Giant Robot Store and GR2 News

The Bear and Little Nun was a last-minute addition to the Save Music in Chinatown 3 lineup. But the experimental/soulful duo is a perfect fit for the benefit not only because Mark Baar and Noni Rigmaiden are Castelar parents but also because of roots in O.G. Chinatown punk rock and modern Shanghai club culture (with Atlanta and Bay Area jazz and R&B connections, to boot). Their special set on Sunday, May 18 and Human Resources will be their live debut. Your duo seems pretty unlikely. Can you talk about your totally different backgrounds and how you got together? In many ways I think we are a most likely duo. But I do admit that our chances of meeting were a kind of serendipitous event. I write experimental music and came out of L.A. punk rock in the late ’70s but quit that style of music when hardcore hit in the early ‘80s and got into noise and artsy music. Noni came from a musical home, sang in church, and had huge voice but was into punk rock up in Oakland as a teen. The she went to CalArts to broaden her already amazing vocal chops. We just did our searching in different decades. I had been looking for a woman to sing on an electronic instrumental album and, of course, this being L.A., the more I looked around the more I was sure I was never going to meet her. Then, on the first day of this school year, there were Noni and Zara. They had just moved to Chinatown from Atlanta so her daughter could be in the Chinese immersion program at Castelar, which my son attends. I had no idea she was in the Atlanta or Bay Area jazz and R&B scenes with major players, and that she is this intensely trained yet profoundly original soulful singer who loves experimental and crazy instrumental music yet is very approachable. So one day I said something about music and she said something about music, too. And from there she came over and listened and l was blessed. Noni gets music–all kinds of music—and loves it in the same way I do. So it works great. Noni always lets me be me; I am odd and play my stuff and she just blows it up with her voice. And we both write lyrics, too, and we get each other. Everything happens just as it is supposed to. What’s it like to dive back into making music after taking a lengthy detour through food and business? Is there anything familiar about it or is everything brand new? I am that nerd that has always played–no matter what instruments I have around in my life. When I opened restaurants and clubs in Shanghai for a few years, I took a Strat, an interface, and a computer, and my son. I worked seven days a week and still played and made music. For years I didn’t think it was possible to do anything with...
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  May 22, 2014 Thursday 6-9pm. Meet the pros who are coming from Denmark Thorkild May, Philip Eldridge, Mathias Steen They’ll dazzle, teach, demo and have contests. The last kendama night at GR was amazing and this one will be even greater. Giant Robot had visitors from San Diego and Last Vegas on a weeknight! This one will be a blast too. Come down. We’ll have Krom kendamas for sale and they’ll be available to sign them! Giant Robot 2 2062 Sawtelle Blvd LA, CA 90025 310 445 9276 www.giantrobot.com For any additional information: contact: eric@giantrobot.com  
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bitter

The Chuck Dukowski Sextet and California have serious roots in L.A. punk rock. They come from Black Flag and Jawbreaker, respectively, and represent critical and cool moments in the DIY music scene in Chinatown and L.A. in general. But don’t show up late to Sunday’s Save Music in Chinatown 3 matinee and miss Bitter Party. This quartet is also uniquely appropriate for the benefit concert, taking inspiration and energy from Taiwanese and Vietnamese immigrant culture as well as the contemporary art scene. Here’s what the members have to say:

Wendy Hsu (electronics, keys, guitar, vox)
Nathan Lam Vuong (violin, viola, vox)
Linda Wei (bass, vox)
Carey Sargent (drums, guitar, vox)

How did Bitter Party get together? Can you talk about the band’s academic and conceptual roots?
Wendy: We met through events at Concord (an arts space in Cypress Park) and bike repair at Flying Pigeon. Over time, we realized our mutual love for bitter melons and bitter drinks like IPAs and Chinese herbal tea. Our name Bitter Party actually came from the parties that we had with friends where we ate lots of bitter things to rejoice summer abundance and companionship. Beyond that, bitterness refers to the melancholy war-era and postwar music that fuels our musical energy. As a band, we come together, or “party,” to remember our past and to provoke a communion over of tribulations.

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Photographer Olaf Schuelke has collected some awesome images of young punx in Myanmar for Roads & Kingdoms. Myanmar has spent the last few years redefining itself, and reaching out to countries like Mongolia for neighborly advice on how to best weather a major economic and political transition. Last year’s host for the World Economic Forum on East Asia, Myanmar is on a fast-track to adapting to globalization, for better or for worse. These kids are doing alright though, even if they’ve latched on to Hot Topic on trucker speed. They’ll mellow out and start broadening their punk horizons soon enough. Burmese emo is right around the corner… Get the full scoop and see more great images here.
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San Francisco State University – I went to school at SFSU in 1991 for a semester. It was nice to be asked to speak on campus at their art gallery. Of course it’s perfect timing that it happens at the same time as the Oakland Museum of CA exhibition (SuperAwesome: Art and Giant Robot). Just a few minutes before the 6pm start time, the group was small, but by the time to talk began, the space was filled. Granted it only takes 20+ people to pack the room, it was nice to see students, art fans, and a few “older” faces. The question and answer is always more fun, and the questions went for a while. It’s when I can tell stories I didn’t plan on telling and that makes the talk more random and hopefully interesting to hear. One wanted to know what he needed to do, since he wanted to follow in my footsteps. It was a great honor to be able to try and explain what wisdom I have accrued to a younger person who’s just getting started. Thanks to Jill Shiraki for setting this one up.

Oakland Museum of CA – I paid a visit on Friday for no official business except to meet up with friend Gordon Yamate, Bert Gatchalian, Tiffany Sun, and a few great staffers there. I gave a private tour which was as detailed as I cared to be at the moment. It lasted about an hour and now that I know what to talk about, I’d do it again. Want one? Just hit me up. The stories that you don’t get to read on the walls on the museum, could be among the best parts of the exhibition. I stayed to make some zines and color a page. I need to improve my skills with colored pencils. The exhibition is as exciting on friday as it was on the first day. Yes, I’m proud of it. I’ll be back up there May 30th and will probably do another tour.

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Japanese American Museum San Jose – I don’t get to San Jose often, but it was nice to be able to visit a place that seems so close to home. The museum is filled with stories from Concentration Camps. I spoke upstairs in a meeting room that had a round table and chairs surrounding. As it was getting close to beginning, one of the first faces was an old neighborhood and childhood friend, Bill Chuan. He walked in and I practically started laughing. What the fuck? The surprise was funny and for some reason enlightening. I still can’t believe I saw his familiar face just 30 years or so later. Then family members. Practically long-lost came in. Diane, who’s wedding I attended as a young man came in with her sister, Elaine, and their father and my uncle Jim. The weird thing is that Jim has eyes that are cool grey. He looks like my father. It’s a strange feeling when you recognize someone because of their resemblance of someone else. I haven’t seen them perhaps in decades. Also the volunteers, many of whom I actually have met and know were there as well – welcoming me.

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