What was once a normal Korean American girl named Jennifer Lee was transformed by a primordial soup of an upper-middle-class Torrance, Calif. upbringing, classical piano, R&B, hip-hop and Japanese anime into TokiMonsta, a wildly eclectic contemporary composer with a growing global following. Tapped by Ryuichi Sakamoto a couple of weeks ago to collaborate on his “Odakias” anti-nuclear project earlier this month along with Japanese avant-garde musician Otomo Yoshihide and rapper Shing02, Tokimonsta is blowin’ up!
Yeah, “eclectic:” a truly overused term. But TokiMonsta owns it. Her sound has been described as “vast textural soundscapes by utilizing live instruments, percussion, digital manipulation, and dusty vinyl. ” Okay
“I just like everything. I get bored easily, so having options, like, I can’t make this beat. You know what? On my Google Readers– on the bookmarks– I have pop culture blogs, I have fashion blogs, I have art blogs, I have advertising blogs because I think advertising is also really captivating– the mentality–’Wow! How did they think of that? That’s really clever.’”
Get a taste of TokiMonsta’s Sa Mo Jung (2011)
To this point in the arc of TokiMonsta, Christine Kakaire’s “monsta” 2,000-word essay-interview with Jennifer Lee is perhaps the mos in-depth verbiage on Tokimonsta evar inked. Or, maybe, the best inside look into Tokimonsta was the Dumbfounded-DJ Zo TokiMonsta podcast of September 2011 on knocksteady.com. Too bad: only a few telltale traces of it remain.