Giant Robot Store and GR2 News
Outside of San Diego, is there a better place to see Hot Snakes (above) and Night Marchers (below) than Alex’s Bar in Long Beach? Two world-class rippers in one world-class dive bar. We arrived at the unusual, awesome, and sold-out matinee on Sunday just in time to see Night Marchers (1/2 or 3/4 of Hot Snakes, depending on who’s drumming for the latter) finish setting up their gear and start their set at the ungodly hour of 4:37. Lots of simmering new stuff from the upcoming album and some fave older roots-garage rockers (“I wanna deadbeat you!“). Everyone’s obsessing over the RFTC reunion happening around Easter, but don’t sleep on the January release featuring the hard-rocking pipes of Swami John Reis.
Bivouac photo shoot Polaroid by Lance Hahn
On December 11, Jawbreaker‘s Chesterfield King EP and Bivouac LP are being re-released on vinyl and in digital formats. I’ve been lucky enough to preview the remastered tracks and they’re extra heavy and sound incredible–totally taking me back 20 years to when the band was connecting the hooks of Hüsker Dü with the jams of Sonic Youth and adding a dash of Steel Pole Bath Tub to keep listeners from getting too comfortable. Jawbreaker could have taken over the world if their guitars would have stayed in tune during shows…
I asked Blackball Records label honcho and Jawbreaker drummer Adam Pfahler about revisiting his old band with singer/guitarist Blake Schwarzenbach and bass player Chris Bauermeister. He responded with detailed and revealing answers, as well as an awesome behind-the-scenes Polaroid shot by our mutually loved and missed friend Lance Hahn. The picture was taken on the same rooftop as the “official” portrait was being shot for the LP. The flyers are from my stash.
© Erin Leigh / thebowerygirl.com
Susie Ghahremani is busy preparing a solo exhibition that starts this Saturday at GR2. Everyone already knows what an amazing painter, illustrator, crafter, and person she is, but I went ahead and asked her some questions to get a sneak peek and get everyone amped up about hanging out with a rad artist and my good friend on Sawtelle.
MW: Among your piles of projects from products to commissions to group shows, I’d imagine solo art exhibitions are special. Can you talk about that?
SG: Solo shows are so special; they are also absolutely terrifying. It’s thrilling to bring paintings into one room as a body of work rather than disembodied studies, experiments, and commissions. There is an overarching theme and style and it’s important and rare to have the opportunity to merge it in a realm outside of my brain.
I also love meeting the people who come to my shows, especially a place like GR2 which has been my art home for so long. Most of my work is done in isolation in a small space, and opening it up to public reaction in a large, adaptable space is really nurturing for me. It kind of completes the whole art-making cycle.
Last week got off to a great start with Monday night’s Refused show at The Fonda. But Friday wasn’t bad, either. I got to attend a free matinee by Jon Spencer Blues Explosion at a local radio station and then saw some friends at The Smell.
When this particular gig was posted by JSBX on FaceBook a couple of days before, I sent an email to the contact, and actually received an invite to attend the performance at a ClearChannel building in Burbank. Weird but cool, right? The performance took place in a black box of a small room with a cozy stage and a few rows of pillows to sit on, but a full-on mixing board and pro speakers. Russell Simins played drums on a flipped-over tall recycling bin. The trio only played a few songs but they were heavy, including “Black Mold” and “Black Thoughts,” with references to Sandy’s recent damage to their hometown of New York City and neighboring states. JSBX is national treasure of punk rock ‘n’ soul, and they seem like cool dudes, too. We dozen or so guests weren’t allowed to snap pictures of the performance but Judah and Jon were totally down for a quick photo afterward. Rad! Definitely catch them on tour with the mighty Quasi if you can. And if I ever go to another show at the station, I’m totally taking Eloise…