Giant Robot Store and GR2 News

A few weeks ago, we reported on the gigantic Gulliver statue in the abandoned theme park near Mount Fuji in Japan. The Japanese have a fondness, or at least a fascination, for famous icons of literature and film from Western culture. This time, the story is about an old, beat-up and abandoned version of American movie legend John Wayne. At the link, you’ll see numerous photographs by an English-American photographer documenting the sad state of affairs at Western Village in Tochigi, Japan, an amusement park ruin (or haikyo) abandoned since 2007. An animatronic robot version of The Duke, with his shirt pulled open and his electronic innards exposed, is apparently one of the bigger attractions for the haikyo explorers who’ve been prowling the defunct park since it closed. Oh, and make sure you explore all the material compiled on Western Village at the link, because it apparently used to feature a $29 million replica of Mount Rushmore (Michealjohngrist.com – Abandoned John Wayne)
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We can’t recall the last time we saw an American pop mega-star play a piano in the palm of a gigantic, nicely-manicured hand. But that’s just what Lady Gaga pulled off last week on Japanese television variety show SMAP x SMAP. She performed three tunes from her best-selling album “Born This Way”, including the title track, “The Edge of Glory”, and a solo version of “You and I” sitting in the giant hand and accompanying herself on piano. All around a pretty cool TV performance, which featured some very nice choreography and some dark but stunning sets very heavily influenced by Japanese culture and architecture. Get on over to the link and check out the entire 10-minute performance for yourself. (YouTube – Lady Gaga on J-TV)
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How do you increase your market share in a country where people are incredibly busy, hate to go grocery shopping, and without spending the money to build more brick-and-mortar stores? Well, you figure out a way to allow the customer to easily purchase your products in a place you know they must frequently use and will have a little time to kill. Like, say, the subway. That’s what Home plus, the South Korean division of British grocery store giant Tesco, figured out exactly how to do. They installed billboards depicting virtual Home plus grocery shelves in Seoul subway stations. While waiting for their next train, commuting customers scan QR codes on the products they want with their cell phones. Then, with shopping completed, Korean shoppers have the contents of their online shopping carts delivered by the time they get home. Pretty clever, particularly when you consider how much cheaper renting physical ad space on a subway platform is compared to building a multi-level shopping structure in one of Asia’s most populous cities.  (Digital Trends – Virtual Subway Groceries)
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Stan Sakai, one of the more unheralded comics artists and creator of Usagi Yojimbo finally has an exhibition at the Japanese American National Museum. It’s another pop culture exhibition on display at a museum. Just a a few years ago, comics weren’t okay at museums – it was controversial, and now it’s ok. Toys are fine too.

Here are some photo highlights (the Geof Darrow drawing is amazing)

 

See the photos below

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Most of us have eaten sushi in one form or another. I’d like to think that I’m fairly adept, my mother owning a sushi restaurant for decades in Santa Monica. I’ve seen the rise of the American sushi movement from the early 80s. Sushi is now available everywhere, from your local supermarkets to the secret sushi locations that feature high end everything at unpublished, market rate prices. People talk about them, as if they’re holding onto a secret. Yet one place stands alone at the top of the rugged mountain of sushi establishments, and it’s Sukiyabashi Jiro – a restaurant that’s garnered back to back Michelin three star ratings in 2008 and 2009. It’s the food lovers holy grail. Filmmaker David Gelb captured the head master chef and octogenarian, Jiro at his finest moments in Jiro Dreams of Sushi. The documentary isn’t overly cinematic, or overly dramatic, it’s actually shot clean and classic, and at the same time, takes you into the world of the business of sushi – from in the shop, the fish market, to Jiro’s personal life which further explains how he is known to be the best.

 

 

GR: Can you back track and talk about sushi and how you felt compelled to make this documentary?
DG: I’ve loved sushi ever since my dad took me to Japan on business trips starting when I was 2 years old. I was fed a diet of cold soba and cucumber rolls. I’ve loved sushi and Japanese culture ever since. After I got out of film school, I thought to myself, ‘why not make it my job to travel to Japan and eat the best sushi in the world?’

GR: Jiro seems like a stoic and strict person. How is he off camera?
DG: Nobody takes his work more seriously than Jiro. He’s been making sushi for over half a century and he still considers everyday an opportunity to improve his skills. He’s strict because he’s applying his full concentration to the present task. However, once the last customer leaves and he has a moment to relax, you’ll find that he is incredibly kind and personable. He has a great sense of humor.

 

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