Giant Robot Store and GR2 News
From Tran Anh Hung, “Murakami and his wife loved the film. I’m not the right person who can repeat all the nice things they said about the movie. They used the word ‘noble’ to describe the movie. That’s all I can say.”
Norwegian Wood is a beloved book by Haruki Murakami. The fans have rallied behind this author in almost any endeavor, thus a film adapted from one of his novels proves to be near impossible in escaping built in scrutiny from the moment it’s conceived. Director of films such as Scent of Green Papayas and Cyclo, Tran Anh Hung rose to the task and proved that a film could be made and done well. The film isn’t action. It’s is a Haruki Murakami novel adapted into a film. It’s meant to be meditative, spiritual and also beautiful which Tran Anh Hung delicately captures. The film will open in January.
GR: Can you talk about your relationship with Haruki Murakami.
TAH: I sent him a letter when I learned that he gave his permission to a Japanese director to adapt one of his short stories. Since I wanted to adapt his books. In ’94 was the first time I read his book. So five years ago I sent him a letter asking him if he would be interested to meet in Tokyo and he said ‘yes, come over’ and that’s how we met for the first time. During this meeting he was very simple. He wanted to read the script and also to know about the budget of the movie.
GR: Oh wow.
TAH: Yea so we spent, the producer and I, a year of two to give him the project.
GR: You’ve mentioned that he is one of your influences. Is that something that you kind of grew up with, did you read his novels?
TAH: No, no, I only read one book. As usual when I’m interested in something I have to keep it very fresh meaning that I was not interested in finding out who is the writer and to read his older books. I didn’t want to read his older books because I only wanted to keep this book very fresh in my mind and wait for the moment where I can sign a contract with a producer to start working on the book. It’s only when I stopped working on the book that I start to learn how important is the book for the people that it’s a very successful book. I didn’t know this before.
Descendents at GV30
Before Goldenvoice promoted mega shows at Coachella, Staples, and Nokia, I knew the promoter’s name from flyers that I’d pick up at Zed Records, which also sold tickets to their shows at like Fender’s, Bogart’s, and the Palladium. Goldenvoice was the first promoter to book punk shows at “real” venues, giving chances to California bands that were treated like threats by the mainstream (Black Flag, Dead Kennedys) as well as touring bands that only got played by Rodney on the Roq (Damned, 999). My dorm rooms were decorated with those flyers, as well as posters for shows like PiL, Siouxsie, and the Jesus & Mary Chain, which also had the logo. This weekend, Goldenvoice honcho Gary Tovar booked three nights at the Santa Monica Civic (scene of early shows by The Clash and The Jam, not to mention Urgh! A Music War) to celebrate 30 years of business but also the roots of L.A. punk.