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Japan 2.0

  When we last spoke to translators for Genron, they were hard at work translating articles for the recent issue of the Shisouchizu Beta journal. Genron is a company founded by one of Japan’s premier critics, Azuma Hiroki, the author of Otaku: Japan’s Database Animals. Genron offers an accessibly fresh “critical discourse” based on “the here and now” in Japanese society. This may sound broad, but it’s merely a reflection of the journal’s range of topics. The journal analyzes everything from the otaku and gyaru subcultures to Japanese political science and literary criticism. There’s something for everyone here. It’s academically intellectual, yet journalistically readable and has information unobtainable through Western media. The new issue, Japan 2.0, confronts Japan’s looming future...

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Interview: Genron

When acclaimed critic Hiroki Azuma isn’t writing or teaching at Waseda University, he’s bridging the gap between academia and the general public through the Contectures publishing company as its President and Editor-in-Chief. With Genron, Contectures English language portal, he and his staff have their eyes set abroad by translating articles for Western readers not adversed in Japanese. We had the opportunity to sit down with Naoki Matsuyama who is in charge of translations and global outreach and Ko Ransom, a translator for the company, to discuss Genron, criticism in Japan, Azuma’s work, the Great East Japan Earthquake, and the country’s future. BF: How did you get involved with this project? NM: I was born and grew up in Italy and...

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