Giant Robot Store and GR2 News

Chiwan Choi lights it up! One of the pleasures in reading out is meeting other writers. April was a great month for me because I got to read with two stand-up guys who are also great writers with incredible new books out on indie nonprofit presses. Chiwan Choi, whom I was introduced to by my close pal Soya Jung, is the author of The Flood, a collection of poems, just published by Tia Chucha Press. He makes me think of a neo-Bukowski and his poems make me feel dirty and unloved. It’s easy to make people feel good. It’s harder to push people over to the crevasses and make them take a good hard look down. “and one day/i told my father i was leaving/and he sat up in his bed and cried/and we wrapped clumsy arms around each other/like two boys in love/but it was too late or too soon/for such things” – from the poem “tides.” Two peas from a damaged pod. Cihan Kaan (right) I met Cihan Kaan at AWP, just completely randomly because he stopped by the Kaya booth and picked up Waylaid. Hey, he had to be cool! Cihan’s collection of shorts, Halal Pork and Other Stories, was just published by UpSet Press. You want street cred? Homeboy has been getting death threats for the title alone. And just to turn a metaphor around, his writing is killer. “Brooklyn, New York, September 11th, 1981, I was four. My father had to break into his own apartment, where my mom and her new boyfriend were just beginning to throw a live lobster into a boiling cauldron. Up until that point, my short life had been filled with episodes of my parents battling each other on a near daily basis. When Dad finally left, Mom didn’t waste time finding the next guy.” – from “Isa, American Turk” Check out The Flood and Halal Pork and Other Stories. If you meet me and tell me you’ve read them, I will think you’re really cool.
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FOR IMMEDIATE RELEASE – New Figure Signing Mari Inukai Saturday May 7, 2011, 2-4 p.m. GR2 2062 Sawtelle Blvd. Los Angeles, CA 90025 gr2.net (310) 445-9276   Giant Robot is proud to host a signing by Mari Inukai who’s Sekaiseifukudan series is set to launch on that very day, Saturday May 7th. Designed by Mari Inukai, 7 different figures were meticulously created by Inner Sanctum in methods new to the toy making world. These pieces are treated like works of art, and we will also have rare and exclusive versions as well. This special event will take place on May 7 from 2-4 p.m.   Mari Inukai is an artist  born in Japan who came to America in 1995 to pursue her art. She has worked in animation, clothing design, and shows her work in numerous galleries.   Giant Robot was born as a Los Angeles-based magazine about Asian, Asian-American, and new hybrid culture in 1994, but has evolved into a full-service pop culture provider with shops and galleries, as well as an online equivalent. For more information about the event, GR2, or Giant Robot magazine, please contact:   Eric Nakamura Giant Robot Owner/Publisher eric@giantrobot.com (310) 479-7311
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For our regular customers, you have already noticed the recent update to the Giant Robot Online store! For all our new customers, welcome! Giant Robot is the premiere source that brings you Asian pop culture and beyond! Want to catch up on the latest news, reviews and interviews?  Then check out the latest issue of Giant Robot: Giant Robot Issue 68! Giant Robot features many popular artists and collaborations! David Choe’s Munko Uglydolls x Giant Robot – Uglycon II Skate Deck 2K – Matt Furie’s Flight Monster T-shirt (Cream) Giant Robot – Robot Army T-shirt (Navy Blue) Expect new arrivals and restocks of your favorite classics!
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What follows is a brief report on the most recent of my trips to the disaster-afflicted areas in Tōhoku. Refer to my GR piece about the four trips I took to the North during the first month of the disaster.

As I reported previously, Kazu, my brother-in-law in Onagawa, and I had devised an (admittedly vague) guerilla-style plan to distribute doner kebab, pita sandwiches, and possibly ice cream to those in need. Typically, Kazu drives his truck into Sendai and sells pita sandwiches as o-bento lunch for office workers there, and he recently augmented his truck with a Dairy Queen-type ice cream maker to entice local customers. (Though Sendai is a good-sized metropolis, Onagawa is a small fishing town, and kebab considered quite exotic there.) Obviously, the Tōhoku disaster brought business to a screeching halt. With no electricity to power the refrigeration at home, and no petrol for the truck or generator, Kazu had given away all his remaining stock to survivors the first day after the quake and tsunami, and the truck had sat idle in his backyard since. So, we envisioned, I’d re-supply him with fresh ingredients (meat, veggies, pita, yogurt, and ice cream) and he’d give away hot meals to folks living in the refugee centers. Or something like that. You hear about kids in the early days of Japan’s occupation, now in their seventies, fondly recalling the taste of chocolate and bubble gum given them by GIs; perhaps a generation of kids will grow up in Tōhoku with similar memories of their first kebab.

And, after all, who doesn’t like a good ice cream cone?

First task: acquiring 60kg of Australian topside beef in 5mm slices, and 3kg each of minced lamb and beef. Lack of power, and brownouts in some dairy-producing parts of Japan have made yogurt scarce as well (I’d recently heard about a friend’s wife outsmarting supermarket restrictions on dairy purchases by lining up in disguise). And, then, several kilos of fresh cabbage and tomatoes. Issaku, owner of my favorite Tokyo izekaya, had the meat delivered to me on ice (no point trying to cram that much into my fridge); and Mo, a brother-in-law living in Tokyo, collected requisite yogurt and vegetables. So far, so good. I also agreed to give a ride up north to Gome, a young rapper and skateboarder whose best friend was 3rd AD on my second feature, and who’d lost touch with his family in Onagawa. During the drive north Gome would keep us alert with his hip-hop demos.

I rented a 6-seater van (called, delightfully I thought, a “Bongo“) the day before setting out and rode out to Asakusa-bashi to stock up with relief supplies at Second Harvest Japan, the food bank for which I’d already made a couple relief runs to the North. Charles McJilton, director of Second Harvest, loaded me up with about 300 bananas, 40 cases of fig cookies (donated by the French), and several boxes of canned fruit, and gave me a target: a school doubling as a refugee camp in Natori City, en route to Onagawa. But Charles also warned me that a couple drivers had recently been turned away at their destinations. Multiple governmental and non-governmental organizations are now supplying the North, but unavoidable overlap and, alternately, poor coverage in the various towns and villages affected have resulted in some points oversupplied, while others still lack the basics. Meanwhile, national and local bureaucratic controls have tightened, making it difficult for many grass-roots volunteer parties to get through. So, I told Charles, I’d stop off in Natori and see if they’d take the supplies, but if not needed there, I’d continue north and locate an alternate beneficiary in Ishinomaki or Onagawa, my ultimate destinations.

We set off from my flat at 5:30 AM on April 14th and made good time getting up into Miyagi Prefecture, stopping a few times along the way to top off the Bongo’s gas tank (but, I have to admit, blasting through Fukushima Pref. without stopping). We got off the Tōhoku Expressway for our stop in Natori, but the only official we managed to meet at our target, Natori Fujigaoka Primary School, having been newly dragooned from her usual post in Kyōto, was unfamiliar with local procedures and unable to direct us towards any appropriate facilities. We’d read some recent newspaper headline about shortages in Onagawa, so we decided to continue on, lest our cargo spoil.

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