Giant Robot Store and GR2 News
28: Still Fucked Up Solo Performance by Judy Lei Being 28 is the most sensitive age ever. Are you engaged, married, have kids, have a stable well-paying job, debt-free, in good health, AND own a home? No? Then you’re probably...
Continue reading
Last night my program of indie skate videos by friends showed at the Anthology Film Archives in the East Village. I knew it was a rad spot as soon as I saw the Let Me Die a Woman and Faster, Pussycat! Kill! Kill! posters outside. And then when I finally met R.B. Umali in person, he said that he showed the first installment of N.Y. Revisited at the same venue ages ago as part of the Underground Film Festival. Another good omen. And when I saw my friends Wing Ko and Jesse Neuhaus gather to represent The Brotherhood: Chicago, I was reminded of the Chicago and Honolulu screenings, I knew this film festival tour was a pretty rad thing to keep going. (There was also San Diego.) I’m a crummy skateboarder. I’ve never made a movie other than filming my daughter do cute stuff. But I’m really proud that I’ve been able to help promote the rad skate videos that my friends have made. From Tadashi Suzuki and Thy Mai’s artful and fun “The Working Man” and “Perfect Time” (which I got to be in, here’s a shorter version) to Wing Ko’s amazing doc about Chicago’s first generation of pro skaters Jesse Neuhaus, Stevie Dread, and Eric Murphy, The Brotherhood: Chicago. Ben Clark and Langdon Taguiped’s music shorts on Ray Barbee and Mario Rubalcaba. Willy Santos versus Pinoy comedian Jo Koy. And I wouldn’t have taken these to New York City unless I secured the local support of R.B. Umali, who made a special remix of his upcoming N.Y. Revisited Vol. 3 just for the fest. The screening looked and sounded incredible and the Q&A afterward kicked ass until the lights dimmed. Thanks to Asian CineVision’s AAIFF Managing Director Judy Lei for inviting us to show skate videos on the big screen alongside indie, experimental, and imported works. I think it’s awesome that she would take that chance and put the genre in such context. Yes, I’ve been doing other stuff in NYC, too. Namely, taking my 5-year-old daughter Eloise on pilgrimages to various destinations related to The Ramones. Left to right: Joey Ramone Place, 53rd and 3rd, the address where CBGB once stood. I know the way to Rockaway Beach but don’t think we’ll make it this trip. Perhaps next time… Gabba gabba hey!
Continue reading
Last night my program of indie skate videos by friends showed at the Anthology Film Archives in the East Village. I knew it was a rad spot as soon as I saw the Let Me Die a Woman and Faster, Pussycat! Kill! Kill! posters outside. And then when I finally met R.B. Umali in person, he said that he showed the first installment of N.Y. Revisited at the same venue ages ago as part of the Underground Film Festival. Another good omen. And when I saw my friends Wing Ko and Jesse Neuhaus gather to represent The Brotherhood: Chicago, I was reminded of the Chicago and Honolulu screenings, I knew this film festival tour was a pretty rad thing to keep going. (There was also San Diego.) I’m a crummy skateboarder. I’ve never made a movie other than filming my daughter do cute stuff. But I’m really proud that I’ve been able to help promote the rad skate videos that my friends have made. From Tadashi Suzuki and Thy Mai’s artful and fun “The Working Man” and “Perfect Time” (which I got to be in, here’s a shorter version) to Wing Ko’s amazing doc about Chicago’s first generation of pro skaters Jesse Neuhaus, Stevie Dread, and Eric Murphy, The Brotherhood: Chicago. Ben Clark and Langdon Taguiped’s music shorts on Ray Barbee and Mario Rubalcaba. Willy Santos versus Pinoy comedian Jo Koy. And I wouldn’t have taken these to New York City unless I secured the local support of R.B. Umali, who made a special remix of his upcoming N.Y. Revisited Vol. 3 just for the fest. The screening looked and sounded incredible and the Q&A afterward kicked ass until the lights dimmed. Thanks to Asian CineVision’s AAIFF Managing Director Judy Lei for inviting us to show skate videos on the big screen alongside indie, experimental, and imported works. I think it’s awesome that she would take that chance and put the genre in such context. Yes, I’ve been doing other stuff in NYC, too. Namely, taking my 5-year-old daughter Eloise on pilgrimages to various destinations related to The Ramones. Left to right: Joey Ramone Place, 53rd and 3rd, the address where CBGB once stood. I know the way to Rockaway Beach but don’t think we’ll make it this trip. Perhaps next time… Gabba gabba hey!
Continue reading
I don’t call myself an artist even though I like art a lot, but I’m in the “Artist Spotlight”. Thanks Judy Lei CV: If there was one superpower the GIANT ROBOT can have, what would it be? EN: Our big bot is not a superhero. Rather, it is in the same ranks as a human being. If you look at it, all of them are named after regular human beings: the police officer, the fireman, the teacher, etc. just normal day-to-day people. We try to throw in some different element in it, like the Men In Black and pink ranger, but people don’t know that. In the end, all characters are created by human beings. (Asian Cinevision - Eric Nakamura) Instagram photos!
Continue reading