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Things are heating up again in Japanese politics. The House of Councillors election for the Japanese Diet’s upper house is expected to take place in July 21, 2013. As a result, it’s J-Politics all the time in the Japanese news cycle and until then, we won’t find out whether the ruling party, LDP, will have a firmer foothold. Until then, you can get your fix of both art and politics at 281_Anti-Nuke’s exhibition at the Pink Cow bar in Roppongi, Japan.Tourists and Tokyoites may have seen 281′s work conspicuously stickered on public property throughout the city. Giant Robot did a brief entry on sighting on his designs last Fall. Since then, 281′s prominence has grown as more news outlets have reported on his work. His art stands on its own, but his agenda is a bit bit clearer now that he’s agreed to a few interviews. His position on nuclear energy is a given. Most of this is an extension of his opposition to Japanese politicians in general who he feels carelessly put the country in harms way due to poor regulation of the Fukushima Daiichi Nuclear Power Plants that underwent a meltdown after the Earthquake and Tsunami in March 11,2011. He agrees with critics who accuse the Japanese government and TEPCO of (unintentionally) ‘creating’ the nuclear disaster through their own corrupt mismanagement and incompetence. Hence why both ex-PM Yoshihiko Noda from the political ‘left’ and current PM Shinzo Abe from the ‘right’ are targets of his rage. They’re each a part of the establishment that enabled TEPCO to haphazardly play dice with the country’s future. It’s this political context thatt has led connoisseurs to deem him Japan’s ‘Banksy,’ an English graffiti artist who–like 281–operates anonymously. Most of 281′s art is still visible on the streets of Shibuya, Shinjuku, and other parts of Tokyo. However, a lot of it has either faded or been defaced, so it’s more preferable to see his art in a more preserved state at The Pink Cow. Even if political activism is beneath or beyond you, you can at least act like you know. The Pink Cow 5-5-1 Roppongi Roi Bulding B1F Minato-ku, Tokyo 106-0032 Open 5pm-Late (Closed Mon) Last food order: 10:30pm Reservations and Info: cowmail@thepinkcow.com For more information: visit www.thepinkcow.com.
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Sad times. Nothing is sacred. The Luxor gets allegedly tagged by a tourist. (Chinasmack – Chinese Graffiti)
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It’s street art and perhaps it’s all ok to do, I guess. This piece is by a group, UpsideUp and ask Museum Director Jay Xu who just said “go and paint our walls.” Hear that? Bay Area graffiti artists are notorious and strong. Aerosol on the walls? Maybe he didn’t want to say this. Museum Director Jay Xu says: “It’s a great thing that our museum is in such a dynamic neighborhood that artists choose to use our wall as a canvas,” said museum director Jay Xu. “We will keep it there as long as it lasts.” (SFGate - Jay Xu)
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THREE YEARS AGO, Pittsburgh-born artist Candy Chang was named a TED Senior Fellow for Urban Innovation, and since then she’s been caught up in the vortex of a whirlwind that has sent this architecture-graphic design-urban planning graduate of Columbia University and onetime New York Times graphic artist on a creative journey that has allowed her to leave a mark on communities in faraway places like Helsinki, Nairobi, New Orleans, Vancouver and Johannesburg. Chang’s now-global “Before I Die” project began when she she transformed an abandoned house in her neighborhood in New Orleans into a fill-in-the-blank chalkboard for people to reflect on their lives and share their personal aspirations in a public space. “Before I Die” proved so empowering and uplifting, it prompted The Atlantic to call it: “one of the most creative community projects ever.” And regular folk flocked to its magic ~ and it has expanded to communities in countries around the world, including Kazakhstan, South Africa, Portugal, and Argentina. Catch up with what this child of Taiwanese immigrants is thinking and doing today by reading Karen Eng’s interview-profile of Chang ~ “A Global Family for Life” ~ which was posted July 10 on the TED Fellows Posterous.
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What was once a normal Korean American girl named Jennifer Lee was transformed by a primordial soup of an upper-middle-class Torrance, Calif. upbringing, classical piano, R&B, hip-hop and Japanese anime into TokiMonsta, a wildly eclectic contemporary composer with a growing global following. Tapped by Ryuichi Sakamoto a couple of weeks ago to collaborate on his “Odakias” anti-nuclear project earlier this month along with Japanese avant-garde musician Otomo Yoshihide and rapper Shing02, Tokimonsta is blowin’ up! [youtube]zCnmmrYIXrw[/youtube] Yeah, “eclectic:” a truly overused term. But TokiMonsta owns it. Her sound has been described as “vast textural soundscapes by utilizing live instruments, percussion, digital manipulation, and dusty vinyl. ” Okay [youtube]-i5jP5DwrRw[/youtube] “I just like everything. I get bored easily, so having options, like, I can’t make this beat. You know what? On my Google Readers– on the bookmarks– I have pop culture blogs, I have fashion blogs, I have art blogs, I have advertising blogs because I think advertising is also really captivating– the mentality–’Wow! How did they think of that? That’s really clever.’” Get a taste of TokiMonsta’s Sa Mo Jung (2011) To this point in the arc of TokiMonsta, Christine Kakaire’s “monsta” 2,000-word essay-interview with Jennifer Lee is perhaps the mos in-depth verbiage on Tokimonsta evar inked. Or, maybe, the best inside look into Tokimonsta was the Dumbfounded-DJ Zo TokiMonsta podcast of September 2011 on knocksteady.com. Too bad: only a few telltale traces of it remain. [youtube]sn4kVtuEmMU[/youtube]
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