Giant Robot Store and GR2 News

Like a bunch of folks on twitter, I caught Lee Chang-hoon on KBS World News today. Very cool to hear what sounds like your average, professional and polished news anchorman, and see him reading from a braille news reader. Korea is behind on a lot of things when it comes to accepting difference, but I’ve always been impressed with the way that they have integrated the needs of the visually impaired into daily life. It’s an effort that’s apparent, but probably still has a long way to go. Regardless, this is a huge step forward, and it would be great to hear about other major television networks around the world following suit! The Korea Times as well as the The Korea Herald wrote about him when he made his debut last year. In the meantime, while Lee keeps moving up the professional ranks at KBS, I’ll be following the story of the Mongolian Paralympian who will be representing Mongolia in judo.  By day he works at a felt making company (creating felt for gers) and in the evenings he trains for the Paralympics in London. Totally rad. These athletes are an inspiration.
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FOR IMMEDIATE RELEASE – Luke Chueh Book Signing and Print Release Luke Chueh Book Signing and Print Release Sunday, June 24 2012, 1 – 4 p.m. Giant Robot 2 2062 Sawtelle Blvd.Los Angeles, CA 90025 gr2.net (310) 445-9276   The Art of Luke Chueh – Bearing the Unbearable is a monograph filled with the history of Luke Chueh’s art work. We’re proud to announce the appearance of Luke Chueh at Giant Robot 2 on Sunday June 24th 1-4pm. Chueh will be available to sign copies of his monograph (we’ll have copies) and to release his new print, “Swarm” which was on the cover of Giant Robot 68. Giant Robot was born as a Los Angeles-based publication about Asian, Asian-American, and new hybrid culture in 1994, but has evolved into a full-service pop culture provider with shops and galleries in Los Angeles. For more information about GR2 or Giant Robot magazine, please contact: Eric Nakamura Giant Robot Owner/Publisher eric@giantrobot.com (310) 479-7311  
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I don’t like the way your looking at me Mario….

 by Robert Bruce

On day one Xbox’s focus, as far as I could tell, was primarily on Kinect games and Halo 4. I don’t blame them at all, but their floor area was very sparse, and most of that floor was either the gargantuan line for Halo 4, or people demonstrating a couple choice Kinect based games; including a Marvel-Avengers-esque game, a dancing game and some other games that didn’t really grab my attention (I believe one was the Wreckateer which is a sort of Kinect version of Angry Birds that certainly has some promise). Behind this section was a number of smaller XBLA games, which actually interested me more than any of the above games. Deadlight caught my eyes more than any of the other things showcased in the XBLA section. Deadlight reminded me a lot of the old-school Blizzard’s Blackthorne, only with zombies and many generations forward in graphics tech. The game is a “2d-esque” side-scroller that takes you through a zombie laden apocalypse; and I realize how boring that sounds conceptually. What’s interesting is the the lighting effects or lack thereof that contribute to the challenge and feel of the game. Lush city-scape backgrounds and a great job of atmosphere contribute to what looks to be an interesting game experience.

 

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Jessica Yu interviewed by the LA Times about water in promotion of her film, “Last Call at the Oasis”. It’s about water and it’s depletion. This one quote says it all, “When Famiglietti says the aquifer under the Central Valley, which we use to irrigate a lot of the crops that provide one-fourth of the food in this country, could be depleted in as little as 60 years — that absolutely floored me.” (LA Times – Jessica Yu)
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