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Class of 97: Asian American New Wave Panel at AAIFF

Evidently the Class of 97 Panel: The Asian American New Wave panel happened because of an article penned by Peter X Feng called "The State of Asian American Cinema." It was published in Cineaste Magazine CINEASTE, 24(4), 1999, pp. 20-24). It's not readable online unfortunately, but it was republished in the catalog for this film festival (AAIFF 2017). I hardly remember the article today, but I'd like to give Feng a much belated thanks for writing it and being a big part of why this panel happened. Wherever you may be, I wish you were there with us on Saturday. Thanks to John Woo as well who’s been part of the fest for a while and who was instrumental in bringing us together. The talk...

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Los Angeles Asian Pacific Film Festival: The Working Man, Goh Nakamura, Closing Night

The Los Angeles Asian Pacific Film Festival just ended and now I’m wondering what to do. Sounds like a good time to share some pictures. Of course, my focus was on my pals from The Working Man enjoying a moment in the spotlight. I spotted my good friends Tadashi Suzuki (the star) and Wing Ko (co-director) before the shorts program began, and had a good time hanging out with them, saying hi to friends, and looking forward to their artful skate video’s hometown premiere.

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