Giant Robot Store and GR2 News

I remember one of the first times I corresponded with McHank. He responded to an Instagram picture I posted of the Dum Dum Girls in concert by saying , “Dude, give Kristin, I mean Dee Dee, my love. Old pal!” He did a similar thing with a photo I posted of Mrs. Magician. Later on, John Reis said hi to him from the stage at a Night Marchers/Hot Snakes show at Alex’s Bar. I wondered, Who is this guy and how does he know everyone?

Sometime in between, I met McHank in his hometown of San Diego at Comic-Con. He gave me some copies of his stapled-and-folded zine and I was instantly hooked. It’s like a mixture of  Cometbus, CARtoons, and Tiger Beat with tons of honest introspection and observation, cool and random art, and unabashedly loving band interviews–often written by hand or even brushed.

The ninth and most recent issue of the digest-sized publication has cool art (Tim Kerr, Travis Millard, Skinner, Bwana Spoons, McHank himself…), killer interviews (Brandon Welchez from Crocodiles, Mary Animaux from White Murder…) and all-star contributions (John Reis writing about discovering the Ramones, Joey Cape in memoriam of Tony Sly…). Even so, my favorite piece of all time is still McHank’s essay about growing up in the Bay Area and not knowing how to drive when he moved to San Diego and how he had to ride bikes or take the bus to get to shows. Can you get more personal or street level than that?

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Photos by Ahn Sehong capture “comfort women” in Korea. Most are poor, broke, and even embarrassed. The ones that photographer Ahn Sehong photographs are still living in China, the place they were sent and subsequently “left” after World War 2. It’s a sad tale that has no resolve. (NY Times – Korean Comfort Women) “Comfort Women” will be on view at the Korea Press Center, 7 Broad Avenue, Palisades Park, N.J., through April 18.
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Lots of Giant Robot friends have interesting passions. For kozyndan, it’s the ocean and all the things that live in it.  When they aren’t holed up in their studio cranking out artwork, they’re on a boat somewhere in a warm ocean, getting ready to dive in and swim with sea critters. The ocean has been their muse for the last few years, and the results have been lovely. They just got back from opening up a series of shows for Australia’s Outré Gallery, and had a visit with local sea lions in Western Australia’s Carnac Island nature reserve. Fellow traveler and underwater photographer, Tony Wu organized a trip that kozyndan joined and wrote about the sea lion colony that they hung out with. He also took this great photo of Dan having a chat with a new friend. I love following along on their undersea adventures via Flickr. They’re seeing habitats that probably won’t be around, or won’t be in very good shape by the time I would ever get around to learning how to dive. Tony’s story of the sea lions is a sadly common one around the world. Through their artwork, kozyndan capture the whimsical magic of nature through beautifully rendered images that make us take a longer look at the image, and then the world around us. There are warnings in their work sometimes – the destructive chaos of urban living, dwindling wildlife – it’s all worth paying attention to, and it makes for great vicarious living. Keep diving, kozyndan, and keep sharing what you find.
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Sold! … for over a million dollars at auction, the original literal Green Lady painting which became kitch art with thousands? or millions? of prints and posters has been sold. “According to Bonhams, Tretchikoff’s value has risen exponentially in the art market, due both to the re-evaluation of his legacy in exhibitions and his appearances at recent auctions at Bonham… “(SouthAfrica.info – Tretchikoff) Part of what his re-evaluation means? Exhibitions matter. [youtube]gr0uNLlXgk4[/youtube]
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