Giant Robot Store and GR2 News

Update from Dave Kiersh: I’ll have two super rare CBS Schoolbreak Specials from the 1980′s on view (I have them on DVD- you have a projector?) Also, this cool 17 year old photographer named Cody Klintworth will be coming to take some photos (on film). http://codyklintworth.tumblr.com/ I can also read a short story from my previous book Dirtbags, Mallchicks and Motorbikes (a Xeric Award winner). And I have a brief slideshow of some unpublished sketches/comics that goes along to music. On Dave Kiersh: John Porcellino: “DAVE KIERSH is one of my favorites. I consider him a Great American Artist– his art addresses a uniquely American flavor of loneliness and desire, with his recurring themes of suburban, teenage anxiety, lust, “romance”, and desolation.”
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    DAVE KIERSH AFTERNOON SPECIAL GRAPHIC NOVEL + FREE PRINT SUNDAY, JULY 9, 3-5PM Giant Robot is proud to host Dave Kiersh, an indie comics hero. Kiersh has been working in the indie comics space for years and has slowly gained a loyal audience. His style is freely drawn and appears effortless and calming. It’s realistic and nostalgic. Afterschool Special is an illustrated romance concerning two teenage outsiders navigating a suburban landscape through nostalgia and personal dilemmas.  This 132 page full color perfect bound book includes affectionate nods to abandoned parking lots, late night B-movies and trashy amusement parks.  Fully written, illustrated and published by Dave Kiersh.  First offset printing and limited to 700 copies. Dave Kiersh was born in 1979.  He is also the creator of Dirtbags, Mallchicks and Motorbikes, his first full color book, which was published in 2009 with the assistance of a Xeric Grant.  Afterschool Special went to print as the result of a successful Kickstarter campaign.  He has been self-publishing his own comics since 1999. >>       LEGO MINIFIGURES SERIES 7 Awesome array of everyone’s favorite mini figures, Lego people! In this blind bag you may get a Nerd, Punk Girl, Bride, Warrior, Viking Woman, Space Pirate, Bagpipes Man, Aztec Warrior, Ape Man, Hippie, Bunny Suit Man, Swimmer, Black Knight, Red Riding Hood, Tennis Player, Sea King. MEAT BUN DAYTONABOT T-SHIRT From Meat Bun: “HORNET lives for speed, finding true happiness while trading paint in a crowded stock car race. Considers himself a “high-class” racer, but has no problem getting his tires dirty.” MEAT BUN PASSING BREEZE T-SHIRT From Meatbun: “Grab your girl, put the top down and crank up your favorite “Splash Wave” radio station and let the magical sound shower wash over you like a passing breeze…” TOTORO 150 PIECE MINI JIGSAW PUZZLE (SIT) Make Totoro appear piece by piece in this 150 piece mini jigsaw puzzle. Beautiful enough to display! TOTORO 300 PIECE JIGSAW PUZZLE (GRASS) Make Totoro appear piece by piece in this 300 piece jigsaw puzzle. Beautiful enough to display! TOTORO 300 PIECE JIGSAW PUZZLE (MOON) Make Totoro appear piece by piece in this 300 piece jigsaw puzzle. Beautiful enough to display! TOTORO 150 PIECE MINI JIGSAW PUZZLE (FLY) Make Totoro appear piece by piece in this 150 piece mini jigsaw puzzle. Beautiful enough to display!       JUN KUNG, DANIEL WU, AND PRODIP LEUNG ON PLAYBACK IS A BITCH By MARTIN WONG Upon returning home from the Drummer’s Collective in New York City, ace musician Jun Kung began his career as a rock musician. Despite winning the 2000 Hong Kong Commercial Radio Music Award for New Artist, Jun was quickly disillusioned by Hong Kong’s music industry. Instead, he became the most demanded drummer in Canto-pop and went on to collaborate with the likes of Jacky Cheung, Eason Chan, and Faye Wong. It wasn’t until 2010 that he returned to making his own music with Jun K, released on his friend Daniel Wu’s Revolution label. Upon...
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Hat tip to Charles Ayres, a pal that GR made in Tokyo at GEISAI 2008, for the melon ball scoop on this story featured in the “crime” section of Japan Today.  A 69 year old man got busted for stealing 60,000 yen worth of expensive melons, a little over $750 worth. Any visitor to Japan or Korea, always gets a good freak out over the “premium” produce that you can find in the food plazas of the upscale department stores like Shinsegae or Isetan.  In Mongolia a decent watermelon costs $10 because it either comes from an expensive greenhouse, or it’s been trucked in across the Gobi desert from China. In Japan or Korea, your watermelon may cost $20 or more because it’s been coddled since birth/grown into a cube shape/comes wrapped in silk mesh and ribbon, and packed in a wooden box. Wherever you are, enjoy the tastes of summer, just remember not to get caught on camera if you obtain them Peter Rabbit style.
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Upon returning home to Hong Kong from the Drummer’s Collective in New York City, ace musician Jun Kung began his career as a rock musician. Despite winning the 2000 Hong Kong Commercial Radio Music Award for New Artist, Jun was quickly disillusioned by the local music industry. Instead, he became the most demanded drummer in Canto-pop and went on to collaborate with the likes of Jacky Cheung, Eason Chan, and Faye Wong. It wasn’t until 2010 that he returned to making his own music with Jun K, released on his friend Daniel Wu’s Revolution label. Upon the release of its hard-rocking follow-up, Playback is a Bitch, I got in touch with the Hong Kong-born and Macau-raised artist and asked him some questions about his new EP, his dabbling in acting, and working with Dan.

MW: Is it difficult to squeeze in your more rocking personal work when you are so busy with Canto-Pop gigs?
JK: I am very blessed to tour with big-name singers and I am very comfortable on the road, hanging and touring in amazing cities in China. That’s my full-time gig.

I also have a production team based in Hong Kong called Mofo Music Ltd. We are a one-stop music production team. I believe in being flexible and capable, and that’s our attitude when we work with clients.

When it’s my own project, it’s really whatever feels good. Hence, my latest, Playback is a Bitch, is a feel-good album.

MW: When you are recording an EP like the new one, what is your goal? To get played on the radio, develop songs to play live, work with friends…
JK: For many years, my whole idea of making music has been to just get in a studio and record my songs. I haven’t cared about airplay, because it’s way more complex than one thinks.

Working with friends is a must, because most of mine are in the band. Even though I can play all the instruments, I have certain musicians in mind when recording. The new album, in particular, was written, arranged, and recorded on the spot. Very organic and natural–I wouldn’t do music any other way.

MW: In some of your new songs, I hear Guns ‘N Roses, Funkadelic… What are some bands that you are into? Do you listen specifically to drums when you hear music?
JK: Bands that I’m into… Pre-concert music in recent years would be anything from Pantera. I love loud hard stuff! And definitely Guns. I am a big fan of Slash’s recent solo projects, too.

I co-wrote the first cut on the new album, “Damn,” with a good friend of mine, Adrian Da Silva (of the legendary underground Hong Kong group, Audiotraffic). He does a mean Axl Rose impersonation, and I had to beg him to do a verse about “hot chicks with issues.” I am sure we can all relate to that.

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