The Giant Robot 2 (GR2) remodel happening at the beginning of January will transform the location into a larger gallery, creating MORE wall space and utilizing all of the existing walls. We’re shrinking the retail capacity of GR2 and focusing in on the art that we’ve loved sharing with the world there! We’ll begin with a large print show, “Printed Matter 10″ as we’ve done in the past at GR2, GRNY and GRSF. We’ve had numerous installments of of “Printed Matter” and this is the 10th. The print show will begin January 11th with an opening on Saturday the 14th. Participants include:
Apak!, Chris Bettig, Jude Buffum, Burlesque Printing, Louise Chen, Shawn Cheng, David Choe, James Chong, Dutch Door Press, ENFU, Ines Estrada, Jesse Fillingham, Hilary Florido, Matt Furie, Gabe Gonzales, Kio Griffith, Seonna Hong, Kerry Horvath, Michael & Pearl Hsiung, Martin Hsu, Mari Inukai, Jeremyville, Kaori Kasai, kozyndan, Jesse LeDoux, Little Friends of Printmaking, Bradford Lynn, Dan McCarthy, Gary Musgrave, Masato Nakada, Saelee Oh, Martin Ontiveros, Panorama Press, Sidney Pink, Albert Reyes, Jay Ryan, Jessica Seamans, Ryan Jacob Smith, Dave Stolte, Diana Sudyka, Deth P. Sun, Jesse Tise, Aiyana Udesen, Justin Wallis, Jing Wei, Kent Williams, Aaron Woes Martin, Sashiko Yuen
The latest in graphic inspiration from the Freestyle Scraps series by the wizards at BNN. Over 1000 illustrations from a wide range of themes, all based on the ubiquitous pixel.
The Blackbird Fly is a twin-lens reflex camera: one lens is used to expose the film, while the other is used like a viewfinder. It’s a famous style of camera whose history stretches back to the 1920′s.
“Drawing the Line is part of Pacific Standard Time. This unprecedented collaboration, initiated by the Getty, brings together more than sixty cultural institutions from across Southern California for six months beginning October 2011 to tell the story of the birth of the L.A. art scene.”
The Tokyo sculptor isn’t some poseur who simply paints on skateboards or appropriates the culture for street cred. His pieces (made out of used boards by DLX team riders in this particular case) actually capture and convey the energy and power of skating from a skater’s point of view.