Giant Robot Store and GR2 News
In the old print magazine, Eric and I used to give our Top 10s about everything that we had been checking out or into during the production of each issue. The lists could be random, ranging from what was on Eric’s thoughts on business to me being a new parent, with art, music, cinema, and other things in between. This was always done at the last minute, and it turned out to be one of the magazine’s most popular sections. It allowed readers to get to know our personal interests, habits, and happenings and, in turn, get to know us pretty well–even more than the articles which were pretty transparent anyway. On the same page, we’d ask friends and contributors to provide more highly edited Top 5s within a specific theme (favorite vegetarian restaurants, must-have art supplies, best starting five basketball players, etc.).
This is kind of in-between the self-indulgent Top 10s and the tighter Top 5s, mixed with music reviews.
Holy crap! I got to see Bad Religion at The Echo. And Quicksand back together. And FIDLAR for free. But first things first. Last week was the closing of the Giant Robot Biennale 3 at JANM, where I got to see my friend (and rad artist) Jack Long play with his band, White Dove.
Before starting his set, Keith Morris explained why OFF! wanted to have its eponymous LP release show at the Whisky. Even though the Sunset Strip landmark is now a cheesy venue that seems more concerned with selling drinks to poseurs and T-shirts to tourists than rad shows, it is a symbol of L.A.’s matchless musical history from psychedelic rock like the Doors and Love to first-generation punks the Germs and X to more recent metal shows that even I saw like Guns ‘n’ Roses and Michael Monroe (not to mention touring bands like SNFU, Scream, Sonic Youth, My Bloody Valentine, NOFX, and Green Day, as well as the first Descendents reunion shows…). Add to that OFF!
Openers Spider Fever seemed to soak up some of the venue’s psychedelic past with the elevated stage and high-end light system actually adding some unintentional-yet-not-inappropriate flair to their tweaked take on garage rock ‘n’ roll. I saw OFF! drummer Mario Rubalcaba front the band with his upside-down guitar and no-nonsense singing before playing with Hot Snakes not long ago, but this show seemed even tighter and actually more fun. After seeing the band a few times, it almost seems like the meeting point of many of Mario’s bands: the balls-out rock of RFTC, psychedelic aspects of Earthless, rawness of Clikatat Ikatowi, and energy of OFF! I was stoked to pick up the band’s amazing full-length LP, and you should get it, too.