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  “With coolness and precision, Specktor comes across as a West Coast Saul Bellow in this sweeping narrative, but his energetic, pop-infused prose is markedly his own.” —Booklist “Specktor’s book deserves a special space in the L.A. canon, somewhere looking up at Pynchon and Chandler. Even as the narrator searches through his past to uncover the truth about his family, the author is searching, too.” —LA Weekly “…Matthew Specktor’s American Dream Machine [is] a big and generous novel that functions both as elegy for a recent past and fictional anthropology . . . .it evokes a world with casual ease and unexpected tenderness, recalling and referencing lots of other fiction (both Hollywood and non) while contriving to establish its unique authority.” —LA Review of Books “Specktor’s great achievement is to make familiar territory original, the Hollywood novel born anew. It’s bold, weird, an d unforegetable, as startling as a poke in the eye.” —The Sunday Telegraph Magazine “Specktor does for L.A. what Hemingway did for Paris and what Hunter S. Thompson did for Las Vegas: create a character that lives and breathes a city. Like hotels in Vegas, we see characters rise, grow dusty, and collapse.” —Daily Beat, Hot Reads “American Dream Machine takes readers into situations that might seem familiar: the drug-fueled party at a star’s house in the hills, tense meetings between executives, dimly-lit wood-paneled bars filled with players and movie stars. Yet Specktor’s lyrical writing and insights into human nature elevate the novel into fresh territory.” —Kirkus “[American Dream Machine] is a vivid evocation of the entertainment business from the 1960s to the near present, an L.A. bildungsroman and a murder mystery, all wrapped in one . . . entertaining package.” —New York Daily News “American Dream Machine is grand, complex, lush, intelligent and lively, funny as hell and generous in ways you don’t often find. It’s also a strikingly original portrait of Los Angeles. People speak of Chandler’s Los Angeles, or Didion’s, or Nathaniel West’s. Someday, they’ll speak of Specktor’s the same way.” —Victor LaValle, author of Big Machine and The Devil in Silver “American Dream Machine may be the first literature I’ve read in which Los Angeles is assumed as London is assumed by Dickens and Paris by Proust and New York by a host of twentieth-century American writers. There is nothing ironic, ambivalent, or apologetic about Specktor’s relationship to Los Angeles — as it is and was, as myth and as a thriving capitol city. Los Angeles provides an animate pulse under the lives of these men and boys, a source of permanence that lends their struggles gravity.” —Mona Simpson, My Hollywood “Matthew Specktor has created a great American character in Beau Rosenwald. He is full of contradictions, full of ambition, full of raw life, and yet he manages to seduce us. This riveting novel shows us the existential desperation that lurks in the dark hunger of Hollywood power mongers. Specktor gets every detail right, and American Dream Machine‘s sentences are suffused with an elegiac beauty.” —Dana Spiotta, author of Stone Arabia and Eat The Document “American Dream Machine is the definitive new Hollywood novel. It’s...
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GR: Welcome to Southern California. Tell me about your new place and your working studio set up situation?

Thank you very much. I currently live in the South Bay with some fellow artists including Aaron “Angry Woebots” Martin and Mathew Curran, a fellow North Carolinian that made the cross country move with me.  We have a converted loft in the back of our house where we can paint, cast resin and sculpt amongst other things, all to facilitate the different types of projects that each of us might be working on. It’s definitely a change from being in NC where I was essentially working in an artistic vacuum on my own – being amidst many artists that inspire me has definitely given me a new-found appreciation for being able to share techniques, offer and receive critiques and have constant constructive feedback.

GR: This exhibition features pieces that are fully sculpted and not customized. Is this a new direction? Will you still customize?

For this particular show I wanted to focus more on form, rather than the narrative or emotive qualities in many of my previous pieces. Although I am often recognized for being a part of the toy customizing scene, I prefer to create original sculptures for shows where I have the opportunity to showcase a larger body of work, work that is not contingent upon modifying or customizing existing base platforms.  That said, I will still participate in customizing shows depending on if I feel that I can create a piece that is fundamentally sound in theme and execution.

GR: Animals are an obvious theme this time out, yet it’s not limited by mammals, insects or reptiles, yet there’s a common bond between them. Can you talk about how you chose which animals to depict? 

I chose to call this body of work “Biorgasmica”, a study of what it would be like to meld various elements of baroque stylings, the human face and the shape of various creatures together.  When determining what animals I wanted to involve, it mostly came down to animals where I could envision how those disparate elements could more easily coalesce into one cohesive creature.  The final roster of creatures tended to be those that were organically armored, whether with a carapace or scales, or those that had body shapes that would lend themselves to the incorporation of faces or detailing.

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File this one under C’mon, Chinese people. A Chinese shop owner in Namibia, told one of his local employees to toss out a plastic bag of his wife’s poop. The employee refused and was fired. Story covered here by AllAfrica.com. Problem #1 – Why is your wife pooping in a plastic bag? The story says she didn’t want to use the toilets used by the employees. I understand how desperate one can be when poop is eminent, but I’m not sure that I’ve ever been inclined to poop in a bag. Maybe she didn’t poop *in* the bag, but pooped somewhere else and scooped it up doggie style. I could maybe do that… Problem #2 – If you poop somewhere no one else is pooping so that your poop then has to be disposed of, it’s pretty bad form to ask someone else to clean up after you. I’m cool with changing my daughter’s crappy diapers now, because someday, she’ll change mine (or pay a health care worker to do it). Maybe the wife who pooped handed the bag to her husband and asked him to throw it away, and he just passed it off to his employee. If he really loved his wife, he would have done it himself. Problem #3 – Don’t fire the employee you just asked to toss your wife’s poop in the garbage. Maybe just pretend you thought he was walking past the trash so maybe he could toss in there for you, but that you’ll do it instead. Maybe offer him a bonus if he does it. Maybe hand the bag back to your wife and tell her she should throw it away herself, and use the toilet next time. There are reported to be over 40,000 Chinese nationals living and working in Namibia. They’re there doing construction, manufacturing, retail and food service. China has been tapping into Africa’s mineral wealth for over a decade now, and nearly every where they go there have been culture clashes, rumors of corruption, shady labor policy, and mutual distrust. The pains of being new the new Evil Empire.
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