Giant Robot Store and GR2 News

FOR IMMEDIATE RELEASE – Author and Artist Signing: Katsuya Terada All you have to do is read up on who Katsuya Terada is and you’ll find that he’s worked across many genres from manga, film, video games, concept art and fine art. Terada, from Japan is known for his character design in Blood: The Last Vampire or perhaps The Monkey King comic. His works span generations and he’s influenced a legion of manga artists and fine artists in Japan. He’ll appear in person to sign and perhaps sketch in copies of his book, “Ten” which features his retrospective in art. July 22 6:30-8:30pm GR2 – 2062 Sawtelle Blvd LA, CA 90025 www.gr2.net 310 445 9276 For any information: Eric Nakamura Giant Robot Owner/Publisher eric@giantrobot.com (310) 445-9276
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FOR IMMEDIATE RELEASE – Author and Artist Signing: Katsuya Terada All you have to do is read up on who Katsuya Terada is and you’ll find that he’s worked across many genres from manga, film, video games, concept art and fine art. Terada, from Japan is known for his character design in Blood: The Last Vampire or perhaps The Monkey King comic. His works span generations and he’s influenced a legion of manga artists and fine artists in Japan. He’ll appear in person to sign and perhaps sketch in copies of his book, “Ten” which features his retrospective in art. July 22 6:30-8:30pm GR2 – 2062 Sawtelle Blvd LA, CA 90025 www.gr2.net 310 445 9276 For any information: Eric Nakamura Giant Robot Owner/Publisher eric@giantrobot.com (310) 445-9276
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  “With coolness and precision, Specktor comes across as a West Coast Saul Bellow in this sweeping narrative, but his energetic, pop-infused prose is markedly his own.” —Booklist “Specktor’s book deserves a special space in the L.A. canon, somewhere looking up at Pynchon and Chandler. Even as the narrator searches through his past to uncover the truth about his family, the author is searching, too.” —LA Weekly “…Matthew Specktor’s American Dream Machine [is] a big and generous novel that functions both as elegy for a recent past and fictional anthropology . . . .it evokes a world with casual ease and unexpected tenderness, recalling and referencing lots of other fiction (both Hollywood and non) while contriving to establish its unique authority.” —LA Review of Books “Specktor’s great achievement is to make familiar territory original, the Hollywood novel born anew. It’s bold, weird, an d unforegetable, as startling as a poke in the eye.” —The Sunday Telegraph Magazine “Specktor does for L.A. what Hemingway did for Paris and what Hunter S. Thompson did for Las Vegas: create a character that lives and breathes a city. Like hotels in Vegas, we see characters rise, grow dusty, and collapse.” —Daily Beat, Hot Reads “American Dream Machine takes readers into situations that might seem familiar: the drug-fueled party at a star’s house in the hills, tense meetings between executives, dimly-lit wood-paneled bars filled with players and movie stars. Yet Specktor’s lyrical writing and insights into human nature elevate the novel into fresh territory.” —Kirkus “[American Dream Machine] is a vivid evocation of the entertainment business from the 1960s to the near present, an L.A. bildungsroman and a murder mystery, all wrapped in one . . . entertaining package.” —New York Daily News “American Dream Machine is grand, complex, lush, intelligent and lively, funny as hell and generous in ways you don’t often find. It’s also a strikingly original portrait of Los Angeles. People speak of Chandler’s Los Angeles, or Didion’s, or Nathaniel West’s. Someday, they’ll speak of Specktor’s the same way.” —Victor LaValle, author of Big Machine and The Devil in Silver “American Dream Machine may be the first literature I’ve read in which Los Angeles is assumed as London is assumed by Dickens and Paris by Proust and New York by a host of twentieth-century American writers. There is nothing ironic, ambivalent, or apologetic about Specktor’s relationship to Los Angeles — as it is and was, as myth and as a thriving capitol city. Los Angeles provides an animate pulse under the lives of these men and boys, a source of permanence that lends their struggles gravity.” —Mona Simpson, My Hollywood “Matthew Specktor has created a great American character in Beau Rosenwald. He is full of contradictions, full of ambition, full of raw life, and yet he manages to seduce us. This riveting novel shows us the existential desperation that lurks in the dark hunger of Hollywood power mongers. Specktor gets every detail right, and American Dream Machine‘s sentences are suffused with an elegiac beauty.” —Dana Spiotta, author of Stone Arabia and Eat The Document “American Dream Machine is the definitive new Hollywood novel. It’s...
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