Giant Robot Store and GR2 News

In casual conversation, Leonardo Nam’s Australian accent is obvious. In movies, he plays anything and anyone. Currently in his early 30s, Nam lives in West Hollywood and is currently one of the “go to” young Asian American actors. In the past decade or so, he’s played an array of roles from a supreme pothead in The Perfect Score, an evil rice rocket gangster in Fast and Furious Tokyo Drift, to the heart of gold boyfriend in Sisterhood of the Traveling Pants. The Aussie raised Asian American, also enjoys his travels, he’s been around the globe and always has plans to keep on going. The plan for this podcast was to hear about the gap between time from his interview in Giant Robot Magazine to now. Naturally, we conversed about work, how the economy affects a young actor and his new directions, and relationships. It turns out, Nam is also a “go to” relationship guy for his friends and even folks in the Twitterverse. Perhaps it’s from his nice guy role in Sisterhood of the Traveling Pants, especially part 2 that’s led to some random solicitations for advice and he’s been giving it in 140 characters.
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Justin Lin deal includes a film about the 442 Regiment? Will this be a great updated 442 movie? Surely, Justin Lin’s stint at JANM in the video department led to some ideas. Perhaps it’s the Dachau related event. Who knows. It’s a story people don’t know about. But that’s the 552 Battalion, so maybe not. But perhaps he’ll make the big box office version of the 442 that needs to be told. (Screen Daily – Justin Lin)
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On a visit to Japan nearly two decades ago, I learned that the folks I met were interested in Americans – not Asian or Japanese Americans, but actually it was in their perception of Americans, the “white” ones. My younger cousins who were in the single digit age, expected their American relative to look like Zach from Saved by the Bell. I witnessed them say that I was supposed to have blond hair and blue eyes. Then my friends in Tokyo introduced me to their friends who commented, “he’s just like us”. I thought, ‘cool, but who else could I or should I be?’

In the earlier 90s, after their economic bubble burst, Japan still had Levi’s fever. The US was exoticized and still rare. “Yankee”, an Americanized style party girl was supposed to be “cool”. Shops with American names popped up. As an Asian American in Japan, I was treated as lesser than a Japanese person. I looked the looked, but couldn’t speak the language. If I were white, I’d get a pass into the forefront, but instead, I was a like a mute dog.

My friend Shinya once told me, “maybe Giant Robot will help change how Japanese people see Asian Americans.” He said this in 1996 and I remember that statement to this day. (I can now argue if things have changed or not with or without Giant Robot’s help.)

 

 

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Bruce Willis sees the thousand screens and sees dollar signs. It’s obvious that a billion people want to watch movies and many of the huge middle class will see them in a theater. His film called Looper is a joint production that includes Chinese backing. This is getting to be old news and obvious, yet it’s still developing. Perhaps the idea is to join the brigade of being in theaters before it gets bootlegged! (Bloomberg – Bruce Willis)
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