Giant Robot Store and GR2 News

My curated program of skate shorts had its third and final showing at the San Diego Asian Film Festival on Saturday afternoon, and it still hasn’t gotten old. Having skateboarding-related or -inspired videos made by friends alongside indie flicks like Daylight Savings and old-school kung-fu classics like Five Fingers of Death is not only cool but important. It puts a niche genre into a larger context, and hopefully exposes skate video junkies to other forms of moving pictures while turning on film festival folks to the energy and aesthetics of skateboarding. (Above, left to right: Me, Wing Ko, Tad Suzuki, Eric Matthies, Ben Clark, Willy Santos.)

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While the duo of Best Coast has been famously touting the excellence and energy of Southern California through its post pop, the hardcore duo It’s Casual has been focusing on the more aggro side with its SST-informed blend of stripped-down punk and metal. The New Los Angeles II drops out on November 20, and is full of rippers about everything from the joys and challenges of public transportation to feeding the poor crappy food via EBT cards. I paid a visit to the singer, guitarist, and It’s Casual main man Eddie Solis to chat about the brand-new album and its message.

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Hong Kong movie freaks in the U.S. should be stoked that we’re finally seeing some Chinese movies that are fun, cool, and even anarchic–and not just overblown historical epics. On the heels of Tsui Hark’s Flying Swords of Dragon Gate (actually a China-HK coproduction) comes a crowd-pleasing, special effects feast starring Zhou Xun (Hollywood Hong Kong, Flying Swords of Dragon Gate) and Zhao Wei (Shaolin Soccer, Red Cliff). Not since Green Snake have two A-list actresses fully embraced such fantastically pagan roles, slithering, sauntering, and sometimes even bathing together onscreen when they aren’t kicking ass. And while the production value, action, effects, and bad guys in Painted Skin 2: The Resurrection might resemble the biggest-budget videogame ever, the plot actually has a lot going for it. The two-hour sequel is surprisingly tight and packed with gender confusion, role reversing, a shockingly endearing subplot, and even some poetry to the outcome–not to mention juicy topics of conversation. Who did the leads play in the first movie again? Why are such supremely badass and powerful women so hung up on dudes? Maybe that’s the point? Let me know what you think after November 13, when you can buy, rent, or stream the movie legally.

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It was just about this time two years ago that the final print issue of Giant Robot hit the stands. One of the articles in GR68 featured director Nobuhiko Obayashi, whose House was being released by Criterion. Will there ever be a better Halloween movie? Here’s a link to an excerpt of the interview, which was lost to the GR blog when it shifted from Blogger to WordPress but is archived on my Alivenotdead.com feed. And if you’re not already a fan, check out the amazing trailer…  Happy All Hallows’ Eve!
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Crap. I arrived at The Echoplex at 9:15, just as Nails was breaking down. That’s too early, right? Man, I really wanted to see them. Kvelertak, too.

But I did get to see Torche for the first time since they toured with Boris, and the Florida band’s brand of sludgy pop gets better and better. For Halloween, they should totally be the powerful yet skilled post-Gretzy Oilers with Paul Coffey on bass, Mess on guitar, and Grant Fuhr on lead guitar and vocals. Can’t quite identify who the drummer would be, but possibly a Charlie Huddy type holding it down. The band balances bone-crushing mega riffs and lightning-fast and nimble fingers to meld the heaviest of grooves with the catchiest of melodies. What a bitchin’ live band. If the stage lighting was better I would have taken a lot more pics, but sometimes it’s nice to just rock out in front, anyway.

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