more often in Europe and Asia than in his hometown of L.A. (DJ sets or otherwise) and Starry Kitchen’s tofu balls are always welcome in my mouth (usually on Friday afternoons in banh mi form). But even better, Monday night’s event at The Well (which also features contributions from Doseone, Daniel Rehn, The Future Crew…) is a fundraiser with proceeds going toward LA Game Space, our city’s very own experimental, open source, and very cool epicenter of video games supporting innovation, education, and exhibitions. Sounds rad, right? On top of that, Devolver Digital will have four playable games projected as well as on HDTVs.  Attract Mode co-founder/LA Game Space director Adam Robezzoli carved out a little time to answer some of my questions about this excellent event, which was planned in conjunction with Unwinnable. This will be a super fun evening on its own, but can you talk about its purpose and why you’re doing it on Monday? People from all over the world are in town for E3, so it’s a great opportunity to come together as a community and help raise funds for LA Game Space. Why it will be awesome? The music! We have a ton of great musicians performing and DJing including Daedelus, Doseone, Chrome Canyon, Grimecraft, and Arcane Kids. Daedelus and Doseone actually composed two of the best soundtracks to two of the best games released in the last year (Nidhogg and Samurai Gunn). Add to that live video synthesis from Sam Newell and Evan Shamoon with more videos by Johnny Woods and Daniel Rehn. Plus, there will be official screenings of demoscene productions by The Future Crew between sets. And everyone’s favorite underground restaurant gone legit, Starry Kitchen, will be slinging tofu balls and more house specialties all night. What’s one aspect of the event that you are particularly excited about? Many people at the event will be experiencing the demos by The Future Crew for the first time. These 10-minute A/V experiments were made in the computer underground of the early 1990s and still look incredible, which is even more amazing when you realize they are only the size of an iPhone photo! More info at Future Crew E3! Edition’s Facebook event page or go straight to ticketing at Eventbrite. Seeya at The Well on Monday night! Support indie video gaming!
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shrine1

Like a lot of guys, I’m guilty of mostly listening to all the old bands I grew up on, but holy crap I love The Shrine. The young power trio from Venice plays unironic, razor sharp, and totally fun metal in the tradition of Motörhead with cosmic riffs from outer space like Thin Lizzy and the good times of Van Halen. Yet they are also informed by the stony heaviness of Sabbath and aggro DIY spirit of Black Flag–which is why they have a bitchin’ split 7″ covering songs by both of the bands. But even better is their amazing new LP, Bless Off, which takes off like a rocket straight into your nearest earhole and flies out your ass. The quality of songs, chops, and riffs blew me away.

I met the guys after their killer set at The Roxy a few weeks ago and they happened to be the coolest dudes ever. I went ahead and asked some questions to singer and axeman Josh Landau afterward…

MW: Can you hypothesize why Bless Off shreds so hard when many bands fall short in their second effort?
JL: We’re influenced by stuff with roots–ripping off guitar riffs from old stuff that’s withstood the test of time–and there’s an infinite well of inspiration in that shit. We’re not looking out for what wave is popular right now for 5 minutes.

MW: While you guys always seem to have fun, you are a super tight band. How did you guys meet and how long have you known each other? How would you describe each guy’s contributions to the combo?
JL: We’ve been a band a little over 5 years now. I met our drummer Jeff when he moved out here from Baltimore ’cause he couldn’t get a band together out there. Court and I had flipped out over Thin Lizzy at a party a month or two before that. When we all jammed together for the first time, I realized that just the three of us could make enough noise and decided to just get shit going. We had all been playing music for years, and liked the power of being tight and hitting the nail on the head all together at the same time. So we practiced, I started singing, and we worked at it until we could do it in our sleep.

shrine2

MW: Is writing songs something that just happens when you’re hanging out and jamming? Or are you killing yourselves, fixing, refining, battling amongst each other?
JL: We used to jam a lot more, like 5 or 6 hours a day, 5 times a week. The first few years of the band we didn’t know what else to do and didn’t want to do anything else. We didn’t tour yet, and had to work really hard to get on a show or to set up our own shows, so we just spent a lot of time jamming and tripping out. The songwriting usually comes out of riffs I make up while sitting on the toilet playing guitar. Nowadays, we’ve been learning new songs as we record them, trying to catch some of the good mistakes that come out and the energy that happens when ya play something new for the first time and are still fighting to get it right–before you totally wire it into your brain and get confident and lazy.

MW: The title cut is amazing. Kinda reminds me of C.O.C.’s “Holier” or Slayer’s “The Crooked Cross” but way more upbeat. Can you talk about being skeptical yet stoked at the same time?
JL: For sure. Around every corner and on every news headline you can’t help but feel in your gut that the human race is totally screwed and on its way out. When ya look at history, freedom seems to build–civil rights, womens rights, segregation, the church’s influence on people–for the last hundred years, all that stuff in this country seemed to really change for the better. But now it kinda seems like it’s all being removed secretly and no one talks about it. I’m not an informed person at all, but it just seems like police brutality and the people in power’s actions toward poor people, sick people, and unfortunate people are at an all-time fuck you. I’m totally skeptical of anyone with “answers” or conspiracy info, too. People and their Internet statistics are shit. Some 9/11 conspiracy site I saw once also had some bullshit about the recreational swimming pool for the guests at Auschwitz. What are you gonna do with that info anyway? I’m super thankful of where I grew up and where I live, and that people aren’t dropping bombs right here and I don’t have to steal to eat or get clean water. As fucked as things are, a lot of people I see complaining have got it so much better than most of the world and they don’t appreciate it. If you’re not gonna fight to try make some kinda positive difference that’s fine; you don’t have to. I don’t really do much. But at least be stoked on what you do have and fucking live. When the lady on the corner starts preaching to you about needing God in your life and a tie around your neck, you can tell her to bless off.

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