Giant Robot Store and GR2 News

Yes, it’s a sad situation. People get out of work later in Japan, and arriving at 8pm to pet cats after a crappy day at work is routine for many. Now that the shops need to put away their cats at 8pm, it’s going to cause a lot of problems for some shops who have that 2 hour time as a profit center. The weird thing is that there’s plenty of fire hazards among the crammed up bars, yakitori shops, which when a fire erupts kills everyone inside. Yet cat cafes are a smoke free, alcohol free environment and they can’t keep the cats out past 8pm?! Makes little sense. (Newsday – Cat Cafe Curfew)
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DIVERSIONS MARCH 10 – APRIL 4 RECEPTION: SATURDAY, MARCH 10, 6:30-10PM MONYO MONYO, JUDE BUFFUM, PAUL ROBERTSON, FERIC, MEAT BUN, FRENCH, SEAN CHAO We all have interests that takes us away. Our postcard image by Australian artist Paul Robertson which hyper dense and 8-bit influenced. Jude Buffum from Philadelphia crosses 8-bit art and social and pop culture commentary. Monyo Monyo from Japan creates wearable masks that are furry and powerful. Feric from Taiwan is known for his delicate and cyber-detailed pieces. Originally from Taiwan but now a resident of Los Angeles, Sean Chao creates astonishing dioramic worlds. French from England evokes metal music and its iconography. Meat Bun, our comrades from multiple pop up shops and Game Night events will display some of their iconic work. In attendance for the opening will be Paul Robertson, Sean Chao and the trio who make Meat Bun. We’ll also have a Game Night – March 24th 6-10pm also at GR2. HELLO SPRING! FEBRUARY 18 – MARCH 7 NOW AVAILABLE ONLINE APAK, ULISES FARINAS, RENEE FRENCH, PAMELA HENDERSON, ALBERT REYES, ERIKA YAMASHIRO APAK TADAIMA ULISES FARINAS ELORGO RENEE FRENCH MISS 88 PAMELA HENDERSON RAINBOW BRIGHT EYES ALBERT REYES UNTITLED ERIKA YAMASHIRO CROWN   VIEW THE ENTIRE EXHIBIT YEAR OF THE DRAGON PRINTED MATTER 10 APPAREL BOOKS FOR HOME TOYS PRINTS + MORE   NEW AND FEATURED FOR MARCH ALBERT REYES PIT BULL PRINT UGLYDOLL TIN TRUCK + COIN BANK Albert Reyes shows his tough side in this Pit Bull print. Classic Reyes imagery. Uglydoll brings its quirky characters to its series of classic tin toys. Functional, free wheeling trucks can keep your coins safe and in one place. UGLYDOLL TIN KEEPSAKE BOX KOZYNDAN AUDIENCE PRINT It looks like a lunch box. Hey, could be! Or you can use it to store your secret files and mementos. Detail view. New wallet friendly but not wallet sized prints from illustration duo Kozydan. MOMIJI DOLL BIBI BUTTON / LORELI LOVE WIND-UP SPACE ROBOT Turn them upside down and inside you’ll find a teeny tiny card, perfect for writing messages. From the depths of deep, dark outer space! Wind up the Space Robot to make him walk! ANIMAL STYLE – FILM PROGRAM By MARTIN WONG The first section showcases independent films and shorts made by Asian American skateboarders without financial backing from the action sports industry or the benefit of corporate screenings and festivals. The latter half features skating in Asia by Asians with local twists from Hong Kong and Bangkok. MOTHERFUCKERLAND: INSTALLMENT 7 By ED LIN Read this week’s installment of Ed Lin’s serialized novel. All installments to date are available and we are about a quarter of the way through. MONGOLIAN LUNAR NEW YEAR By MICHELLE BOROK “The holiday is about more than starting a new year right, it’s about family coming together, and in a country where family can be far flung, the importance of coming together is honored.” CHOW-YUN FAT IN JIANG WEN’S LET THE BULLETS FLY By MARTIN WONG With all of the...
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(Art by spoon+fork.)

For no practical reason I laid out five rock-hard frozen patties on the grill like the die face for “five.”

