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Tell Me a Story 8 – I Watch Fights At the Smithsonian Asian-Latino convening a couple of months ago, a question was asked: “name one of your vices.” In an effort to ice-break the room, people talked about their love of chocolate, pork belly and Netflix show, Orange is the New Black. My turn came, and I let it out: I like to watch street fight videos. It’s the connecting haymakers recorded on shaky cellphones. Bodies go limp in strange ways before a final kick to the head, which is then followed by bravado and n-words. Post club cat fights erupt at a Burger King, often ending with a pile of bodies, short skirts, nipple slips and hair being grasped. If it’s been recorded and uploaded, I’m watching it. Since the beginning of time, if two people came to blows, there was an audience. It’s why boxing, UFC and even wrestling is big business. I watch the battles and at times laugh at the strangeness of our problem solving skills. I root for the smaller guy or the bullied. I want to see the vanquished, rise up and redeem. If I were one of the combatants, could I have solved the disagreement with humor? Would there be a gentleman handshake to squash our beef? If it did come to blows, what if I got solidly clocked? Would I have the presence of mind to stay down and play dead? Or would my ego make me think I could stand, recover and do damage back? I’m not a fighter, so I lurk. My thoughts of “what would I do?” race in my mind. After the ten minutes of fight videos, I’m done. I’ve traveled the States, including a trailer park, multiple parking lots and courtyards of housing projects. I’ve watched multi-racial crowds – all coming to blows. I realize it’s just violence and human nature and further proof that our hands are made to be balled up into fists. It happens and I watch.
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Tell Me a Story 8 – I Watch Fights At the Smithsonian Asian-Latino convening a couple of months ago, a question was asked: “name one of your vices.” In an effort to ice-break the room, people talked about their love of chocolate, pork belly and Netflix show, Orange is the New Black. My turn came, and I let it out: I like to watch street fight videos. It’s the connecting haymakers recorded on shaky cellphones. Bodies go limp in strange ways before a final kick to the head, which is then followed by bravado and n-words. Post club cat fights erupt at a Burger King, often ending with a pile of bodies, short skirts, nipple slips and hair being grasped. If it’s been recorded and uploaded, I’m watching it. Since the beginning of time, if two people came to blows, there was an audience. It’s why boxing, UFC and even wrestling is big business. I watch the battles and at times laugh at the strangeness of our problem solving skills. I root for the smaller guy or the bullied. I want to see the vanquished, rise up and redeem. If I were one of the combatants, could I have solved the disagreement with humor? Would there be a gentleman handshake to squash our beef? If it did come to blows, what if I got solidly clocked? Would I have the presence of mind to stay down and play dead? Or would my ego make me think I could stand, recover and do damage back? I’m not a fighter, so I lurk. My thoughts of “what would I do?” race in my mind. After the ten minutes of fight videos, I’m done. I’ve traveled the States, including a trailer park, multiple parking lots and courtyards of housing projects. I’ve watched multi-racial crowds – all coming to blows. I realize it’s just violence and human nature and further proof that our hands are made to be balled up into fists. It happens and I watch.
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FILMAGE, the long-awaited documentary about the Descendents and ALL has been making rounds on the film festival circuit throughout 2013, and currently it’s hopscotching the country yet again with the help of cool supporters such as Vannen Watches (makers of the Descendents/Coffee Time watch) and Hi My Name Is Mark (Mark of Blink 182 appears in the flick). They are sponsoring three screenings at the Digiplex Mission Valley in San Diego on Saturday, September 21.

I was able to catch an early screening in Long Beach, and was not only stoked to see one of my all-time favorite bands on the big screen blasted though huge speakers but actually learned a lot about the road bumps they’ve encountered and suffering they’ve endured on the quest for ALL. It’s a worthwhile story to tell, and the band’s commitment to its craft (up there with The Beatles and Queen, says Robert Hecker from Redd Kross) and enduring a rough life (as some brushes with death) will appeal to audiences well beyond O.G. punks. I hit up writer/co-director Matt Riggle about the movie, its making, and its future.

MW: How did you get into the Descendents? A rad show, hearing the right song at the right time?
MR: I personally started with ALL’s “Dot” single then traced things back to Descendents. To me they were just so unique sounding. “Can’t Say” was the first thing I heard and it remains, to me, a shining example of a perfect song. I’d never heard a band with so many songwriters sound so cohesive. And they were so strong and melodic and funny without being a joke. I loved the look of their records, too–the covers, the sparse use of pictures, the consistent typesetting. And the fact that the drummer wrote great songs and produced was insane to me. It defied the laws that I thought were in place for bands.

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FILMAGE, the long-awaited documentary about the Descendents and ALL has been making rounds on the film festival circuit throughout 2013, and currently it’s hopscotching the country yet again with the help of cool supporters such as Vannen Watches (makers of the Descendents/Coffee Time watch) and Hi My Name Is Mark (Mark of Blink 182 appears in the flick). They are sponsoring three screenings at the Digiplex Mission Valley in San Diego on Saturday, September 21.

I was able to catch an early screening in Long Beach, and was not only stoked to see one of my all-time favorite bands on the big screen blasted though huge speakers but actually learned a lot about the road bumps they’ve encountered and suffering they’ve endured on the quest for ALL. It’s a worthwhile story to tell, and the band’s commitment to its craft (up there with The Beatles and Queen, says Robert Hecker from Redd Kross) and enduring a rough life (as some brushes with death) will appeal to audiences well beyond O.G. punks. I hit up writer/co-director Matt Riggle about the movie, its making, and its future.

MW: How did you get into the Descendents? A rad show, hearing the right song at the right time?
MR: I personally started with ALL’s “Dot” single then traced things back to Descendents. To me they were just so unique sounding. “Can’t Say” was the first thing I heard and it remains, to me, a shining example of a perfect song. I’d never heard a band with so many songwriters sound so cohesive. And they were so strong and melodic and funny without being a joke. I loved the look of their records, too–the covers, the sparse use of pictures, the consistent typesetting. And the fact that the drummer wrote great songs and produced was insane to me. It defied the laws that I thought were in place for bands.

Continue reading