It wasn’t easy to pick the 10 winners of the tickets for two to see Norwegian Wood. There were 60+ entries for the ten spots. They were picked by me based on whatever criteria I felt at the moment. There isn’t a “if I write more, I have a better chance” system. It could be how I felt at that moment and your short poetic words caught me off guard, maybe that’s how I picked. If you didn’t get in, please try again during our next giveaway. Some of your words were too generic, in a “let me in” type of way, but if you offered just a little more, you were in the running. Here’s my picks. (I left the editing part out, some probably wrote from their smart phones and some carefully crafted their words)
The 100% Perfect Girl
I’m a huge Haruki Murakami fan. I have his more recent books but unfortunately haven’t read Norwegian Wood. I loved 1Q84. I just found out about this movie a week ago and was stoked. I’d love to attend and already know “the 100% perfect girl” who would be my date, as she’s a big fan too!
-Greg, you are the dark horse, there are fans of all of his books, fans of the filmmaker, and fans of the actors who aren’t getting in, but this “100% perfect girl” is intriguing. If there’s such a thing for you and you know who she is, I’m picking you just on that merit, so hurry and ask her.
oh, let me count the ways…
it was the first murakami book i read almost 20 years ago. and i read it in a tiny, tiny city in southeastern japan, so that made it even more special. i lived a long time in japan, and his books kept me grand company as the still do today. in fact, i just re-read norwegian wood about a month ago and it’s still a lovely little tome to me.
i’m very excited to see this movie, especially because rinko kikuchi is in it.
flipping love her!
ALSO, i speak/read/write japanese, am a member of the Japan Society here in new york, and have always loved me some Giant Robot.
so in closing:
PICK ME! PICK ME! PICK ME!
-Jennifer, Yes, we love her too. I doubt she loves us back the same. The GR plug, a great move. Have a great time.
The English publication of Haruki Murakami’s novel, 1Q84, is beyond the horizon and the literary world is abuzz with excitement. As the name suggests, it takes place during 1984, a curious contemporary setting given that this was the same decade where Murakami’s career took flight. As many economic historians know, it’s also a period where Japan’s economic wealth was at its height before their economic bubble burst and a recession stretched past the turn of the millennium. Writers and historians stress the monetary decadence of the 1980s, but there was more than just productional consumption at play. A closer look into the country’s “consumption of knowledge” reveals a lesser known account of Japan’s “intellectual” trends of the time and where Murakami fit into the picture.
Murakami wrote a collection with Shigesato Itoi titled Yume de Aimashou (Let’s Meet in a Dream) in 1981. Gamers are quick to recognize Itoi as the director of the Earthbound (Mother 2) video game. However, Itoi was renowned for neither work during his prime. It’s his position as a copywriter that made Itoi a national celebrity–a Japanese Don Draper if you will–in the 1980s. Itoi’s unlikely ascent to superstardom offers a greater insight towards Japanese commercial life during this decade and further aids us in understanding Murakami’s popularity–or what some have deemed the “Murakami Phenomenon.”