The customer had wanted some of them medium and some well done, but I was going to cook them all the same and put pickles on the plates of the “well done” ones.

Howard was slowly peeling off lettuce leaves and putting them on the open buns.

“I could have gotten into Ridderman,” Howard said to his shirt collar.  “I could have transferred there after I was done with Sack.”  Ridderman was the four-year college next door in Monmouth County. It was private and was Whole Foods-expensive.

“Why would you want to go to Ridderman?” I asked Howard.

“I’m just saying I could’ve gotten in–I didn’t want to go.  After my first year at Sack, I had a summer job at Ridderman, in the bookstore.  I even went to a few classes.  I didn’t register or anything, I just dropped in.

“It made me depressed.  All those professors are there to train you how to get a job up in an office skyscraper, take a train there and back everyday.  There was no nurturing of entrepreneurship.  Colleges just train students how to be good employees.  Bill Gates had to drop out of Harvard to become the richest man in the world.  And he did it right where he wanted to, back in Seattle.  When I have my own business, it’s going to be within walking distance to the ocean.”

I didn’t say anything because I had the opposite goal.  I had the “office job” sign above my bathroom mirror.  I nodded and pressed the spatula hard against the hamburgers on the grill to help them cook faster.  Howard kept talking.

“Now Sean, I don’t see the entrepreneurial spirit in you. That’s fine. Being a boss isn’t for everyone, otherwise who would we hire?  But let me give you some advice.

“You don’t have to work in the city or Philadelphia for a full-year job.  Probably the best jobs–in terms of pay–are in automotive repair because we’re in the 50-50 zone.  Everybody has to use their cars.”

The 50-50 zone ran across Monmouth, Ocean and Mercer counties.  It got its name from being about 50 miles from New York and 50 miles from Philadelphia, so you got the best of both worlds.  But it doesn’t really matter if you don’t have a car, like Howard and me.

“Automotive repair’s too hard. It would be more fun to work on the boardwalk,” I said. Howard shrugged.

“If you want a job at one of the stands you pretty much have to marry into the families.  Those skill stands like Frog Bog and the spinning wheels are like in the third and fourth generations running them.  The food and souvenir stands don’t want to hire Americans because they’re too unreliable.  They hire Mexicans and Bulgarians.”

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BS: Jeremy Lin. Obama: — doing good. And I knew about Jeremy before you did, or everybody else did, because Arne Duncan, my Secretary of Education, was captain of the Harvard team. And so way back when, Arne and I were playing and he said, I’m telling you, we’ve got this terrific guard named Jeremy Lin at Harvard. And then one of my best friends, his son is a freshman at Harvard, and so when he went for a recruiting trip he saw Lin in action. So I’ve been on the Jeremy Lin bandwagon for a while. BS: Are you taking credit for “Linsanity”? It kind of feels like you are a little bit. Obama: I can’t take credit for it, but I’m just saying I was there early. BS: I’m surprised you didn’t steer him toward the Bulls. [Laughter.] He was floating around and getting waived by teams. Obama: Well, we’ve got this pretty good point guard on the Bulls as well. So he might not have gotten as much PT as he did. But look, it’s a great story. And what’s interesting is the fact that somehow folks were missing it in practice. I mean, that’s what’s interesting. Because you got to assume that during scrimmages he was running that pick-and-roll pretty well. And it is a terrific story. He seems like a wonderful young man. And, look, it elevates this great sport all around the world. It can’t hurt ratings for basketball in China.
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I have a long playlist on my ipod that I call “the song graveyard” of old unfinished verses,choruses and riffs. It’s a musical “to do” list that I consult every now and then. One of the songs on there was a sad tune that started with the words “Here’s A Secret”… but then ended in gibberish. Songs can stay in this suspended state for years, until something jolts me emotionally to fill in the blanks. Such is the case for this tune. This is the first single from the Soundtrack album I’m about to release called “Motion from the Music Picture.” There’s 2 exclusive cues from my upcoming film Daylight Savings, too. Hope you dig. Here’s A Secret I’d imagine writers, artists have a similar “graveyard” that they consult from time to time…I’m curious. How do you guys work with older material?
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