Giant Robot Store and GR2 News
I mentioned that last week’s Dum Dum Girls gigs in L.A. were record release shows, right? And that I purchased the EP after their in-store at Origami, listened to it repeatedly, and then saw them again at Los Globos two nights later? I’ve often debated whether it’s better to hear new songs live or on your record player and now I know. The correct answer is BOTH.
Here’s a rundown on some new and upcoming releases that I’ve been digging. Click the links if you have time and, better yet, see the bands if you can.
Wow. Last night’s Dum Dum Girls record release party was awesome. It really brought me back to being in college, going to goth clubs with low stages in dark and sketchy restaurants, and being blown away by bands that are not only great but otherworldly. Too good to walk on this boring earth. But life isn’t necessarily that dull, is it? My week in shows started out last Saturday at in Little Tokyo with Money Mark, Ashley Dzerigian, and Fredo Ortiz playing a short but rad set at the opening of Giant Robot Biennale 3.
Attending free shows in La Jolla and Santa Monica makes it seem like I’m living in some sort of Gidget beach movie paradise. Well, maybe I am. The photo above was taken two Friday nights ago, when we arrived at the San Diego beach town. Goh Nakamura, who flew down to perform at my brother’s wedding, was cool enough to play an hour-long solo set at the guest house where a bunch of us stayed. And although the evening was hot and humid, it turned out to be the longest and perhaps tightest set that I’ve ever seen Goh play, balancing his perfectly honest originals (“Daylight Savings,” “Sarah Rose,” and even a new one or two) with a few personalized-yet-respectful covers (The Cure, Bee-Gees) as well as a Van Halen-related story that I had never heard. Very cool. Yes, his number-one fan Eloise loved it, too, and so did my dad and everyone else in the house.
Of course, Redd Kross were totally amazing at Amoeba last night. What you might not have expected is that they’d play for about an hour! The set was heavy on the supremely catchy and totally ripping new songs (“Downtown,” “Uglier”) which will grow on you like fungus, but dug back to the very oldest and rawest cuts (“Linda Blair,” “St. Lita Ford Blues”) for the old timers who saw the McDonald brothers when they were teenagers. Me? I’m in the middle somewhere, having discovered them on the Neurotica (“Frosted Flake”) tour when they played a free lunchtime show at UCLA.
Even under the bright lights of Amoeba at the ungodly hour of 6:00, they rocked like hell and how could they not? Jeff and Steve McDonald (not to mention returning monster drummer Roy McDonald from The Muffs with Celebrity Skin ripper Jason Shapiro sitting in for the mighty Robert Hecker) were obviously born to rock with smiles as big as their chops. Over the decades, the band has cranked out the most awesome punk, glam, garage, and pop, and their first LP in 15 years concentrates it all into 2- or 3-minute doses of perfection for your earholes. While the dark and loud record-release show at The Roxy was the group’s official homecoming, last night’s in-store at Amoeba was more like a reunion where old friends and conspirators could spot each other and catch up. Such a rad set! So many friends! You had to be there. But if you weren’t, here’s a little extra video from the front row. If you are moved by rock ‘n’ roll in any manner, don’t miss Redd Kross at FYF next weekend or various other festivals, shows, and special appearances.