Giant Robot Store and GR2 News

Dum Dum Girls at Los Globos by Ben Clark (September 27, 2012)

I mentioned that last week’s Dum Dum Girls gigs in L.A. were record release shows, right? And that I purchased the EP after their in-store at Origami, listened to it repeatedly, and then saw them again at Los Globos two nights later? I’ve often debated whether it’s better to hear new songs live or on your record player and now I know. The correct answer is BOTH.

Here’s a rundown on some new and upcoming releases that I’ve been digging. Click the links if you have time and, better yet, see the bands if you can.

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Some of you might recall that I assembled a program of skateboard videos that played in Chicago back in April. Named Animal Style after the famous Search for Animal Chin, it was a way for me to put the spotlight on some rad Asian and independent filmmakers who just happened to be my friends. Well, now there are two more chances to catch it, as remixed lineups have been announced in Honolulu and San Diego. The core of  arthouse-meets-funhouse pairing of The Working Man and Perfect Timing and Windy City documentary with 20 years of footage The Brotherhood: Chicago has been kept intact, now bolstered by a double-header of skate rock (Traveling Sounds with Ray Barbee and Wide Angle Sounds: Mario Rubalcaba), a skating vs. comedy throwdown in Willy Santos vs. Jo Koy, and a Sampler by Honolulu’s Treevisions crew. The Honolulu screening will also include a bonus feature on local skater/musician Anton Glamb’s First Day of Summer. I’m super excited to not only give my talented friends run for their great work once more, but also to hit the road with many of them. The dates are as follows: October 19, 2012 – Hawaii International Film Festival November 3, 2012 – San Diego Asian American Film Festival Who knows if I’ll ever be invited to do anything like this again, so I hope you click on the links, plan to attend, and get inspired to skate, make movies, or just say hi.
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Wow. Last night’s Dum Dum Girls record release party was awesome. It really brought me back to being in college, going to goth clubs with low stages in dark and sketchy restaurants, and being blown away by bands that are not only great but otherworldly. Too good to walk on this boring earth. But life isn’t necessarily that dull, is it? My week in shows started out last Saturday at in Little Tokyo with Money Mark, Ashley Dzerigian, and Fredo Ortiz playing a short but rad set at the opening of Giant Robot Biennale 3.

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To most, Giant Robot Biennale 3 at JANM is simply the biggest, best group show that an indie artist can be associated with. It isn’t very often that pop-rooted, independent fine artists (Asian or not) are given a top-shelf venue to gather and shine. Eric does a rad job of cultivating this scene, and has built up a real family of artists in the process. I am really proud to have worked with him on the magazine that has showcased so many of them.

So as the end of publication nears its two year mark, attending the opening felt a lot like a family reunion to me. I hardly get out to Sawtelle these days, and see Eric and the artists pretty rarely. So while it was especially cool to see the amazing art on the first day (such as the sculpture by Ako Castuera, above) it was just as rad to see so many people that I have grown close to (like the Big Boss Robot and his family, below).

Okay, it’s not like I knew everyone there. After I answered the person who checked me in that I was with four guests instead of one, she looked annoyed and asked, “Are you an artist?” No, but I quickly took the stickers for my wife Wendy (who designed GR mags 18-68), daughter Eloise, niece Lucia, and cousin visiting from New Zealand and moved on.

Right after the opening remarks by Eric and JANM representatives, Wendy and I saw our friends Susie Ghahremani and Michael Esten. They drove up from San Diego in time for the Chickfactor concert and stuck around to see Susie’s customs in the opening!

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I dare you to say that you don’t like their rice. The SGV For Life crew’s commitment to spiciness, hardcore skateboarding, and the Chino-Latino connection that flavors the San Gabriel Valley is unquestionable, and so is their very first deck. I got mine from my homie Tad Suzuki (a.k.a. The Working Man) who in this photo by Michael Clifford proves that the SGV is more than spicy enough for DTLA. You can get yours at select shops in the SGV (where else?) and allegedly Noodle Planet on Valley (!), as well as SGVforLife’s online store. If you’re still not convinced that this is your next ride, check out the rad commercial on YouTube. Yes, it rules and it also features some footage from my friend, total ripper, and fellow TWM conspirator John Lee. Committed to Spiciness
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