Giant Robot Store and GR2 News

New music. Not from publicists (although I appreciate their good looks) but friends! Mario, Fredo, and Adam are not only rad drummers but the raddest dudes. And my new pals in BC/BC are the best, too. But I actually bought all of the official releases because music is worth paying for–especially from homies. Rocket From The Crypt – Hits 6 x 7″ While not as coveted as the “He’s a Chef” split-single with Wayne Coyne and Biz Markie, these one-sided city-specific 7″ singles are quite rad for any RFTC fan. And while the series of covers originally sold at European tourstops is called Hits, the songs aren’t exactly household names–except for maybe Venom’s “In League with Satan.” Somehow, RFTC’s version channels both a conga line and “Sympathy for the Devil”! Gerry Rafferty’s “Baker Street” is probably the most-played song of the originals, although I know it better from the episode of The Simpsons where Lisa meets Bleeding Gums. Rocket’s version is unironic, epically long, and especially cool. The Buzzcocks are probably my favorite band to get the treatment, but “Love Is Lies” is not a single going steady but a cut from Love Bites. The way it starts off mellow and become epic reminds me of a Tom Jones or Neil Diamond anthem. Wow. The San Diego band’s take on Red Lorry Yellow Lorry’s “Spinning Round” nicely contrasts a dark, plucky goth bassline with its trademark heavy horns sound. Covering the Boomtown Rats’ “My Blues Away” is definitely more interesting than taking on that other band from Dublin. More garage rockin’, for sure. Out of all of the bands from London, Status Quo is similarly bold choice but the take on “Shy Fly” cements the band’s links to the tradition of pub rock. The Casbah counts as a pub, right? Buy your set of singles from the merch table like I did at The Echoplex (pictured above) and help fill the Swami van’s tank on the road! [Swami Records] Bongoloidz – S/T CD Although Fredo Ortiz is best known for his percussion work for the Beastie Boys, his Kickstarter-funded solo project starts off more like Fluf or late Jawbreaker than the Atwater-based (at the time) rappers. Songs like “Subtle Breeze” and “Sompniphobia” are guitar-powered cruisers straight out of the early ’90s and totally rule, but other songs show other facets of the multi-instrumentalist’s abilities, sounds, and tastes. “Japon” has an electro groove complete with processed vocals, “Sk8 Dance” has a cool dark wave feel, and “Facky Freak” has a cumbia vibe (my favorite live song). There’s even some Taiko action! If it sounds like the songs are all over the place, that’s because they are. Yet they all sound great together because Fredo is no dabbler: The multitude of styles comes straight from Fredo’s huge heart and talented fingertips. Very cool cover art by Mackie Osborne, too. [El Bomber Records] California – Live Recordings Recently, I received a mysterious package of live recordings (not demos) of a new band featuring...
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