Giant Robot Store and GR2 News

“It uses at 9.9 megawatts of power, running up an electricity bill of about $10m a year — that’s enough electricity to power about 10,000 homes a year.” It boasts a processing speed of 8.16 petaflops, which translates into 8.16 quadrillion operations per second. Wow, that is a LOT of inaccurate weather pattern forecasts. Still, the K, as it is known, is now the fastest supercomputer on the planet. In fact, it is three times faster than the Chinese Tianhe-1A, which had been the most powerful computer on the planet for the last seven years. The K is a collaborative effort between technology giant Fujitsu and a Japanese government-funded research think tank called Riken. And in an ironic twist, K’s development was hindered just a bit by the Marth 11th disaster in Japan, where the machine with the computing power equivalent of one million desktop PCs will be used to create models to predict the impact of earthquakes and tsunamis. Pretty noble goals for this very powerful computer. Still, we can’t help but wonder if some little part of this computing monster is being used as a server for multi-player games of Left 4 Dead 2 (The Guardian UK – Japan’s New Supercomputer)
Continue reading
“For decades, Myanmar, also known as Burma, has tried to keep its people isolated from the outside world and its dangerous ideas about freedom.” It’s summer, it’s hot, and it’s Southeast Asia. You’d think pretty girls in short skirts would be a no-brainer. Well, not in Myanmar, where the western-culture-phobic government is fighting and losing a battle to keep control over the influx of fashionable western-style clothing the country’s young women are determined to wear. It seems Myanmar’s conservative military rulers remain very uncomfortable with the shorter, cooler hemlines of western female clothing. They still vigorously insist that women wear the beautiful but very modest longyi, a traditional Burmese garment which hangs from the waist to the feet. Well, even though the longyi is still mandatory in schools and government offices, Myanmar’s generals may have encouraged the fashion shift themselves when they left their wives and daughters to dress as they liked in Yangon (Rangoon) when the country’s capital moved to Naypyidaw in 2006. Of course, the availability of South Korean dramas on the internet and satellite TV, and an influx of western business investment, have contributed to this fashion rebellion. And a form of non-violent rebellion it is, which is good to see in a country of such beauty and history which has been so repressively ruled for so long. (L.A. Times – Myanmar Fashion Rebellion)
Continue reading

the sun rises in the Onagawa

I’ve just returned from another expedition to the disaster-stricken Tōhoku coast and wanted to fill you in on this latest trip. (GR has published earlier reports for anyone interested!) This is the seventh time I’ve made the Tōhoku run since the March 11th quake and, as with previous excursions, I return to Tokyo depleted but also moved and humbled by the experience.

My mission this time was to load up my brother-in-law Kazu’s kebab-mobile in Onagawa and rendezvous in Kesennuma with Eiko Mizuno Gray and the Rainbow Cinema team, a motley crew of volunteers screening films (generously provided by Warners, Fox, Toho, Asmik, and other distributors) for quake survivors in the various shelters up north. The idea was for Kazu and me to provide free fresh kebab and ice cream to viewers during the breaks, while Eiko and her crew would keep the audience stoked during the screenings with their two popcorn machines (salt and caramel, respectively).

Onagawa, my in-laws’ home town was also hit hard by the quake and tsunami, with well over a thousand residents confirmed dead, several hundred still missing, and, according to a recent tally, about 1,200 living in shelters or temporary housing. So the morning before our deployment I had a walk around Onagawa, to see what progress had been made since my last visit a month ago. The whole port area is enveloped in a haze of fishy-smelling dust, but, to be honest, I couldn’t see much clear evidence of improvement. Yes, cranes are demolishing and clearing non-stop, and convoys of trucks haul debris to sorted piles (mountains, really); paths have been cut into the wreckage around the port, and many of the lightweight items (cars, refrigerators, bicycles, propane tanks) seem to have been gathered up. Nonetheless, the clean-up still appears quite superficial, just peeling away at the skin of an onion. A big-ass onion. Enough said.

flag waving in Onagawa

This current trip comes on the heels of a very belated two-weeks of chilling out at my parents’ home in Hermosa Beach (my first visit to the U.S. in well over a year). And what a strange contrast: The coastal villages I drove through on my way up to the far north of Miyagi Prefecture were once not so different from some SoCal beach towns; and yet to look at them now, you’d never know it.

Shizugawa 3/14/2011

I was meaning to take the inland route all the way up to Kesennuma, but a wrong turn off the Sanriku Expressway took us straight into downtown hell, ground zero of the tsunami. Shizugawa, Minami Sanrikucho, Koganezawa, and many other little towns that line this particular stretch of Route 45, grew up around river deltas and estuaries, their common geographical feature being a mountain-fed river spilling into the ocean at the mouth of a valley. Seeing the now-familiar pattern of destruction repeated in each of these depopulated port villages, one imagines a wall of black water roaring up the mouth of the valley, erasing everything in it’s path. Imagine turning a corner to see that coming at you! You actually can’t even see the ocean from many of the spots the tsunami hit.

I’d been to Shizugawa and Minami Sanrikucho in the first days following the quake, had stood at the back of the valley looking down on the tsunami’s aftermath, still steaming fresh; impossible to forget the sight of a classroom full of children pried from the wreckage and placed in boxes (boxes for heads, boxes for torsos, hands, etc.). Even now, over a hundred days since the tsunami, the record of what happened is unmistakable. Debris in every possible configuration fills low-lying spots, and the tsunami waterline is in plain sight everywhere one looks. The transition between Unharmed and Obliterated is absurdly drastic. (It was, in fact, quite maddening to contemplate what a difference just a couple meters of elevation might have made at many locations.)

still searching for bodies in Shizugawa

 

Continue reading
Yeah, the Southern hemisphere folks get their own version. This is it. Merry Christmas in June!   Here’s more notes from the staff at Kaikai Kiki NY We’re pleased to announce that, in collaboration with the Google Doodle team, two special Google logos featuring artwork by Takashi Murakami have been released to celebrate the Summer/Winter solstice. As part of an ongoing project in which Google commemorates holidays, seasonal changes, the birthdays of famous artists and other noteworthy events, today’s logo features two unique designs for the northern and southern hemispheres. The artwork will appear on June 21 (in America and Europe) and June 22 (in Asia), as each country hits the start of the Summer and Winter Solstices. The Summer Solstice takes place on June 22 in Japan. Northern Hemisphere Version (http://www.google.co.jp/) Southern Hemisphere Version (http://www.google.com.au/) These images were produced over a three month period. It was only after dozens of sketches and minute revisions that the results you see now were achieved. We would like to extend our sincere gratitude to the Google Doodle team for giving us this wonderful opportunity. Our entire staff worked day and night to make it happen. Thank you very much. Staff Credits Design Management: Shinya Kikuchi (Kaikai Kiki Co., Ltd.) Rough Sketches: Yuki Shinbo, Sorahisa Koda, Maeri Makuno(Kaikai Kiki Co., Ltd.) Data Creation: Reiko Irie, Makito Takagi, Ayaki Yamane Logo Research: Akira Murakami(Kaikai Kiki Co., Ltd.) Communication: Bradley Plumb (Kaikai Kiki New York, LLC) Communication/Legal:Yayoi Shionoiri(Kaikai Kiki New York, LLC) Design Brush-up: Takashi Konuma Kaikai Kiki New York LLC  
Continue reading