Giant Robot Store and GR2 News — the working man RSS



Animal Style Revisited at Asian Cinevision’s AAIFF (NYC) + Ramones Pilgrimage

Last night my program of indie skate videos by friends showed at the Anthology Film Archives in the East Village. I knew it was a rad spot as soon as I saw the Let Me Die a Woman and Faster, Pussycat! Kill! Kill! posters outside. And then when I finally met R.B. Umali in person, he said that he showed the first installment of N.Y. Revisited at the same venue ages ago as part of the Underground Film Festival. Another good omen. And when I saw my friends Wing Ko and Jesse Neuhaus gather to represent The Brotherhood: Chicago, I was reminded of the Chicago and Honolulu screenings, I knew this film festival tour was a pretty rad thing to...

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Animal Style Revisited at Asian Cinevision’s AAIFF (NYC) + Ramones Pilgrimage

Last night my program of indie skate videos by friends showed at the Anthology Film Archives in the East Village. I knew it was a rad spot as soon as I saw the Let Me Die a Woman and Faster, Pussycat! Kill! Kill! posters outside. And then when I finally met R.B. Umali in person, he said that he showed the first installment of N.Y. Revisited at the same venue ages ago as part of the Underground Film Festival. Another good omen. And when I saw my friends Wing Ko and Jesse Neuhaus gather to represent The Brotherhood: Chicago, I was reminded of the Chicago and Honolulu screenings, I knew this film festival tour was a pretty rad thing to...

Continue reading



Animal Style Revisited at Asian Cinevision, New York City

It started by accident when I contacted my friend Tim about showing a independently made skateboard video called “The Working Man” at the Chicago film festival that he runs. He said, sure, but asked me to curate an entire program to go with it and I accepted the challenge. After the packed spring 2012 showing in the Windy City, the pack of new, independent skateboard films went on to enjoy successful screenings at film festivals in Honolulu and San Diego–a pretty cool run that I was stoked by and proud of. I not only was able to give attention to the awesome work of my creative friends but promote skateboarding videos as an art form and more than a niche...

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Animal Style Revisited at Asian Cinevision, New York City

It started by accident when I contacted my friend Tim about showing a independently made skateboard video called “The Working Man” at the Chicago film festival that he runs. He said, sure, but asked me to curate an entire program to go with it and I accepted the challenge. After the packed spring 2012 showing in the Windy City, the pack of new, independent skateboard films went on to enjoy successful screenings at film festivals in Honolulu and San Diego–a pretty cool run that I was stoked by and proud of. I not only was able to give attention to the awesome work of my creative friends but promote skateboarding videos as an art form and more than a niche...

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The Working Man: The Suit, The Site, Chhunly

If you even skim my blog, you know how I feel about Thy Mai (Pity Corp.) and Tad Suzuki (The Working Man). They’re super creative, supportive, and caring friends, who were recently involved in my skate film program that played in Chicago, Honolulu, and San Diego. Recently, they’ve been dedicating their energies toward a friend in need. MW: What is Pity Corp. and The Working Man’s connection to Chhunly Hach Slater? Thy: She is one of my dearest friends in the world. I was 17 when I met Chhun working at Outback Steakhouse in Seattle. I had just moved there. She was so nice, and since we were from neighboring countries, I asked her if she liked pho and if she...

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